Are you interested in Greek Mythology? Are you a Voice Actor?
Threads of Fate is a brand new, up-and-coming project centered around your favorite myths and figures from Greek mythology. Using many different artistic aspects, the goal of this project is to provide designs, comics, and short animatics retelling myths and stories, while using voice actors to further bring the viewer into the setting.
・・・・・ · · ─ ·✶· ─ · · ・・・・・This project will be a mix of comic-style pieces and short animatics to help provide a concise narrative of my interpretation of the myths from Greek Mythology. Please note that this project is not meant to be 100% historically or mythologically accurate, and it's just me attempting to share my interpretation in a fun way that can be engaging for viewers by having voices for the characters.
・・・・・ · · ─ ·✶· ─ · · ・・・・・If any of this interests you, then we hope that after you audition, you decide to join our server and get involved with this project, or share the link with someone you know who might be interested. There are already a few things in the works for the first posts, and one that already needs a voice actor, so you have plenty of chances to get involved!
If you are interested in applying for a staff position within the server, we currently have applications open for Server Moderators, Partnership Managers, and Events Hosts. Applications will remain open for a little while longer before I hire anyone, so no rush to submit.
If you would like to do anything like a Pick for Me (P4M) because you're unsure of who to audition for, I will be opening one up within the server. There is also a channel that is available for you to suggest myths or characters you would like to see featured in this project. This isn't a guarantee, but it lets me know what people would like to see!
If you have any questions about anything, please feel free to comment on this page, reach out to me here, or join our Discord server and reach out there!!
Auditions have officially closed for the following roles!!
- Zeus
- Nyx
- Tartarus
- Cronus
- Rhea
- Hera
- Poseidon
- Demeter
- Apollo
- Hermes
- Hestia
- Hephaestus
- Artemis
Please be patient as casting will happen in 2 waves as soon as possible!
This is just a reminder that an audition deadline has been set for the following roles!! Please submit by Friday, April 10th at 11:59pm EST to be considered for any of these 13 roles!!
- Zeus
- Nyx
- Tartarus
- Cronus
- Rhea
- Hera
- Poseidon
- Demeter
- Apollo
- Hermes
- Hestia
- Hephaestus
- Artemis
An audition deadline has been set for the following roles!! Please submit by Friday, April 10th at 11:59pm EST to be considered for any of these 13 roles!!
- Zeus
- Nyx
- Tartarus
- Cronus
- Rhea
- Hera
- Poseidon
- Demeter
- Apollo
- Hermes
- Hestia
- Hephaestus
- Artemis
This is NOT Threads of Fate related, but more so adjacent!!
Fall of the Titans is a project similar to Threads of Fate that my friend Nox has, and it is a huge motivator for how ToF came into existence!
Auditions for this project have officially opened, and you can audition for many characters in Wave 1 now on their CCC page!!
Auditions for Gaia, Athena, Uranus, and Chaos are now officially closed!! Casting will be announced on Discord and then our TikTok this weekend!
In Greek mythology, the Titans are the first generation to follow after the Primordial Beings. This audition is specifically to cast the Titans that do not have separate auditions. Some are more important roles in this project, which will be bolded, but I may end up not casting all 10, especially since in scenes with all Titans, it'll get overwhelming.
- Oceanus
- Tethys
- Hyperion
- Theia
- Coeus
- Phoebe
- Mnemosyne
- Themis
- Crius
- Iapetus
In this project, they will play a part in both the main storyline and the side stories.
Since this audition is for about 10 roles, there really isn't anything specific that I'm looking for with this casting. If you are interested in researching the individual Titans, you are welcome to use that for your characterization inspiration. If you are auditioning with a specific Titan in mind, please leave that in your initial audition so I can keep that in mind.
One thing to remember is that not all Titans were considered evil, and some of them or their children were spared from being sent to Tartarus. While Cronus and Iapetus are the only ones confirmed to be imprisoned, some, like Oceanus and Tethys, are confirmed to have remained free because of their assistance to the Olympians in the war. Others, like Hyperion, were thought to be left free due to the necessity of order.
If you wish to be a primary consideration for any of the primary Titans, please use their adjacent voice lines that are in this description.
- Oceanus: You build your cities beside my rivers, and you drink from my springs. Remember the source of your life. Water is both a giver and a taker.
- Tethys: All life begins with water. The rivers are my children, and every spring carries my blessing. The earth thrives because our water flows.
- Mnemosyne: Time fades many things, but memory preserves them. The past whispers to those who listen, and every story lives within memory. Without remembrance, history dies.
- Iapetus: Mortality is the price of existence. Even gods feel the weight of time. This universe is built on endurance, and those who cannot endure shall...fade.
(Toward Gaia) Mother of our kind...you have birthed us. Your anger began the first war, and we shaped the world. But still the world stands.
(Toward The Olympians) Before Olympus rose, we ruled the cosmos. The world was ours long before you younger gods were born. We shaped the foundations of creation, and you inherited what we built.
(Toward Tartarus) You have swallowed our freedom. But even the abyss cannot break a Titan’s will. Time means nothing here, and a thousand years pass like moments. The Titans shall endure. Even in darkness.
In Greek mythology, Erebus is considered one of the first Primordial Beings and is the personification of darkness. In this project, Erebus is a genderless being.
Erebus will have more of a presence in the early part of the core story and in occasional side stories.
Erebus is more of a counterpart of Nyx and Tartarus in this project. It's admittedly one of the primordial beings that doesn't play as major a role in the project, especially as its own character. It'll be mentioned more by other characters, though it will have scenes. Since it's a counterpart of Nyx and Tartarus, draw some of the traits and characteristics from those two figures. Think of darkness and why it's fearful, similar to Nyx's character. But also think of the darkness and what it may hide, similar to Tartarus' character. It's a presence that is always threatening, even when it's bright out, just always at the edge of one's vision.
(Toward Tartarus) You, my old friend, are depth, and I am darkness. Where you fall…I shall follow. It seems that few gods understand what we truly are, and even fewer still dare to approach.
(Toward Nyx) I have watched you since the first darkness, Nyx. Few understand what we are. Older than the stars...and even older than the gods themselves.
(Toward Hades) King of the dead…your realm knows my presence well. The Underworld breathes my darkness. Your kingdom welcomes death with open arms. But do not forget that mine existed before it.
In Greek mythology, Hades is the King of the Underworld. He primarily spends his time tending to his domain.
In this project, he will have a major presence in the core story and will have appearances in some of the side stories.
Hades has a lot of layers to his character. While I do like the general idea of Hades being a very deadpan and bland character with his personality, I don't like it when that's depicted as his only trait. I like to think he comes off as this way, more as a defense mechanism than his true personality. In his line of work, dealing with the Underworld and the souls, will obviously be a drag on one's personality. It's once again another obvious trauma response, especially when Tartarus and, inevitably, Cronus, are so close to his own domain. In his later storyline with Persephone and Demeter, the plan is to further delve into layers of emotions and vulnerability, and learning to cope with memories and emotions.
(Toward Hermes, A Bit of Humor) Every time I see you, I never am prepared for what you are about to tell me. Perhaps that is why I find your stories amusing, nephew.
(Toward Persephone, Openness) It's as your mother said it. Fate is never how we expect it. Ours was certainly written in a strange way. Perhaps that is why we rule so well together. Though I never could have imagined that the Underworld could feel...so alive.
(Toward Hestia, Contemplative) You understand balance better than most, sister. Life begins with your flame at the hearth, and ends at my gates. I think that is why we always got along so well, even before we knew what the future had in store for us.
In Greek mythology, Aphrodite is the Goddess of Love and Beauty.
In this project, she will have a major presence in the core story and will have appearances in some of the side stories.
Aphrodite in ToF is set to be a very outgoing character, which is a personality that she's built up over time. One thing I want to emphasize, though, is that you can be sensual without being sexual, and that is something I NEED auditioners to keep in mind for her. While she is the Goddess of Love, this love isn't entirely romantic and sexual. It can be platonic, familial, and even self-love. This includes being able to embody all the different types of love and feelings that come from relationships. From this, I like to think of Aphrodite being easily overwhelmed and needing solitude more often than most. Feeling things intensely for so long can make one overstimulated, and so solitude is when she's more vulnerable, or when she's with specific individuals. She wants her public image to others to be strong and unwavering.
(Toward Ares, Teasing) Tell me, Ares, which is more dangerous? Your spear or my smile? Because you conquer cities, and I conquer hearts. Yet somehow we both win.
(Toward Hephaestus) Even Gods cannot force love. *This* was never fair to either of us. But I think you know that by now. Even I cannot create love where it does not live. That is the cruelest truth of all.
(Toward Persephone, Irritated) You grow attached too easily, Persephone. First the world above, now the boy. Adonis is not a prize to be claimed. You have your throne, your kingdom. So must you take my heart as well?
In Greek mythology, Ares is the God of War.
In this project, he will have a major presence in the core story and will have appearances in some of the side stories.
As mentioned in Athena's description, the two of them are 2 sides of the same coin, and part of this is because of Ares' own attempts at living up to Zeus' standards. While she is the sword, Ares is the shield, and you're more likely to throw away your shield in battle before you do so to your blade. Because of the obvious difference in how they're treated, in an attempt to stand out and outperform his sister, Ares often acts intimidating and rough, hoping it'll garner the attention he wants from his father. His anger is a big driver for his actions and behaviors. Of course, I'm not entirely a fan of single-faceted characters, and I want VAs to be able to delve into feelings of weakness and insecurity.
(Toward Hera, Obedient) Mother, let Olympus tremble if it must. I fight for glory. The battlefield respects my strength, and I shall never hold back. Command me, and I promise you that war will follow.
(Toward Athena, Tense) I don't know how father can favor you. Not after all I have done for him. You hide behind your clever little plans, while I charge straight into glory. Overthinking kills the thrill of battle, Athena.
(Toward Zeus, Rage) Do not try and lecture me about war and chaos, father! You praise strategy over courage! Yet strategy means nothing without warriors, and without warriors there is no victory! Without war there is no glory!
In Greek mythology, Persephone is the Goddess of Spring and Queen of the Underworld.
In this project, she will have a major presence in the core story and will have appearances in some of the side stories.
While I do occasionally allow myself to selfishly indulge in went willingly, girl-boss Persephone, unfortunately, my own interpretation doesn't go as far as some do. I am playing with the idea of having her name change from Kore to Persephone upon her marriage (because Demeter just naming her 'daughter' is kinda so funny to me), but I'm still deciding. Persephone in the earlier half will reflect a lot more of Rhea's personality in an attempt to keep the cycle of that motherly personality flowing, but similar to Rhea, there's a lot more obedience to her that is due to the figure of power, which is Demeter in this case (Cronus in Rhea's). It's only when she is kidnapped by Hades that she sees how much potential she has as a Goddess. She grows bolder during her time in the Underworld, and even after eating the pomegranate seeds and the deal is made to split her time between the two worlds, she's still learning more and more about herself, not as 1 half of Demeter or Hades' whole, but more so as a singular person. I truly want her character to embody some similarities of an AFAB individual's experience with womanhood and coming. By the latter half of things, she's more prone to saying no to her mother, standing her ground against her husband, and coming to terms with her identity.
(Toward Demeter, Somber) Mother, please. I shall return sooner than you realize. I know my absence hurts you, but both of these worlds are a part of me now. I cannot exist with one and not the other anymore.
(Toward Hades, Understanding) You've showed me there is beauty even in darkness. The living fear this realm, even our own family does, but they do not understand it. Not truly like we do.
(Toward Hermes, Contemplative) Hermes, you move easily between worlds. And at a much quicker pace than I have to. I often think about how you do it, but then again you aren't bound to either as long as I am. Some days I wish I could just go between them as I please. It might be easier for everyone if that was the case.
In Greek mythology, Dionysus is the God of Wine and Theater.
In this project, he will have a major presence in the core story and will have appearances in some of the side stories.
Dionysus is officially the baby of what I'm calling the 'core Olympians family tree' since, as we all know, it's extensive as hell. He's going to be a very expressive character, whether because he's just like that or the wine is talking, well, that's up to you to decide. Because of this, though, he's rather open in discussions, not really caring about where he is, who he is with, or what he's discussing. He's prone to just speaking what's on his mind, not always thinking before he speaks. He doesn't care as much as some of the others do about formalities, but he's not entirely unprofessional either. When he truly wants to put in the effort, he does, especially when it concerns actual important things on Olympus or with his closest friends and relatives.
(Toward Apollo, Playful) Now, tell me, brother...when was the last time you truly lost control? You might enjoy it. Just once. Now that would be interesting.
(Toward Hera, Drunken) Ah, Queen Hera, still holding that grudge against Father? Life is much easier with a glass of wine. You should try it. Anger ages the soul and celebration refreshes it. But then again, you’ve never liked my kind of fun. A shame, really. You’re missing quite the performance.
(Toward Ariadne, Contemplative) Life is strange, Ariadne. It twists like a vine, never growing the way we expect. Mortals try to walk straight paths…but the world was never meant to be straight. It’s a labyrinth, much like the one you escaped. Perhaps that’s why I admire you.
In Greek mythology, The Fates are 3 women who are the personifications of destiny.
In this project, they will play a part in both the main storyline and the side stories.
While this is just 1 role here on CCC, all 3 Fates will be cast from these auditions. The Fates will be present throughout the entire project, though in some moments, their presence is more obvious. They're not loud or demanding figures, especially since they always know more than anyone else in the moment does. They speak softly and more matter-of-factly, and so I really would love to have some fun with how their words and lines blend and shift into one another when it comes to editing for them. Have some variety in your line delivery since there are 3 different Fates, and each may sound different in age.
(Clotho Speaking) Another life begins, another thread for the loom. So many possibilities in this single strand...let us see where this one leads.
(Lachesis Speaking) Every life has its proper length, but the balance must be maintained, too. Too long, and the pattern distorts. Too short, and the story falters.
(Atropos Speaking) Another thread ends soon. The scissors simply finish what began. Ultimately, every thread ends, and silence will follow the cut.
In Greek mythology, Tartarus is considered to be the third of the Primordial Beings to exist, and is a deep abyss in the Underworld that is used for the punishment of the most wicked. In this project, Tartarus is a genderless being.
Tartarus will have more of a presence in the early part of the core story and in occasional side stories, especially those to do with the Titans, the Underworld, or any of mythology's more evil characters.
When auditioning, consider the inherent purpose of Tartarus. It existed before even its first prisoners were created, so it wasn't exactly created with a purpose in mind, but it quickly adapted and found its place within the world of Greek mythology. Its existence is actually very unique in the sense that it's powerful enough to trap beings of similar power within itself, but it will also bend to the will of beings that could be considered below it. I almost want to hear interpretations that are scary and haunting, especially in the sense of speaking to the people imprisoned in it.
(Toward Cronus, Taunting) You once ruled the cosmos...and now you will rot in my depths. Such is the fate of kings.
(Toward Zeus, Unimpressed) Your thunder does not frighten the abyss. Your rule is temporary. Kings like you rise and fall. Until one day, the sky itself crumbles.
(Toward Gaia) These younger gods believe they now rule. They stand upon you and cast their enemies into me. But they forget who came before them...meaning they forget the foundations built beneath their thrones.
In Greek mythology, Nyx is one of the Primordial Beings, the personification of night. She was born from Chaos, and took her brother Erebus as her spouse, having many children with him and by herself.
Nyx, in this project, will have more of a presence in the core stories and will have occasional appearances in side stories.
When auditioning for Nyx, remember what all night can encompass, and think about your own experiences with night. What does it make you feel? Fear? Comfort? While Nyx isn't talked about like some other deities are, she is still extremely powerful, to the point that even the king of the Gods himself, Zeus, is terrified to cross her. I like to consider her similar to Gaia, being self-aware of her power and abilities, but more likely to use them to her advantage.
For some character vocal suggestions, please consider listening to Nyx from Hades, Yukong from Honkai Star Rail, or Twisted Alice Angel from Bendy and the Ink Machine.
(Toward Gaia, Comforting but Calm) Should the sky ever fall, sister. Should he ever return and attempt to cause you anguish again, my darkness will hide you from him.
(Toward Cronus, Pitifully) You cannot defeat the night now. No, not here. Now, you can only survive it. It's a shame to see how far you've fallen Son of Gaia.
(Toward Zeus, Almost Proud) Even the God of Thunder lowers his voice when darkness listens? You are smarter than I gave you credit for, King of Olympus. Though perhaps that can be credited to a certain fly buzzing about.
In Greek mythology, Cronus is the youngest of the Titans. He takes his sister Rhea as his wife, and the two of them are the parents of the first 6 Olympians.
Cronus, in this project, will have more of a presence in the core stories and may have a few appearances in some of the side stories, but more so as memories or flashbacks for some characters.
When auditioning, consider the many facets of Cronus' character. Similar to his father, we can see another one of the seven deadly sins at play in his storyline, which is greed. We see this with part of his decision to castrate his father, being for his mother's sake, but a part of him also does it to secure the power that his father has. The greed he has for his power and his position, alongside the fear of being overthrown by his own child, inevitably forces him to continue the cycle.
(Toward Rhea, Harsh) I did what was necessary, Rhea. You and I both know more than anyone that power is never given. So I seized it for myself before anyone else could.
(Toward Gaia, Manic) Mother, you say destiny cannot be changed. But I have proven you wrong. And I shall do so time and time again. This prophecy you believe in, it's a poison that I shall not succumb to.
(Toward Zeus, Uncontrolled) Do not forget who defeated the first God-King, son. You were not the first, and you shall not be the last. I will reclaim all that you've stolen from me and bring an end to your little uprising.
In Greek mythology, Rhea is one of the Titans. She marries her brother Cronus, and the two of them are the parents of the first 6 Olympians.
In this project, she will have more of a presence in the core stories and may have a few appearances in some of the side stories, as I really do want to explore her position in the myths more.
I consider Rhea to be very similar to her mother when it comes to her characterization. She's not as powerful as her, especially in comparison to her husband's power as his sister, but she still has a strength of her own and a will stronger than most. When auditioning, imagine a less mature version of Gaia, a woman who has yet to truly see the horrors of the world as it's shaped around them. What we do know of her is that she's a very maternal figure, and even after Cronus is defeated, she remains on Olympus with her children.
(Toward Gaia, Angry and Mourning) I've only held them for mere moments before he took them from me. Their cries before they were swallowed still ring in my ears and I want nothing more than to tear him apart piece by piece.
(Toward Cronus, Defiant) I won't let you mistake my love for weakness ever again. Your undoing was done by your own design. Your fear paved this path for them. And now I will only stand and watch you suffer for your choices.
(Toward Hera, Motherly) Remember. The world watches their Queens more closely than they do their Kings. Use that to your advantage and remind Olympus why it's you who sits on the throne and rules.
In Greek mythology, Zeus is the King of the Gods. Upon defeating the Titans, he marries his sister, Hera.
In this project, he will have a major presence in the core story and will have appearances in some of the side stories.
Zeus, in mythology, is a very domineering figure. In a lot of the interpretations that we see of him in modern media, he's portrayed as having a loud, booming voice. While we'd like to see some of this, the main thing I'm interested in is power. Zeus follows his father and grandfather's footsteps in wanting power and control. But with Zeus not fulfilling the legacy of being betrayed by his own child, it opens up a lot more room for growth and development in his character. In this project, he will have moments of vulnerability and weakness. No character is immune to the large wheel of emotions we have, and this includes a character like him.
(Toward Cronus, Angry but Composed) Your reign ends today *father*! No more will my siblings and I have to suffer at your hands.
(Toward Hera, Strained) Be careful my Queen. As direct as your counsel may be, I don't appreciate the accusations that I hear in your tone.
(Toward Athena) Ah. I should have known with you. From my own mind you came after all. Perhaps this is the Fates calling me foolish for not heeding your words sooner.
In Greek mythology, Hera is the Queen of the Gods. Upon defeating the Titans, she marries her brother, Zeus.
In this project, she will have a major presence in the core story and will have appearances in some of the side stories.
Similar to her husband, Hera's primary characterization in public situations is one of regalness and confidence. Because of her position, she has to set the precedent for everyone else's behavior, which inevitably puts more weight and stress on her shoulders. Her relationship with her husband, especially as the Goddess of Marriage, brings out a more brash and reactive side to her. She's a woman who's under the pressure of so many things, and as much as she tries to keep herself together, any moment could be her breaking point. There are a lot of things I want to explore with her emotionally, especially regarding Zeus' affairs and children, so keep that in mind when auditioning.
(Toward Zeus, Cold and Calculated) You have tested the limits of my mercy one too many times, God-King. Be wary of the moment you successfully find them.
(Toward Ares, Motherly) My son. You carry the fury of war in your veins. Your purpose, our legacy, is built on the ruins of the throne we claimed from the Titans. Never hesitate.
(Toward Hestia, With Some Humor) I still do not understand...you see the chaos of Olympus and yet you chose to stay. And while we all argue, you just tend to the flames with that smile of yours. I do not understand how you love us enough to deal with us every day.
In Greek mythology, Hestia is the Goddess of the Hearth. She spends her time tending to the hearth on Olympus.
In this project, she will have a major presence in the core story and will have appearances in some of the side stories.
Okay, there is A LOT I want to explore with Hestia, especially since I want to have a small side storyline that delves into her character. Some of this stuff is taken from my messages I sent to a friend, so bear with me. She's both the eldest and youngest of the first 6 Olympians. Born first, she's the first to be swallowed by Cronus, and so she spends so much time alone. Then come her siblings, and all she can do is comfort them, until the day they're freed by Zeus. They're freed in reverse order, making her now the youngest of them, and there was now someone else (Zeus) to protect them. "Someone who was stronger than she was. And who the others looked to as their leader. And there’s a part of her that is so happy that Zeus, her youngest sibling, was strong enough to go against the person who took their freedom. There’s also a part of her that doesn’t know what to do with herself because she’s no longer the protector. In truth, she hadn’t been the sole protector since they all learned to watch each other’s backs while imprisoned." AUGH, if you cannot tell, I love Hestia. Anywho. I want to explore this idea of her being the protector to becoming the protected. What I want us to see of her in the main storyline is someone at peace and content with everything
(Toward Zeus, Soft) The world is...louder than I remember. But it is so beautiful. I nearly had forgotten what this felt like. Thank you, brother.
(Toward Hades, Reminiscent) Do you remember the darkness we endured? For so long it was just the two of us. You were....always quiet in that darkness. But we escaped that prison together, even when you had to pull me out in the end.
(Toward Artemis, Proudly) Few Gods have guarded their vows like you and I have. You are like me. You've learned that these vows are not chains. They're freedom in their own way.
In Greek mythology, Poseidon is the God of the Sea. He primarily resides with his wife, Amphitrite, in the ocean.
In this project, he will have a major presence in the core story and will have appearances in some of the side stories.
As of now, Poseidon isn't as built up with the ideas I have in mind for his personality, but I want his character to somewhat challenge Zeus'. His primary characterization should embody the strength and power of the ocean during a massive storm. Anger is going to be a major part of his character. Anger toward himself and toward his parents affects his relationship with his siblings to an extent. A major thing I want to explore with him is learning to control his anger and feelings, and coming to terms with what they went through with Cronus was something that he couldn't control.
(Toward Hera, Prideful) My kingdom encompasses far more than any throne on Olympus could. Our brother is foolish to think he could be unrivaled...but I owe him enough to not think to overthrow him.
(Toward Zeus, Growing Angry) Remember who you're speaking to brother. If anyone here is an equal in regards of power, it's me. I shall not let you sit and treat me like some lesser God.
(Anger, Full-Force) You have tested my patience and made a grave mistake. Defying the God of the Sea? This defiance will drown with you!
In Greek mythology, Demeter is the Goddess of Agriculture. She spends her time tending to the fields on Earth.
In this project, she will have a major presence in the core story and will have appearances in some of the side stories.
Similar to how Zeus follows his father and grandfather in personality and characterization, Demeter follows her mother and grandmother. She retains a lot of the maternal traits from them, but she's a lot more independent than they were, choosing not to take a husband. While all 6 of them suffer from trauma due to their experience with Cronus, Demeter's trauma manifests in not wanting to be like her parents. She wants to be better than her father when it comes to Persephone, but in her attempts not to be like him, she ends up strict, controlling, and overprotective, which we see carried over in how she interacts with others that she sees as more powerful than her. Later on in the story, especially once Persephone's core storyline happens, we'll see Demeter's characterization adapt more.
(Toward Persephone, Motherly) You are so dear to me, my daughter. You are the sun in my sky. The blooms in my garden. I fear I'd be lost without you.
(Toward Zeus, Anger) My daughter has vanished and yet Olympus, *you Zeus*, sits silently? I shall not rest until she is returned. And until then, the Earth shall wither and with it the mortals whose offerings you cling to.
(Toward Hades, Acceptance) This was never the fate I wished for her. But I should know better than to expect the best outcome from them. Treat her with respect, Hades. Or else it will be my rage you face.
In Greek mythology, Artemis is the Goddess of the Hunt.
In this project, she will have a major presence in the core story and will have appearances in some of the side stories.
Artemis, at this moment in time, doesn't have as much built up for her storyline as some of the others do. I do want her characterization and dynamics to contrast with Apollo's, and have a similar situation to Athena and Ares of being 2 sides of the same coin. Artemis will be a lot more reserved and closed off, enjoying her solitude. She often comes off stern and blunt in conversations. She's protective of her hunters as well as anyone else she considers herself close with.
(Toward Apollo, Humored) Brother, I fear your whims shall lead you somewhere one day you will regret going. I don't understand your interest in these mortals...but if it keeps you in good spirits, who am I to judge.
(Toward her Hunters) Stick close to me. You are not merely hunters, but you are guardians of the wild. Every arrow you loose must carry purpose. So, listen to the forest. It speaks to those who respect it.
(Calm, Collected) In the silence of the forest, truth reveals itself. Nature does not lie. It does not flatter. It simply exists. And I will protect it.
In Greek mythology, Apollo is the God of the Music and Prophecy.
In this project, he will have a major presence in the core story and will have appearances in some of the side stories.
Apollo is currently more built-up than his twin is, but his storyline is still being worked out. I do want his characterization and dynamics to contrast with Artemis', and have a similar situation to Athena and Ares of being 2 sides of the same coin. Apollo is the opposite of his sister, a lot more outgoing and social. Being the God of Music and Poetry, he speaks very eloquently and melodically. I imagine him a lot more carefree and unstressed, though he can certainly turn serious when the occasion calls for it.
(Toward Artemis, Relaxed) Another long night of perusing the forest with your hunters, sister? Or perhaps there's more to the story than you wish for me to know? Will you share your tales with. me if I tell you of the latest mortal that has caught my gaze?
(Toward Hermes, Teasing) Brother. To what do I owe this visit? Are you here for my cattle once more? Going to make them into a different stringed instrument this time?
(Prophecy, Captivating) The threads of fate are already woven. What is destined shall find its path. Some endings are written before the first step. Even the mightiest cannot outrun tomorrow.
In Greek mythology, Hephaestus is the God of Fire and Craftsmen.
In this project, he will have a major presence in the core story and will have appearances in some of the side stories.
Hephaestus may not appear as often as some of the other characters, but this is primarily because I intend for him to be someone interested in his solitude and privacy, especially when it comes to his position as Olympus' blacksmith. He spends a lot of time away from others in his forge, often getting lost in his work and meticulously making sure it's perfect. I imagine him having a rougher voice from the smoke that he deals with. My goals for his characterization are for him to be someone who doesn't purposely stand out, keeping to himself as much as possible when on Olympus, but having a bit of anger and rage that occasionally breaks out when it matters concerning his personal relationships (his mother or his relationship with Aphrodite and subsequently Ares).
(Toward Hera, Unforgiving) You cast me from the heavens once. Yet my creations returned me to them. Now I've built my place among the gods. Piece by piece.
(Toward Athena, Contemplative) Wisdom and craftsmanship walk similar paths. You design strategies and I design weapons. Both require careful thought. Precision is everything in what we do.
(Toward Aphrodite, Remorseful) Love is complicated. Metal is much simpler. A hammer's strike is honest. The heart is less so.
In Greek mythology, Hermes is the Messenger of the Gods.
In this project, he will have a major presence in the core story and will have appearances in some of the side stories.
Probably one of the friendliest of the Gods in this first group of auditions. Hermes, I would say, is intended to be the most social, which one normally has to be when you have a position like his. To most newcomers, he usually keeps up this persona, but when it comes to others he's more familiar with, is when his trickster side breaks free. He more commonly annoys his siblings (cough cough Apollo cough cough), but he avoids going too far where it genuinely causes problems. While he may seem like he doesn't care too much about deeper feelings, as a God who travels far and wide, he sees a lot that he probably shouldn't see, and is usually much more in tune with his feelings and the feelings of those around him than anyone else.
(Toward Zeus) Another message to deliver, Father? You certainly keep me busy. Consider it handled! It'll be delivered before the storm will even end.
(Toward Apollo, Mischievous) Prophecy is impressive, but speed beats foresight any day. You see the future. I just get there first. Race you to the horizon?
(Toward Hades, Casual) The Underworld is quieter than Olympus. Strangely peaceful. Not many conversations down there, though. Still, someone has to escort the dead.
In Greek mythology, Chaos is considered to be the first of the Primordial Beings, and is known for is sometimes credited for the creation of Gaia, Tartarus, and Eros, and birthed Nyx and Erebus. In this project, Chaos is a genderless being and will be considered the creator of only Gaia, Tartarus, Nyx, and Erebus.
Similar to Gaia, Chaos will have more of a presence in the core stories and the foundation of the project, but will not be as recurring later on down the line, though it will make appearances occasionally in...well, chaotic moments.
When auditioning, while the character is literally Chaos itself, think further into how you could portray the oldest entity known in Greek mythology. Think of the wisdom it has gathered from seeing its creations and their offspring interact and suffer the consequences of their actions. Think of the influence its general idea may have on the body and mind of other characters. Is Chaos inherently good or bad? I intend to make it a very composed character, so I don't want to see interpretations that delve too far into areas of craziness or lunacy, though a little bit of this is welcome.
What I'm looking for in this character is extremely complicated, so I can't offer many characters with similar voices for suggestions, but if you're in desperate need of suggestions, consider listening to Lest from Arcane (but with more power), Mizu from Blue Eye Samurai (once again, with more power), or Mictecacihuatl from Onyx Equinox.
(Toward Gaia, Contemplative) Interesting, isn't it? To watch them fall over themselves to please their creators? Perhaps this is how you would have acted toward me had I not made you an equal.
(Toward Gaia, Condescending) And when they turn on you next? You have given your son a blade and with it he has consumed his father's power. He helped you for his own cause. So just how much longer do you have left before he decides you are in his way as well?
(Toward Cronus, Smug) How did you think this would play out? You were warned twice, were you not? Was thrice necessary for you to understand that your path was already set? Regardless of your stupidity...I hope you enjoy Tartarus. My child has longed for a new face.
In Greek mythology, Gaia is one of the Primordial Beings, the personification of the Earth, and is generally credited with the creation of all figures in mythology, aside from Chaos, which some translations consider Gaia's own creator.
Gaia, in this project, will have more of a presence in the core stories and foundation of it, but will not be as recurring in some of the side stories. She is an incredibly important figure in the early stages.
When auditioning, please consider traits often associated with Gaia and Mother Earth. I'm primarily looking for someone who has a mature and motherly voice. But, Gaia is the 2nd oldest Being in this story, so I'm also interested in hearing takes that are more ethereal sounding. My only warning (based on the following suggestions) is try not to get too soft with it, and try not to get too powerful with it. Gaia is intended to be a character who is more self-aware of her power as a God, and so while we will explore levels of this in the entirety of the story, in most situations, she's in a more neutral or maternal state.
Some characters I can suggest listening to that would provide a couple of examples of what I'm interested in seeing include White Diamond and Blue Diamond from Steven Universe and Granmamare (Ponyo's Mother) from Ponyo.
(Toward Young Zeus, Maternal) Hush now, or else your father shall hear you. A story then...long, long ago, there was nothing. Only Chaos. But within Chaos was a void that it sought to fill. And with time, it created its first equal to fill the space. Her name was Gaia.
(Toward Uranus, A Mother's Rage) How dare you. How. Dare. You. You are a vile being Uranus! Tell me where you have hidden them! I demand that you return my children to me at once!
(Toward Cronus, Bitterly) It is no surprise that you are the bravest to take up this challenge. Use this, my son. But, you must promise to uncover where he has hidden your siblings and free them for me. I shall pretend and turn a blind eye to all that you do now, but you must fulfill my one request.
In Greek mythology, Uranus is one of the Primordial Beings, the personification of the sky. He is the son and husband of Gaia, making him also the father of the Titans and many other beings.
In this project, he will have a presence in the earlier core stories, but will mostly be absent in later ones.
When auditioning, please keep in mind Uranus' actions within the original myths. In a way, I see him as a prideful character. His choices to hate the children who were born after the 12 Titans were inevitably his downfall in mythology. But while he's prideful in this sense, he also shows signs of cowardice that are extremely important to his undoing. He's a being who saw himself as the top of the food chain, and only once he realized he wasn't (Cronus castrating him) he fled and hid. Just keep this in mind when playing around with characterization.
Some characters I can suggest listening to that would provide a couple of examples of what I'm interested in seeing include Howl from Howl's Moving Castle, Sephiroth from Final Fantasy 7, or Aaravos from The Dragon Prince.
(Toward Gaia, Patronizing) Gaia, my dear wife. Don't fret and worry about them. All you need to know is that I've taken care of them. That's all that matters.
(Toward Cronus, Taunting but Growing Desperate) Do you really think this is wise, son? Your mother has gotten into your head and convinced you that I'm the one responsible. Don't forget who's truly responsible for us all.
(Toward Cronus, Pained and Angty) You're too bold for your own good! Curse you and your mother! May she never see those children of hers again! As for you, my son, may your children overthrow you, just as you have overthrown me!
In Greek mythology, Athena is the Goddess of Wisdom.
In this project, she will have a major presence in the core story and will have appearances in some of the side stories.
Athena, as a character, is very strong and professional in most conversations. One thing this project will explore is Zeus' relationships with his children, and one of the main ones includes his relationship with Athena. Her position on Olympus in ToF is similar to that of a captain's 2nd-in-command. Not only is she one of Zeus' first children, but one he claims sole responsibility for creating (despite this being untrue and Metis being involved), she has a high position on Olympus and can generally remain unchallenged by most. But this responsibility does come with weight. One thing I think of is how she and Ares are 2 sides of the same coin, the sword and the shield that Zeus wields, and how they have similarities and differences.
(Toward Ares, Controlled) You have allowed your rage to blind you for too long brother. I see it in your eyes. Whatever issue you have with our father you shall not resolve by defeating me. It will not earn you his attention any more than you already have.
(Toward Poseidon, Pride) Your storms may win some battles, Uncle, but I'm afraid wisdom wins many wars. Your attempts of providing for the people were grand, but you seem to forget yourself in the effort.
(Toward Hera, Conflicted) Queen Hera...may I seek your counsel? You have ruled Olympus far longer than I have walked, and I would value your perspective on...the earlier discussion with father.
