Persona Fandub 1-5 2

Masao is a troublemaker and class clown, but also a friendly student who doesn't get along with Kei. He seems to have a crush on Maki Sonomura and frequently visits her in the hospital while being the most protective of her. Being a troublemaker by choice, he takes pride in his graffiti artwork that can be found throughout the city. His hobby puts him at odds with the local police, but he knows they are only looking out for him as he is the only one emotionally phased by the police becoming zombies.

 I do not have a preference with his voice, but try to give him Ryuji's energy(Persona 5)

A somewhat shallow girl who doesn't think about the future and prefers to live in the moment. She is extremely blunt about her feelings, especially when something displeases her. Yuka is indifferent to other people's suffering, but will lash out and complain childishly when something affects her. She is a bad student, but despite her bad grades, Yuka has a natural ability for observation. She also makes use of kogalgo (kogal slang), which was translated to valley girl slang in the first localized version. 

Throughout both story routes, a reoccurring theme with Yuka is learning that living only in the moment and fearing or neglecting the future can only do harm, such as when she's tempted with eternal youth by Yuriko in the Snow Queen route. Despite her looks and demeanor, Yuka's goals are to actually have a happy, regular and typical family life as a mother with two children. Partially due to her believing that kind of life would be "living on easy street." She also appears to be rather book-smart on occasion, though she can be very vulgar when angered. It's implied that she's rather skilled at cooking

Please give her an airhead type of voice! High pitched, but not obnoxiously high pitched any other interpretations are welcome

A flirty nurse/teacher. So a seductive teacher voice for her would work best!

Natsumi is the school nurse of St. Hermelin High School. She can be found in the school infirmary where she will heal the party free of charge, though her services aren't always available. Her counterpart in Maki Sonomura's Mikage-cho acts exactly like the original.

In the Snow Queen Quest, she is one of the victims of Hypnos Tower and her dream was reliving a moment from before her last break up. She also doesn't appear to be good in applying bandages, as Kei Nanjo comments.

Soft spoken, nice teacher, medium vocal range

"Homeroom teacher for the protagonist and the others. Very popular with the students."

—PSP introduction

Ms. Saeko is the homeroom teacher for the protagonist and others. She plays a small role in the SEBEC route of the game, helping protect the students of St. Hermelin in the real world and appearing as a silent character in Maki's world.

In the Snow Queen Quest, she is possessed by a malevolent spirit inhabiting the Snow Queen mask, who plans on sacrificing her as a way to bring about the Eternal Night. This is the result of a feud she had with Tomomi Fujimori.

Setsuko Sonomura is the mother of Maki Sonomura. An elite engineer for SEBEC, she worked on the development of the DEVA System. She deserts the company in opposition to Takahisa Kandori and is wounded in her escape. She is found by the party at the Alaya Shrine, and is escorted back to St. Hermelin High School.

(a more mature tone of voice would be good for her!)

Looking for a ''grand'' type of voice. Male or Female

Of course, shadows are an iconic thing in the persona franchise, we need a bunch of people who will be willing to do groans and screams. Effects will be put on you, however, it would be better if you put effects on your voice to see how it would sound like.

While presenting himself as a mere servant of Philemon, Igor seems to be far more than this. He was originally a doll handmade by a mysterious person, who became alive thanks to a magic ritual. Because of that, Igor ponders upon the question of whether he is merely a doll or perhaps even human. Thus, he shows an interest in human beings. Further on, he creates Margaret, Elizabeth, Theodore, and Lavenza, as assistants who pursue similar questions in life to assist him in the Velvet Room.

In every Persona game to date, Igor has played the role of Proprietor of the Velvet Room, a space between dream and reality, mind and matter. As the proprietor, Igor provides insight to the protagonists regarding their powers, emotional bonds, and possible dangers that await them in their journey. Igor also provides the vital services of Persona fusion, which allows the creation of vastly more powerful Personas from preexisting ones and the use of the Persona Compendium, which allows previously created and/or acquired Personas to be recalled at a later time.

Despite his rather striking appearance, Igor bears a calm and courteous demeanor while speaking with the protagonists. Though the well-being of the protagonists is important to him, he reserves the disclosure of certain information for more "timely" points in the story. During conversations concerning the protagonists’ actions, Igor opts for rather cryptic comments that tend to foreshadow coming events and possibly the outcome of the story as a whole, regardless of whether or not those comments are at the time understood (which may be his intent). This suggests that Igor may have near-omniscience, though by his own admission, there are things that even he can't foresee. Additionally, he also takes a neutral bystanding stance himself, and never directly interferes or gives obvious warnings to any people or anything that he had a contract with.

For Igor, I really liked his Persona 4/3 voice, (voiced by Daniel Woren) Higher voices for him!
Please (for only Igor, try to voice as accurately to Igors persona 4 voice)

What little is shown of his personality is displayed in the first three Persona games. In most incarnations, Philemon serves as a neutral observer and he watches as things unfold. He has a benevolent view of humanity, frequently pulling the protagonists of Megami Ibunroku Persona to give advice. At the same time, due to his nature as an otherworldly being of the Collective Unconscious, he does not have exactly the same world view and values as humans, as shown by his willingness to wager their existence on their strength of heart

Though I do not have a preference with his voice, I do believe that he would have a soft smooth voice, however, higher voices are welcomed if they are able to keep the smooth tone to him

Jun's character is defined by his ambiguity. On the outside, he is asocial, introverted, calculating and actively uses his beauty to manipulate other people. On the inside, however, Jun is rather warm, caring, highly protective of his friends and wants to fulfill the dreams and wishes of humanity, even if his means of achieving this goal are questionable. Additionally, he is afraid of being marginalized by the society he's working to please. During the Aquarius Temple, he discusses the meaning of the sign and dismisses the idea of him having any of the positive traits, but the rest of the team assure him he's wrong. Hobby-wise, Jun understands flower language (花言葉, hanakotoba) and likes astrology. He is also highly intelligent and philosophical; he has a patent for an orthopedic shoe, loves inventing and excels at math and physics. However, due to his antisocial nature, he doesn't like group sports and instead prefers walking.

No preference, but I believe he would have Yusuke's type of voice (persona 5)

In Persona 3, the protagonist is a silent protagonist aside from technically speaking in battle in certain instances. While being a silent protagonist, he is very stoic, reserved and calm, gathered by the fact that he remains unmoved even when guns are pointed at him, as well as walking under a green sky and being surrounded by blood pools and coffins everywhere at the beginning of Persona 3. He appears very introverted, distant and aloof since he only observes the conversations of his party members and only speaks when someone is directed at him for his opinion on the matter. At one point, Yukari Takeba raises her voice at him in frustration, calling him "Mr. Perfect" and saying nothing ever fazes him. She then apologizes for her behavior; he comforts her and she says he "really is one-of-a-kind." His teacher Isako Toriumi comments that he is "kinda quiet, but real mature and intense looking (and hawt)" and that he uses proper grammar and punctuation online. Junpei Iori comments that all he does is wander around and talk to people.[1]

Much of his personality traits are ultimately based on the player's actions and decisions. For example, he can be enthusiastic, upbeat and kind who engages with as many Social Links as he can. Likewise, the player can make him pessimistic, morbid and lonely who barely engages with Social Links. These possible combinations of traits provide a wide range of various interpretations of his characterization. The same goes for any possible romantic interests the player may desire to partner him with. The player can choose from Yukari, Fuuka, Mitsuru, Aigis, Chihiro, Isako (his teacher) Yuko and Elizabeth.

Please try to accurately depict  Yuri Lowenthals voice of Makato https://www.youtube.com/watch?v=k77X9FzMzg4 

Mitsuru is calm, confident, mature, responsible, wise and very intelligent despite being a high school student. However, she may be interpreted as slightly arrogant, conceited, cold-hearted or overconfident. As events unfold, this may be a front of maturity, due to her assumed role as the leader of SEES. Her Persona Arcana is the Empress, which fits with the "motherly/older sisterly" role she plays in the group.

Mitsuru has a streak of strict conduct. Per formal Japanese culture, Mitsuru is the only member of SEES who formally addresses her fellow club mates by their last names. Akihiko Sanada is an exception to this, as the two are good friends and have known each other since junior high. Eventually, she becomes more familiar with the other SEES members and refers to Yukari Takeba on a first-name basis, and the others' on occasion. Mitsuru is also very insistent with the team keeping their grades up, going so far as to sign them up for summer classes behind their backs. Mitsuru is also outspoken and has zero tolerance for prejudice. For example when the female protagonist is elected leader and Junpei Iori is annoyed because "he's the only guy in the group," Mitsuru sternly tells him that "Whether one is a man or woman doesn't factor into it. The responsibility falls to those who have the gift. And let me add, if you ever say or do anything to condescend to her because she's a woman..."

Despite her often getting annoyed at Akihiko's eagerness to fight, Shinjiro Aragaki claims in Persona Q that she "enjoys fighting just as much as he does, if not, more."

No I do not have a preference, but I think a mature voice would be the way to go

A cool and well-respected upperclassman, Akihiko is serious and determined, as well as cracking small jokes on small occasions. Of all members of the group, he is the most prone to sarcasm, one instance being if the protagonist talks to him while he and Junpei are taking a break from studying for first semester midterms, stating that Junpei isn't studying for his exams as Mitsuru told everyone to go back to their routines. He tends to show his excitement for a big challenge, something that eventually rubs off on Junpei. He is eager to train and fight, often to a fault. Early on in the game, when he is injured due to a fight with one of the twelve full moon Shadows, he will repeatedly express interest in fighting despite being unable to. This draws criticism from Mitsuru, who views Akihiko's eagerness to fight as if he treats their work as a game. At one point, Yukari even accuses him of caring more about having a good fight than doing the right thing. However, Akihiko is a kind young man who will go out of his way to help someone, which is shown when he was willing to take any chance to save Fuuka from Tartarus despite having never met her before, even after Junpei and Yukari pointed out that she had been there for ten days (or ten hours from her perspective) and most likely couldn't have survived.

Akihiko also has an aggressive side, which he usually demonstrates when dealing with Shadows. He never gives up and always tries to get stronger in order to protect what is dear to him and feels guilty for not being able to save his sister, Miki, from the fire. As he puts it, he knows what it's like to feel powerless and he never wants to feel that way again, though this often results in him overworking himself due to feelings of self-doubt. Akihiko is also shown to be very smart, if not quite on Mitsuru's level, as he is consistently shown to get good grades and often picks up on things that Mitsuru misses, like giant Shadows appearing during the full moon and why Fuuka disappeared. He even tells the protagonist that a strong mind is just as important as a strong body. He is also very competitive; despite not being particularly interested in picking up girls, he willingly goes along with Operation: Babe Hunt, treating it like a "match" and even getting disappointed when they had no luck. Afterwards, it takes six months for Junpei to get him to admit defeat, after which he takes most of the group out for ramen.

He acts like an older brother for the younger S.E.E.S. members and especially in Persona 3 Portable if the player chooses to play as the female protagonist, Akihiko is shown to care a lot about her. This fits with his Arcana being the Emperor, which represents fathering and relates to leadership and decision-making skills. Akihiko is on good terms with Shinjiro and keeps in touch with him even after he quit SEES. He cares a lot for him, as shown when Akihiko finds out about the drugs Shinjiro uses in order to prevent his Persona from going berserk. However, their conversations are not always civil, as Akihiko will frequently try to convince Shinjiro to come back to S.E.E.S.. He even shows some mild hypocrisy by telling him he can't keep dwelling on the past, prompting Shinjiro to remind him that he isn't any different since he can't let go of his guilt over not being able to save his sister's life, and that it is in fact his precise reason for fighting. Indeed, much like Junpei, Akihiko sees S.E.E.S.'s activities as a form of escapism from his normal life, and so sometimes questions whether he really wants the Dark Hour gone. 

While generally caring and straightforward, Akihiko can be quite abrasive at times, such as when he pretty much forces Shinjiro to come back to S.E.E.S. shortly after Ken joins the group. He also expresses deep distrust and hostility towards Metis in the early parts of The Answer, even more so than the rest of the party, as he fully expects her to turn on them again at any time and even suspects her of having an ulterior motive for protecting Aigis. He can be blunt and isn't above making a harsh comment to someone, even to a friend, a trait he shares with Mitsuru. However, Akihiko is also shown to be scared of Mitsuru, and greatly dreads being on the receiving end of one of her "executions."

No I do not have a preference.

Despite his young age, Ken is very intelligent and mature. It is shown that this is a coping mechanism due to the death of his mother at a young age, which more-or-less forced him to give up his childhood. His maturity is noted by Yukari, who can't believe he's in elementary school and claims that Junpei, who is a full six years older than him, could learn a thing or two from him. Fuuka also notes his maturity, and finds him cute as a result of it. Besides being mature, Ken also knows several words that boys his age don't usually know, such as "bastard," which he usually uses when referring to Strega. He is very polite to others, and never misses a chance to show respect where respect is due. He is also honest, diligent, and deeply caring towards his peers, particularly the members of SEES. Ken is shown to like and care a great deal for animals, such as Koromaru. In his video recording, there is a hamster in his room. In Persona 3 The Movie, he cares for a goldfish and in Persona 4 Arena Ultimax, it is shown that he and Koromaru are now living together.

Although Ken is very mature, he still has several qualities that fit with his age and is sometimes too precocious for his own good. He finds a role-model in Akihiko, whom he admires for his boxing and fighting talents, often referring to him as "Sanada-san" as a form of respect to his senpai. He also likes to watch a children's show, Featherman R, but he prefers to keep it a secret. He seems to collect a lot of the Featherman R figurines, as well. He is also shown to be quite naive at times, such as when Junpei tricks him into believing the girls aren't wearing anything under their kimonos, which they wore on New Year's Day. Overall, Ken gives off the impression that he's just trying too hard to be something he's not i.e. an adult. Ken notes that one of the reasons he uses spears in battle is so that he'll be on even ground with an adult.

He has a strong dislike towards milk, but he forces himself to drink it because he believes it can make him become taller. Unfortunately, it seems he may be lactose-intolerant since it often makes him sick. In the female protagonist's route, he acts shy towards her, due to the crush he develops on her if the right choices are made during his Social Link.

During the October Full Moon Event, his reason for joining SEES is revealed: he confesses to Shinjiro Aragaki that he is lonely and vengeful, desperate to avenge the killing of his mother, the killer turns out to be Shinjiro. In The Answer, it is shown that he attempted to tell the truth about his mother's death to a police officer, but the officer dismissed it as some hallucination Ken had as a result of trauma. This convinced Ken that he couldn't rely on adults, and so resolved to track down his mother's killer on his own. Ultimately, he became completely consumed by his desire for revenge, to the point that it has become his one and only goal in life, and he even implies that he plans on killing himself once it's done. In Midsummer Knight's Dream, however, he initially thought it was just some random Shadow that killed his mother and only discovers that it was Shinjiro later on, ultimately attempting to kill him out of a feeling of betrayal. Ken is portrayed as being more polite and having more remorse over Shinjiro's death in the Japanese version compared to his portrayal in the English version. In fact, in the Japanese version, it is made very clear that Ken feels remorse by outright saying that he no longer wants to kill Shinjiro anyway. The English version, however, takes a more subtle approach to the scene where he laments over the fact that he can no longer be the one to take revenge on Shinjiro while crying afterwards, suggesting that he is somewhat dishonest in the English version.

No I do not have a preference, make sure he sounds like a kid, girls and boys are welcome to try!

Koromaru's personality is based on the famous dog Hachikō. He is kind and has shown extreme loyalty, choosing to stay at his master's shrine long after his death and going for a walk every day like he used to with his master. He is also very protective of the shrine, as shown when he risked his life to defend it, but got seriously injured in the process. According to Aigis, he considers the shrine a sacred place.

Koromaru also exhibits numerous human characteristics, despite being a dog. He exhibits intelligence far above that of most dogs. He is fiercely loyal, and particularly close with Shinjiro Aragaki, who often feeds him special food and takes extra care of him. He is a fan of a show called "The True Battles of Real Men," which exhibits acts of courage from real people. He begs the protagonist to take him to the theater for a special showing of the final episodes of the show. Koromaru whines and runs around after the movie until the protagonist agrees to purchase the boxed set after its release.

In Persona Q: Shadow of the Labyrinth, even though he gets along with everyone, he dislikes Kanji Tatsumi for some unexplained reason and refuses to let Kanji pet him. Of all (surviving) members of SEES, he seems to be the closest to Ken, judging by his decision to move in with him as shown in Persona 4 Arena Ultimax.

No preference

A reliable and serious character whose cold exterior masks his weaker, gentler self, Shinjiro's difficult past weighs him down, causing him to constantly push others away with a tough-guy act. Ever since accidentally causing the death of Ken's mother, he has given up being a member of S.E.E.S to live a normal life, even though there are only so many Persona-users and so S.E.E.S. needs all the help they can get, something even Yukari, who has no love for S.E.E.S. or the Dark Hour, has the sense to realize. As he points out to Akihiko, both of them are held back by the guilt of their pasts; they just have completely different ways of dealing with it.

Various parts of Shinjiro's personality are revealed in the different versions of Persona 3, and he is (like most other male characters) difficult to know when playing the male protagonist's route. In FES / Portable, the dorm recordings show an event regarding Shinjiro's "other side." He is revealed to love dogs, in particular Koromaru, who he spoils; in the same scene, he is shown to be an avid cook that enjoys learning from cooking shows.

In Persona 3 Portable, via the female protagonist's Moon Social Link, the player is able to see the most of Shinjiro. Progressively, he is revealed to be a kind and caring person, always worrying after the other members of SEES. He takes great pleasure in being able to help his friends (though he might not admit he even enjoys their company), and he doesn't want to see them make the same mistakes he might have made in the past.

In Persona Q, despite his normally calm and quiet demeanor, it is shown that he easily loses his cool whenever he's with his childhood friend, Akihiko. They often get into fights, usually resulting to childish banters. He is also often dragged into his friend's antics, mostly involving competing over just about anything. During those times, his competitive nature surfaces. He never really admits it, but Shinjiro also apparently hates losing.

No I do not have a preference

In Persona 4, he is a silent protagonist, as in the series tradition. Except for instances where he audibly speaks when summoning a Persona and so on, with his personality ultimately based on the player's actions and decisions. This is emphasized in Persona 4 Golden, as the Investigation Team members comment on how he doesn't talk much when equipped with the Butler Suit. His dialogue choices make him seem very neutral and include some limited sense of humor along with occasional flirtatious or silly behavior. Overall, he is portrayed through his dialogue options and actions as having a more extrovert personality than the Persona 3 protagonist, such as when both hear Jika Net Tanaka, and the former describes it as a "cheery song" unlike the latter, who describes it as an "annoying song." But while he seems to have a strong moral compass, there are several dialogue options that show he could be mean if he wanted it. In one case, when asked to stay and help clean the basketball court, the options being either to stay or to "be an ass and leave," though indicating an inclination to the former. Additionally, while the game portrays him as a calm and decisive individual, there are scenes that show him to having limits as to how much tolerance he has. One example, in particular, is the decision to kill Namatame, as the dialogue choice "Calm the hell down!" can be shown, and when selected, it demonstrates how he hardly ever shows to be this aggressive, as the Investigation Team gets surprised by his outburst at Yosuke.

He is also a decent cook, as he is capable of making omelets that taste excellent compared to the Mystery Food X that the girls made during the celebration for Mitsuo's arrest. During that event, his omelet was the only one that truly won Nanako's favor, despite Nanako claiming that the girls' omelets were "delicious" just to be polite.

In the manga adaptation, Souji Seta is a distant loner who demonstrates a high level of maturity, his overly formal speaking tone being one of the most telling signs. Seta has a pessimistic outlook on life due to his parents and having to move frequently as a result of said parents' demanding careers, but he eventually warms up as he explores friendship.

In the anime adaptation, Yu Narukami is depicted as quiet, polite and calm for most situations. Before the awakening of his Persona, Yu seemed to be emotionless and cold at times, as well as occasionally deadpan. Afterwards, however, he is shown to value the bonds of friendship between the members of the Investigation Team and is highly concerned about his friends, going to great lengths in order to help others. As he grows closer to the group he opens up more and more, and by the end, he is as unique (though still quieter) as any of the other characters.

He has a dry sense of humor and sometimes does questionable things which he thinks are funny. He also seems a bit naive and oblivious to certain situations, which somehow keeps working to his benefit; especially when dealing with the girls, as he is able to get away with things that would warrant a smack for any of the other male characters, mainly due to how little he would mean offense. He's also shown to be somewhat perverted, saying he wished that he taped "Yukiko's Hunt for Prince Charming" and repeatedly pressing the record button on his TV remote during "Rise's Daring Challenge." During the course of the story, it is revealed his biggest insecurity is abandonment, fearing to lose contact with all of his friends when he moves away from them. By the end of the show, he accepts his Shadow and acknowledges that he has to accept being separated from them when the time comes.

In the second anime adaption, Yu appears to be friendly, reserved, determined, straightforward and has a habit of shaking people's hands when he meets new people, unlike his first anime counterpart.

In the Persona 4 Arena duology, Yu is also shown to be a fairly sarcastic and witty person, occasionally making jokes at the expense of the other members of the Investigation Team; however, for the most part, he is shown to be the most mature member of the group (an example of which is the fact that attempts to target his personal insecurities by enemies, more often than not, fall flat). He has a sharp mind and is able to quickly realize the trick behind the tournament that forces the group to fight one another. He deeply cares for his friends and one of the few ways to truly anger him is to threaten either them or Nanako which causes him to become very cold, the latter not being entirely an exaggeration from his title in the tournament, when the taunts about her being captive being the one ruse he actually falls for. He also has a great understanding of the bonds of people, which leads to Aigis and Mitsuru to realize that despite their different appearances, Yu reminds them of the protagonist of Persona 3. While not above making fun of him, he trusts Yosuke completely and generally understands him best out of the entire Investigation team and vice versa, continuing the theme that the anime established that Yu and Yosuke generally lead the team side by side, as well as discussing plans with each other on serious issues.

His characterization in Persona Q is essentially a combination of the above adaptations. He's confident and affable, but also strange and a little random at times. His dialogue choices during the P4 route support this, as they're noticeably more cheery and bizarre than his Persona 3 counterpart. During the group date cafe, when Mitsuru and Yukari deem him to be boyfriend material, he visibly blushes.

Yu's most consistent trait in all of his depictions is his need to be connected to people. He views himself as a weak person and gets his strength from his bonds and being accepted by others. This is shown in the anime and by his own admission in Persona Q, as when he is separated from them, Yu withdraws into himself and loses the confidence he normally portrays.

Yosuke is a clumsy transfer-student who arrived six months before the protagonist. He is often the target for jokes about his lack of muscles and body strength and fights with blunt, double-handed objects such as wrenches, but moreso knives and kunai. The protagonist first sees him crashing his bike into a garbage can, the first of many times, but he doesn't introduce himself to the protagonist until he helps Yosuke by getting him out of a garbage can.

He cares deeply about Saki Konishi and fell into depression after her death. Much of his character development stems from his feelings for Saki and dealing with the hurtful possibility that Saki probably never felt the same way about him that he did for her.

Yosuke doesn't usually think before he says something, which results in him sticking his foot in his mouth, and unintentionally insulting someone, including Kanji Tatsumi about his sexual orientation.

He tends to be a bit of a wannabe ladies' man and has a fascination for girls, forcing the girls to enter a beauty pageant they can't back out of. But beneath most of that (more so in the original game), he shows great insight with decent deducing, and is often on task of the situation on hand, and can be very serious at times. He also tends to keep a good face in order to make sure the team is in their best spirits and he cares a lot about the protagonist, as well as having a strong sense of justice. He's good with people's emotions, offering assistance at Junes. Despite his tendency to be a bit of a pushover, he has a strong vision of the future and displays uncanny deductive reasoning. A notable gag is that Yosuke seems to be at odds with Chie Satonaka several times.

Being an idol fan. Yosuke gets very excited when he sees his favorite idols like Rise Kujikawa or Kanami Mashita. However, he later sees them as friends after seeing their insecurities.

His biggest insecurities are boredom and loneliness. He feels the town has nothing compared to the city and that his life in the city is the reason for his unpopularity. By the end of the game, he has grown to love the town and has made friends with the rest of the Investigation Team and feels accomplished in having a notable contribution to the group.

Along with that, he is described by the other members of the Investigation Team as too nice, even from his own words. This is evident in Persona Q (Persona 4 route in one of the strolls) and by himself in the Persona 4: Dancing All Night storyline (in the pre-story chapter, after Rise is doing her entry). Regardless, his skills in deduction and reasoning place him as the second-in-command of the Investigation Team, as it is hinted that he often discusses things with Yu the most times regarding the team's final decisions.

Chie, in a way, could be considered a "tomboy." Like Lisa Silverman from the Persona 2 dualogy, she is obsessed with kung fu and is a huge fan of martial arts movies, most prominently Trial of the Dragon. She also has a poster of Bruce Lee in her room. Outside Naoto's dungeon, Chie mentions that as a kid, she had her own secret hideout near the mountain by Yukiko's house where she would pretend that a legendary kung fu master was teaching her special techniques. Chie's wish is to become a police officer some day. Chie's cooking skills are horrific and her cooking tastes generally unpleasant, causing them to be labeled as Mystery Food X.

Chie has strong sense of justice and a fierce desire to protect others. She is known to defend classmates, children, and strangers from being threatened and attacked by local delinquents. Even when outnumbered, she does not hesitate to intervene and speak out. Though reckless in putting herself into dangerous situations, she is willing to sacrifice herself for the sake of others; when a delinquent threatened her loved ones, Chie gave him the opportunity to hit her freely in exchange for leaving everyone else alone. Chie wants to protect Yukiko and the protagonist most of all, and they serve as strong motivators in her wanting to become stronger, constantly training her kung-fu moves and challenging herself physically. Though nominally fearless, Chie has some specific childish fears: she is terrified of ghost stories, thunder, locusts (and possibly other insects), and being in the dark.

Chie's biggest insecurity is her femininity, which is one aspect of her unhealthy relationship with Yukiko in which both of them are secretly guilty of hiding their true feelings from one another. After years of being with Yukiko who is treated as wealthier, more popular, scoring higher grades in school and having more male admirers, Chie gradually develops an inferiority complex in comparing herself to Yukiko and is jealous of all the male attention Yukiko receives. Chie's brash personality seems to makes it hard for boys to approach her romantically despite the fact that some students, including sports captain Kou Ichijo, secretly find her attractive. As a result she comes to believe herself to be undesirable, especially compared to Yukiko. This causes her to derive satisfaction from Yukiko's need to rely on her for confidence and support at the beginning of the game.

When Chie confronts her Shadow about her complex, Chie is in denial and is embarrassed and mortified. When Shadow Chie is defeated, she vows to overcome her complex and be a true friend to Yukiko.

By the end of the game and anime, Chie acknowledges her own personal strengths, as well as her faults (calling herself a stubborn two-faced coward), and in the new epilogue becomes perfectly comfortable with her own feminine side.

Yukiko Amagi is a rich and elegant young woman who is popular with boys and girls alike. At first, Yukiko is very introverted, but she gets livelier after she is rescued from the Midnight Channel. Often scoring the best during exams, she is intelligent and often repeats the material with her best friend Chie Satonaka. Despite being intelligent, she is prone to brainfarts and having moments of clumsiness. According to Kanji Tatsumi in his P4A story mode, Yukiko is also open-minded and straightforward. Yukiko is not only shown to be quite fearless and unflinching in the face of creepy atmospheres and surroundings, she also greatly enjoys horror stories, much to the dismay and chagrin of Chie, who is easily frightened upon the mention of such things. As a smart, attractive, feminine, respectful, polite and hard-working teenager, she has attracted many male characters in Inaba such as Mitsuo Kubo, but acts uncomfortably when someone mentions her beauty. .

She also truly appreciates and cares about her friends, as well as her parents and staff from the Inn, and often vows to become an even stronger, more dependable person so that one day she, in turn, will be able to support and protect them just like they have did to her in the past. She is also shown to take the well being of new friends she makes seriously, as in Persona 4 Arena when Yukiko solemnly promises to save Labrys from danger and protect her from harm just recently after bonding with her (albeit this was in her own story mode) and Persona Q where Yukiko assures Rei and Zen they'll be safe as long as she's around, going so far as to being a big sister figure to Rei when she bonds with her after Rei asks her if she can call Yukiko "Yuki-chan."

Chie's biggest insecurity is her femininity, which is one aspect of her unhealthy relationship with Yukiko in which both of them are secretly guilty of hiding their true feelings from one another. After years of being with Yukiko who is treated as wealthier, more popular, scoring higher grades in school and having more male admirers, Chie gradually develops an inferiority complex in comparing herself to Yukiko and is jealous of all the male attention Yukiko receives. Chie's brash personality seems to makes it hard for boys to approach her romantically despite the fact that some students, including sports captain Kou Ichijo, secretly find her attractive. As a result she comes to believe herself to be undesirable, especially compared to Yukiko. This causes her to derive satisfaction from Yukiko's need to rely on her for confidence and support at the beginning of the game.

Her biggest insecurity is being chained down. Her whole life she has felt she is on a railroad track with no opportunity for deviation. Yukiko views that her parents and family are forcing a lifestyle on her which she isn't even sure she wants. For example, they chose the name "Yukiko" for her, a name which she hated. They then expect her to inherit the Amagi Inn, an inn which she isn't sure she wants to inherit either, which requires a heavy workload and a lot of responsibility. Yukiko then develops a desire to run away from such life and start anew.

By the end of the game she has realized that in reality, she is perfectly comfortable with the way her life is progressing and she can control her life just as much as she desires to. She decides to inherit the inn, but this time, it is from her own choice, rather than an inherited expectation.

Throughout Persona 4, Yukiko has a few notable running gags. For example, one of them is that she tends to have very easy laughing fits from the slightest jokes, though there are later times where even Teddie of all people fails to make her embrace a joke. Another running gag is that she is practically an airhead at times and completely misreads situations (i.e. Golden fireworks night).

Also, like Fuuka and Chie, Yukiko is known to be a downright horrible cook. Yukiko's and Chie's cooking skills have become a recurring joke throughout the story. During the protagonist and Yosuke's first camping trip, the girls attempted to cook dinner, which ended horribly. Yosuke would continue to refer to the curry they cooked during the camping trip and all of their future cooking as "Mystery Food X." This is because that she often uses expensive but inappropriate ingredients in her cooking, causing them to lose their flavor. During the celebration of Mitsuo's arrest where the investigation team cooks omelets for Nanako, the one she made has no taste at all.

In Persona 4, it is shown that Yukiko doesn't appreciate sexual innuendo and vulgar jokes, and even will go so far as to slap those who make them, such as Yosuke and Kanji.

From the start, he was known as a delinquent. When he was in middle school, he destroyed a biker gang, earning him a town-wide reputation of wildness and toughness. Though people often mistakenly believe him to be a member of a biker gang or a person who enjoys violence, he actually does not have any inclination to be violent. When his denial of enjoying "feminine" hobbies like sewing or knitting was pushed to the extreme, it unexpectedly established his position as a juvenile delinquent. He drapes his school uniform over his shoulders in a punk-ish style to emphasize the style he wishes to embody. He acts out against any authority figure, but speaks politely to the protagonist and his other seniors. However, when he sometimes gets flustered he tends to threaten people, occasionally getting into fights and scraps. Often, his reputation for being tough and mean comes as a result of misunderstandings. For example, he once went after a rowdy biker gang, but only to stop them from disturbing his mother. He always obeys his strict curfew because his mother makes a fuss when he doesn't.

His father is deceased. Before Kanji's father died, he told Kanji, "If you're a man, you have to become strong." Kanji thought his father was telling him he wasn't a real man, which angered him and caused him to become insecure about his masculinity. As a result of this, Kanji drastically changed his appearance and began isolating himself from others. At the beginning of Persona 4, Kanji has no known friends.

Compared to the rest of the team, Kanji tends to be a bit slow on the uptake. However, he is straightforward and decisive. Through the game he realizes that his impulsive actions can drag others down, and that he can balance that by instead giving them his support.

Teddie serves as the guide for the Investigation Team in the Midnight Channel. At first, he acts as support for battles, but after the party completes the Marukyu Striptease dungeon, he joins in combat, while Rise Kujikawa takes over the support role. Whenever a new team member joins, Teddie is inexplicably able to create glasses so that they can see through the fog in the Midnight Channel.

Teddie was first seen in the Midnight Channel at the time when the protagonist, Yosuke Hanamura and Chie Satonaka search for an exit, after leaving the Ominous Bedroom. Teddie, confused and irritated by their presence, asks them to leave because it's dangerous there and shows them the exit. After Saki Konishi's death, the protagonist and Yosuke enter the TV again in order to investigate. There, they meet Teddie once again, but he gets suspicious and thinks that they are the ones who've been throwing people in. After they try to prove their innocence, Teddie asks them to find the real culprit and makes them promise to do so in order to let them out. When the protagonist first awakens to his Persona, amazed by his power, Teddie immediately calls him "Sensei." He assumes the support role for the team until Rise Kujikawa joins the party.

Having lost both her parents in a car accident when she was very young, Naoto is an orphan who acts very mature in spite of her age. As a descendant of a respected lineage of famous detectives, she wears formal clothing and deepens her voice when she speaks in a sophisticated, stilted manner. She is generally very serious, focused and mission-oriented. She rarely jokes around which can make her seem like a killjoy or party pooper when the team is involved in silly antics. In Persona 4 Arena, Kanji calls her out on this, saying she is too "uptight" and it makes her seem distant and on a different wavelength.[1] One of Naoto's insecurities is her lack of friends; she has difficulty making friends and is lonely as a result.

Naoto is very intelligent and analytical. A running gag, however, is that she texts in all caps with abbreviations, for example, "SEE U TOMORROW? Y/N PLZ REPLY ASAP" and "I HAVE IMPORTANT INFORMATION 4 U, PLZ SEE ME TOMORROW AFTER SCHOOL"

Naoto's insecure about her gender and age: she yearns to be seen as an adult, and expresses frustration at being treated like a child by the police force. She hates being looked down upon, and fears no one will take her seriously as a female in a sexist occupation field. The sexism Naoto has tolerated and endured had made her self-conscious and ashamed of being female, making her struggle with the concept of femininity. In response, Naoto desired to be male; Naoto wanted to be viewed as male by society, adopted a male identity, never corrected anyone when people used male pronouns, avoided feminine clothing and wears platform shoes to appear taller. It is also implied Naoto began binding her chest to hide her breasts.

After dealing with her Shadow, Naoto decides to give being female another try. However, Naoto still has difficulty accepting it in her Social Link. By the end of the game, due to her own will and with the protagonist's help, she accepts herself for who she is, and the fact she does not always need to change who she is to suit the world. In the epilogue of Persona 4 Golden, she has started dressing more freely, disguising her femininity less than before. She is comfortable with not only who she is, but also that everyone else is aware that she is female.

Despite her mature nature, Naoto has a shy side to her, as she refuses to wear a bikini at the Yasogami Beauty Pageant, but still manages to win despite dropping out of the swimsuit part because of her endearing popularity among voters. She also becomes embarrassed during the Investigation Team's visit to the Amagi Inn, when the schedules for the hot springs' use were confused. During the ski trip in Persona 4 Golden, Naoto appears to be afraid of ghost stories, and when in a state of fear and/or panic, her voice becomes more feminine than usual, possibly meaning she only has a masculine voice when she is composed. Unlike the other girls, she is shown to be a decent cook as she helped create an edible and delicious cake for Nanako's recovery celebration, though this was mostly down to her insistence that she and the other girls follow the recipe and admits that it took them three attempts to get the desired result.

Naoto is uninterested in romance, and seems easily flustered, embarrassed or dismissive when the topic arises. When she possibly receives a love letter, Naoto claims romance is "entangling" and she has no time to be "dilly-dallying with callow love affairs" and almost throws it away. However, she is willing to date the protagonist if he advances her Social Link.

As per tradition of the Megami Tensei franchise, he is a silent protagonist, whose personality is based on the player's actions and decisions. However, he appears to have more established traits than any of the previous protagonists. His dialogue options range from somewhat indifferent to outright cheeky. The game allows for quite a number of playful, snarky or audacious answers, including teasing his friends. He also taunts his enemies like the famed Arsène Lupin. In the prologue scene, he remains cocky and confident even when his life is in danger. He also has a flair for showing off and making dramatic decisions, such as exiting by jumping through the stained glass windows of the Casino, much to the amazement of the other Phantom Thieves. This is even reflected in gameplay, as when he is turned into a mouse, he makes a flamboyant hop after escaping a battle.

Munehisa Iwai says if everyone in the world held the same code of honor as the protagonist, guns would be obsolete. Sadayo Kawakami notes that, by opposing Suguru Kamoshida, he has a strong sense of justice despite his bad reputation. Shinya Oda states that he made him realize "To be cool, you have to live life in your own way." and that's the type of person he's striving to become. Hifumi Togo notes, while playing Shogi with him, that she senses he has a "gambler's spirit." Sojiro Sakura says the protagonist has an assertive nature, to which the rest of the thieves agree. During the climax of the Niijima Palace heist, Ryuji Sakamoto states that despite being quiet, once he has made up his mind, he won't take no for an answer. Goro Akechi says although the protagonist is quiet, he possesses the courage and determination to take action, and has a free heart, despite his social standing and how others view him, and that he never stops choosing his own path.

While appearing to be a cat-like creature, Morgana emphatically insists to be a human, and sticks with the Phantom Thieves as he believes they'll be able to help him discover his origins and regain his true form. Despite this, sometimes he instinctively meows and self-grooms, being able to get used to his lifestyle as a cat easily. However, he demonstrates a number of qualities which are absent in ordinary animals - a sense of morality, empathy, and even a sense of style. But even though Morgana's intelligent, he's shown to be out of touch with the modern world. This is conveyed through his unfamiliarity with technology, and his initial assumption that his knowledge on the Metaverse is supposed to be common sense.

Morgana lacks a sense of self, not remembering anything about who he is or where he comes from. This is the foundation of an identity crisis, as he's often confused and uncertain about who he really is. However, he feels that his appearance of a cat prevents him from being seen for who he is. His end goal ends up being to change his appearance into a human, which he shows deep satisfaction with. His appearance often makes it easy for others to act indifferent towards, often on accident, making him a regular victim of comical abuse.

Morgana is also often incomprehensible, as he often fails to convey his feelings through words properly. For example, despite often stating his end goal is to become human, he rarely manages to express why he wants to do so or why he's worried about it, making it very easy for his words to become lost in translation and have others take his motivations at face value.

Morgana knows how to be dignified and level-headed, and often adopts a more realistic and logical mindset, easily prioritizing important missions over his own personal agenda. He strongly believes in doing the right thing, as he's willing to speak against injustice, and has shown to consider that the ideal person is a hero figure that helps people in need, which leads him to act gallantly at times. Morgana keeps things fair, conveyed by his settling give-and-take deals between others, and never goes back on his word either, as he promised to guide the protagonist and Ryuji out of Kamoshida's Palace when they first met, on the condition that they free him from his cage. In addition, he shows initiative and determination when it comes to facing risks, as demonstrated by his courage to face the consequences behind the possibility of causing a mental shutdown in Suguru Kamoshida. And though some of his teammates might be pressured into questioning their morals in terms of whether what they're doing is right, Morgana shows autonomous faith in his own ideals.

When executing plans, Morgana can be rather strict with his teammates, making him outspoken and blunt in stating his opinions. He can be rather irritable, instinctively warning or scolding his teammates if they're not careful. In addition, Morgana can be quite mischievous when pushing his friends into self-improvement, especially towards situations where they seem to accept their mistakes, neglect change or avoid taking responsibility, often with the goal of teaching them a lesson or knocking them back to their senses. This especially applies to Ryuji Sakamoto, who initially shows comfort in his public image as a no-good thug, or even if he's reckless and naively inconsiderate. However, if such a mistake ends up being crucial, he can easily resort to anger instead. Either way, he doesn't rub salt in the wound if the person ends up feeling ashamed or guilty over their actions, and can empathize with them. This treatment includes Futaba Sakura while she was learning to open up and overcome her anxiety and distrust, having him withstand her playful abuse and any trouble that came his way.

Morgana is chivalrous in nature, showing a very gentlemanly side towards women. This is most apparent with Ann Takamaki, who possesses an empathetic and courageous personality, alongside her beauty; he refers to her as "Lady Ann" out of noble respect. Compared to others, Morgana initially doesn't get agitated over being misunderstood by her, as what she says often came out of fear and stress, and notices that she shows the desire to understand him and his feelings, one reason why he could develop a crush. This leads him to often trying to impress her, and though Ann never realizes he has romantic feelings for her, she shows gratitude in his gestures nonetheless. However, Morgana has a perverted side as well, as he and Ryuji were caught trying to peek under her skirt during their hot pot celebration.

Though he has an idea of how to be dignified, deep down Morgana is more optimistic, making him a heavy daydreamer and potentially naive: he often immerses himself in his ideal self's shoes, as he's shown to fantasize about what would happen if he were to become human, to the point where he imagines his supposed true form having the appearance a handsome man while living a luxurious life. Additionally, he's modest with his own general value, thinking lowly of himself over others, making him naturally empathetic. This could expand towards fiction as well, making it easy for him to absorb himself in films and books. Though he keeps his true feelings to himself, over time he begins to open up to the protagonist, rambling freely about his inner thoughts and dreams.

Morgana likely attempts to brush aside his uncertainty by stacking a more positive interpretation of himself, and goes around it with thoughtless boasting, which might have a healthy effect on his mental state. It seems to be purposefully over more insignificant things or as a joke, like Sojiro Sakura's seeming preference for him over the protagonist, as Morgana seems to brush off or forget about details like these immediately after. Same goes for making fun of his friends, which likely helps him open up bit by bit in front of them.

But despite being optimistic at the core, Morgana has a weak side - in reality, he's deeply worried about who he really is and where he belongs. His uncertainty leads him to even question the integrity of his feelings, slowly becoming disconnected with them in the process. His condition worsens as he fails to make any progress on discovering anything about himself for months: eventually, he even forces himself to be positive, but the effect of that inevitably wears off as well.

Once he loses his sense of self entirely, he begins to assume general consensus and his friends' opinion of him as the truth, lacking the certainty to reject the idea they're more qualified to define what he is over himself. Worse, as Futaba joins the group and replaces him as Navigator, he begins to question his role in the group and all the knowledge he believed he had on the Metaverse, causing him to worry about how he doesn't compare to others. This results him to perceive himself as a worthless cat, leaving him in a state of withdrawal. However, Haru Okumura teaches him that he should find the courage to trust his own true feelings and that doing so won't disconnect him from his friends. In the end, Morgana admits that he doesn't understand who he is and doesn't feel like he has a justified reason to stay with the group, but despite this, since he has no other place to go, he wants to stay with the Phantom Thieves of Hearts as it's the only place he can belong. With them showing acceptance in return, he finds comfort in trusting himself, realizing that it doesn't matter if he doesn't understand himself, as he's now certain he'll belong no matter what.

Morgana's overall loyal to the Phantom Thieves, treating them as equals during missions and gatherings due to the nature of their deal, having both sides require one-another to work together in order to succeed. He refers to a number of contributions or mistakes the team makes to be united effort, constantly referring to these actions in "we." Though he's initially held a distant give-and-take relationship with the Thieves and has been planning on leaving the group and moving on after restoring his memory, his fruitless journey led to the Phantom Thieves growing on him and slowly began to love being with them. He's shown gratitude for their hospitality, especially since he has no other place to belong. This helped develop a sense of duty towards their goals, boosting his loyalty to a state of selflessness, to the point where he's willing to sacrifice himself in order to protect his friends.

Morgana's shown to get engrossed by "the embodiment of human desire." When something that fits that description is in display, he loses all sense of reason and starts fawning over it out of affection and admiration, as demonstrated with Kamoshida's treasure. Near the end, Morgana remembers that humans are actually people he looks up to, and has shown to value them and their potential to change the world dearly. This is likely why he's shown to fawn over human desires at first, as he's been obsessed with belonging among them. However, this compulsion was shown to be neutralized after Morgana learned that he belongs in the Phantom Thieves, as Ann pointed out that he seemed calm and collected when he took Okumura's treasure. Despite this, he still holds a passion for humans in the end, so seeing them imprison themselves in Mementos so their wishes are granted was something that saddened him, and did everything he could to knock them back to their senses. Even though Morgana demonstrates modesty in terms of his own general value, he's persistent in following his own feelings, and in turn, protecting what he cares for.

We need a bunch of talented individuals who will be able to do a bunch of different voices for different characters. You can either send your demo reel or use the words supplied.

During most of the story, Akechi appears to be well-mannered, friendly and charismatic. His achievement of being a high-school detective, coupled with his handsome features, makes him highly popular among the general public and he is commented to be "The Second Coming of the Detective Prince." His intelligence and smooth-talk earned him enough trust from the police to conduct his own investigation despite his young age, which includes Sae Niijima, who fully trusts him to assist her in her investigation presents himself as having a strong sense of justice, disapproving of the Phantom Thieves of Hearts for their methods. He is candid in expressing his disagreement, but never forces his views on others, and still respects people who have differing opinions. He quotes Hegel on this, citing that "advancement cannot occur without both thesis and antithesis."

In reality, this cheery disposition is merely a mask that hides his inner darkness. Due to his mother's suicide and subsequent placement into child institutions, Akechi grew up a lonely child who yearned to be loved; this feeling persists in his teenage years. He was illegally conceived in one of Shido's sexual ventures, which would then become the basis of his incredibly misanthropic worldview and his narcissistic behavior, making him even harder to befriend.

PLEASE TRY TO IMITATE HIS ORIGINAL VOICE

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