All for One Indie Webcomic Dubbing

Feminine voice that is energetic, expressive, optimistic, and youthful without sounding childish. Amy should feel genuinely enthusiastic and curious about the world. The actor should also be comfortable portraying emotional vulnerability and a darker, more unstable side of Amy when necessary. While Amy is part Hispanic, she does not have an accent, but she does occasionally speak in Spanish. Actor must be able to pronounce words in the Spanish language when needed.

I’m looking for a voice that is calm, gentle, mature, and softly melancholic without sounding constantly sad or emotionless. Think Blue Diamond from Steven Universe with a mix of Oka Ruto from Yandere Simulator. Searcy tends to speak in a measured, deliberate manner and rarely gets overly excited, making her a natural contrast to more energetic characters like Amy. Her sadness is often intentional so her subdued demeanor should feel more like careful emotional control than genuine depression.

I’m looking for a voice that is confident, articulate, sophisticated, and naturally commanding without needing to be overly loud or aggressive. Matteo should speak with a deliberate, polished cadence that reflects his education and refined personality, with a subtle air of superiority underneath his words. He can be blunt and cutting when criticizing others, but should still maintain a sense of composure and elegance rather than sounding like an outright bully. His voice should also be capable of conveying genuine passion and determination when discussing subjects he takes seriously. Matteo also has the ability to learn language very quickly by biting others. He’s introduced in the story speaking French, so I’m looking for someone who is comfortable with pronouncing other languages.

I’m looking for a voice that is warm, friendly, and naturally charismatic with a relaxed, youthful quality. Cole should sound like someone who is easy to talk to and genuinely enjoys being around other people, with an infectious enthusiasm that comes through even when he's simply joking around with his friends. His delivery can be casual and playful, and he shouldn't sound overly polished or formal. His voice should be capable of moving naturally from goofy and carefree to focused and emotionally sincere without feeling like a completely different character.

I’m looking for a voice that is naturally low-to-medium in pitch, confident, rough around the edges, and capable of conveying Eko's aloof and sarcastic personality without sounding constantly angry. Eko tends to speak bluntly and casually, often with a dry or biting tone when teasing or insulting others. He should sound like someone who is difficult to intimidate and isn't afraid to say exactly what's on his mind. The actor should also be able to shift into a more intense, hot-blooded delivery during fights while maintaining Eko's confidence and attitude, but also being able to capture more vulnerable sides of him when it shows.

I’m looking for an actor who can communicate Siren's personality primarily through expressive nonverbal vocalizations rather than spoken dialogue. Siren is calm, shy, curious, gentle, and experiences the world with child-like wonder, so her sounds should generally feel soft and endearing rather than constantly loud or exaggerated. The actor should be comfortable creating a wide range of distinct noises, such as: hums, chirps, squeaks, whines, clicks, gasps, and muffled vocalizations, and using them to convey different emotions and intentions. Because Siren communicates heavily through body language, the actor should also be willing to experiment with how pitch, tone, rhythm, and intensity can communicate meaning without words. They should additionally be capable of producing much louder and more intense vocalizations for Siren's Song when necessary.

I’m looking for a voice that is youthful, bubbly, expressive, and naturally affectionate, with a lot of enthusiasm and personality. Fliss tends to talk frequently and can become noticeably louder and faster when he's excited, so the actor should be comfortable with energetic, slightly rambly delivery while still keeping his dialogue understandable. He should sound genuinely curious and passionate about the things he loves, particularly Pip and anything cute or delicate. At the same time, the actor should be able to portray Fliss's social awkwardness and sensitivity, especially when he's uncomfortable around strangers or struggling with his insecurities.

I’m looking for a mature, warm, and nurturing voice with a natural maternal quality. Vivian should sound calm, dependable, and reassuring, as though she's someone others instinctively feel comfortable turning to when they need help. Her delivery should be patient and composed, but she should also be capable of becoming firm and stern when someone is being reckless or putting themselves in danger. Her lectures should feel more like genuine concern than anger, with a touch of dry humor when appropriate.

I’m looking for a youthful, expressive, and theatrical voice that captures Penelope's spoiled and demanding personality while maintaining an underlying sense of charm. Penelope should sound confident in her status and completely accustomed to getting whatever she wants, often speaking dramatically and extravagantly even when discussing something trivial. She can be loud, impatient, and temperamental when frustrated, but the actor should also be able to switch into a sweet, innocent, almost deceptively adorable tone when Penelope is manipulating someone or trying to get her way. Her delivery should have plenty of personality and comedic timing, particularly during tantrums and exaggerated reactions.

I’m looking for a mature, composed, and authoritative voice with a naturally commanding presence. Mohana should speak clearly and deliberately, rarely losing her composure even when dealing with chaos around her. Her strictness should come across as disciplined and responsible rather than cruel, with a firm but caring quality when she is parenting or correcting Fliss. She is deeply devoted to the laws of magic and should sound confident in her beliefs, though the actor should also be able to portray the warmth and protectiveness underneath her stern exterior.

I’m looking for a voice that is youthful, relaxed, playful, and naturally confident, with a carefree quality that contrasts strongly with her more serious twin, Mohana. Mohini should sound like someone who rarely worries about consequences and is always willing to encourage a little mischief, particularly when she's spending time with Fliss. Her delivery can be casual and teasing, with a mischievous sense of humor and an ability to improvise when things inevitably go wrong.

Mocha should have a naturally warm, youthful voice with a gentle and approachable quality. Her delivery can be slightly soft and hesitant when she's unsure of herself, particularly when admitting that something went wrong, but she should become noticeably more confident when she's reassuring someone. Her excitement should feel sincere and wholesome rather than overly energetic, while her clumsiness should come through primarily in her timing, nervous reactions, and occasional panic rather than making her sound unintelligent. She should be able to transition naturally from sweet and comforting to flustered and embarrassed.

Edrelda should have a mature, controlled voice with an authoritative presence that commands attention without needing to raise its volume. Her speech should be precise and deliberate, with very little unnecessary emotion or hesitation. She should sound accustomed to being obeyed and almost incapable of entertaining the possibility that she could be wrong. When criticizing someone, especially her daughters, she should favor quiet disappointment and calculated remarks over outright shouting. However, there should be moments where her composure cracks slightly when her ideals are challenged, revealing the intensity beneath her restraint.

Madame Zephyra should have a confident, expressive voice with a slightly eccentric quality that immediately communicates that there's an enormous amount of intelligence behind it. She should speak clearly and deliberately when explaining her scientific theories, but her pace and pitch can rapidly increase whenever she becomes excited by an experiment or discovery. Her enthusiasm should feel genuine rather than forced, as though every new piece of information is the most fascinating thing she's ever encountered. She can have a theatrical flair and a touch of madness, but avoid making her sound completely unhinged or unintelligent; she's a legitimate genius who simply has very little restraint when curiosity takes over.

Apate should have a confident, naturally charismatic voice with a playful and slightly mischievous quality. She should sound like someone who enjoys having fun with people, particularly when she knows something they don't. Her delivery can be teasing, sarcastic, and occasionally flirtatious, with a tendency to draw out certain words or play innocent when she's clearly being deceptive. She shouldn't sound constantly sinister; some of her most effective moments should sound perfectly casual or even cheerful, allowing the malicious intent behind her words to sneak through afterward. She is intelligent enough to manipulate a conversation without making it obvious, and she enjoys watching people realize they've been fooled. Think Goddess Eris from Sinbad and Ursala from The Little Mermaid.

I’m looking for a warm, friendly, elderly voice with an enthusiastic and welcoming quality. Mayor Humphrey should sound like a kindhearted grandfather who genuinely enjoys meeting people and can strike up a conversation with practically anyone. He tends to talk a lot, often getting carried away when discussing Amberville, its residents, or upcoming festivals. His gullibility should come across as charming and sincere rather than foolish, as he genuinely assumes people have good intentions.

Melvin should have a youthful, slightly nerdy voice with a gentle, friendly quality and a noticeable but natural lisp. His delivery can be a little quick or hesitant when he's nervous, occasionally causing him to stumble over his words before trying to recover. When discussing something he's knowledgeable or passionate about, however, he should become more confident and animated, allowing his nerdy enthusiasm to shine through. His nervous reactions should be endearing rather than exaggerated, and the lisp shouldn't overpower the performance.

Grong, much like Siren, does not communicate with words normally like everyone else. Instead he only says his name, “Grong” with different emotion and inflections. Grong should have a naturally deep, resonant voice that fits his giant, muscular appearance, but the performance should lean heavily into warmth and emotional expressiveness rather than aggression. Every version of “Grong” should feel distinct depending on what he's trying to communicate. He can be soft and affectionate, excited and enthusiastic, confused, worried, frustrated, embarrassed, protective, or even quietly heartbroken without ever using another word. The actor should be comfortable with exaggerated vocal reactions while still making them feel sincere rather than cartoonishly silly.

Amelia should have a soft, gentle, mature voice with a calm and almost comforting quality. Keep her volume relatively low and her delivery measured, as though she rarely feels the need to raise her voice. She should sound emotionally restrained rather than emotionless, there are feelings underneath her words, but she has become accustomed to keeping them contained. Her interactions with Matteo should carry complicated layers: she may speak to him with genuine affection or concern while simultaneously avoiding the painful subjects between them, creating an uncomfortable contrast between what she says and what she failed to do. When confronted about her past, Amelia shouldn't suddenly become defensive or villainous; instead, let her become hesitant, saddened, uncomfortable, or quietly ashamed.

Give him a deep, powerful, authoritative voice with a naturally forceful presence, but avoid making every line a shout. In quieter moments, he should sound controlled and confident, as though he knows his position gives his words weight without needing to raise his voice. When angry, his volume and intensity can rise dramatically, with clipped words, sharp emphasis, and an almost explosive quality. His interactions with Matteo should carry an underlying sense of control and ownership; he speaks at Matteo rather than truly listening to him.

King Rosebud should have a warm, deep, gentle, mature voice with a naturally reassuring quality that makes him sound like a genuinely kind king. He should speak confidently and comfortably when addressing his subjects, but become noticeably more hesitant, nervous, and overly accommodating whenever Penelope is involved. His fear should be played more comedically than dramatically; he might stumble over his words, nervously laugh, lower his voice, or desperately search for a way to phrase something without upsetting her. He should never sound incompetent or unintelligent, he knows exactly what Penelope is like and often knows when she's being unreasonable, but simply doesn't have the courage to confront her.

Jenny should have a bright, expressive, youthful voice with plenty of energy and warmth, but slightly more grounded and mature than Amy. She should sound like someone who genuinely enjoys life and gets excited easily, while still having the emotional awareness to slow down and become serious when the situation calls for it. Her playful side should come naturally, especially around Amy, where she can become teasing, competitive, or mischievous like a typical older sister.

Theia should have a naturally beautiful, feminine, and polished voice with a soft, angelic quality that immediately sells her as royalty. She speaks with confidence and composure, but she shouldn't sound overly formal or stiff. Her charm should feel effortless, like she's accustomed to people being captivated by her. When manipulating someone, she can become even sweeter and more affectionate, almost as though she's doing them a favor. Her insults should often be delivered with a smile and a gentle tone, making them more cutting because she doesn't seem to realize, or doesn't care, how cruel she sounds. When addressing demons or people she considers inferior, let the warmth drain slightly from her voice and replace it with detached condescension. When genuinely angry, Theia shouldn't immediately become loud; a quieter, controlled voice can make her feel much more threatening. She should always sound like someone who believes she has the upper hand.

Minerva should have a smooth, mature, feminine voice that feels soothing rather than overtly sinister. She should sound like someone who could easily convince another person that she is trustworthy, even while quietly manipulating them. Keep her delivery measured and deliberate, with occasional pauses that suggest she's choosing exactly how much information to reveal. Her humor can be subtle and dry, particularly when she's teasing someone or watching a plan unfold. When impersonating someone through shapeshifting, an actor should ideally be able to alter their delivery enough to suggest different personalities while maintaining Minerva's underlying control. Around Apate, she can become warmer, more affectionate, and openly devoted, revealing a side of herself that almost nobody else gets to see.

Amy’s father’s voice should be mature, warm, and masculine, with a naturally reassuring quality. He can have a noticeable Hispanic accent if the actor can perform one authentically, but the character should remain completely understandable in English. His Spanish should feel conversational and organic rather than exaggerated, something that naturally slips into his speech when he's affectionate, frustrated, excited, or talking about his culture. When he's giving his daughters advice, his voice should carry the weight of someone who has spent years trying to keep them safe, but he shouldn't sound authoritarian.

Draco should have a strong, mature, masculine voice with plenty of projection and presence. His everyday delivery should be confident, energetic, and effortlessly charismatic, like someone completely accustomed to addressing crowds and having people hang on his every word. He can be loud and theatrical when entertaining fans, but he shouldn't constantly sound like he's giving a speech. Privately, he's much more casual and personable. His smugness should often have a playful quality, especially when teasing or showing off, because Draco genuinely enjoys being Draco. When speaking to Eko, however, that playful arrogance should gradually become patronizing and deliberately cruel, as though humiliating his younger brother is second nature. Most importantly, the actor should be able to make Draco lose control. When his superiority is seriously challenged, particularly by Eko, his smooth confidence should crack into disbelief, anger, and almost desperate insistence that he is still better. His explosive moments should contrast heavily with his usual charisma. Draco is the embodiment of Pride, so even at his worst, everything comes back to one fundamental belief: he deserves to be above everyone else.

Hymn should have a youthful feminine voice with a noticeable Valley Girl-inspired cadence, using drawn-out vowels, vocal fry, upward inflections, and an almost permanently bored delivery. Think Raven from Teen Titans from Cartoon Network, but a valley girl. She should sound like someone who could respond to the apocalypse with, “Oh my God, seriously?” Her speech can have a lazy, slightly nasal quality. Hymn sounds perpetually unimpressed because she genuinely does not care about most things.

Symphony should have a mature, feminine voice that is smooth, confident, and naturally commanding without needing to be excessively deep or intimidating. She should sound like someone accustomed to having the final word. Her public persona should be graceful and pleasantly charming. When dealing with Hymn and Harmony, she can carry the exhausted authority of an older sister constantly having to keep the other two focused.

Harmony should have a bright, youthful, highly expressive feminine voice with lots of energy and emotional transparency. She isn't good at hiding what she's thinking, so nearly every emotion should immediately make its way into her voice. Excitement can become rapid and bubbly, confusion should sound completely sincere, and insults from Hymn should provoke dramatic offense almost instantly. Her airheadedness should be funny without making her sound infantile or incapable of functioning.

Jake should have a youthful masculine voice with effortless confidence and a laid-back, “too cool to care” quality. He shouldn't sound like he's constantly trying to impress people. Most of the time, Jake genuinely believes he is impressive, and his popularity reinforces that belief. His normal speech can be casual, slightly cocky, and dismissive, with relaxed slang and an easy rhythm. Around friends like Eko, he should sound considerably more playful and energetic, especially when competition is involved. When dealing with people he considers uncool, such as Fliss early on, his insults should often sound casually mean rather than intensely hateful. Sometimes Jake barely seems to realize how cruel he's being because dismissing people has become normal for him. At his worst, his voice should reveal bitter entitlement and genuine hatred. Avoid making him sound like an obvious villain from his first line. The actor should be able to convincingly portray the popular guy people actually enjoy hanging around with and the ugly person underneath when his ego and social standing are challenged.

Peggy should have a mature feminine voice with a firm, authoritative presence. Her delivery should be clear, controlled, and confident, the kind of woman who can quiet an entire committee meeting simply by speaking. She doesn't need to yell to establish authority and generally prefers measured firmness. Her strictness should never make her sound cold or villainous as underneath it is genuine affection for Amberville and the people who live there. When discussing the town, its traditions, or why the committee's work matters, allow some of that stern exterior to soften into warmth and pride.

Penny should have a youthful, feminine voice that's bright, energetic, expressive, and extremely friendly. She speaks with the kind of enthusiasm that makes even ordinary things sound exciting, and her energy should feel effortless rather than forced. She can speak somewhat quickly when excited, with plenty of vocal movement, but should still sound distinct from Amy; where Amy has a more adventurous, chaotic excitement, Penny can have a bubbly, supportive, almost cheerleader-like enthusiasm. She loves encouraging people and should sound genuinely delighted when other people have good ideas.

Lilith should have a soft, youthful-to-adult androgynous or feminine-leaning voice with a quiet, reserved delivery. They may hesitate, stumble slightly, or lower their volume when unexpectedly put on the spot, particularly around strangers, but shouldn't sound permanently frightened or incapable of communicating. When they're comfortable, their speech can become smoother and reveal a thoughtful, gentle personality.

Plum should have an elderly feminine voice that is warm, relaxed, and grandmotherly without becoming excessively frail or exaggerated. She can speak at a slightly more measured pace than the younger committee members, but her age shouldn't be played as weakness. Plum is mentally sharp, socially comfortable, and has seven years of committee experience behind her.