The Evil God Who Raised Me | Paid Male VA Auditions

The Evil God Who Raised Me | Paid Male VA Auditions

Project Overview

Update again— Additional Voice Direction:

Thank you all so much again for the incredible response so far. I wanted to add a little more voice direction for Shi Yuansu and Zhan Qinmo, since these characters have very specific emotional textures.

These references are not meant as strict imitation requirements. They’re just meant to help communicate the tone, energy, pacing, and emotional direction we’re looking for.

For Shi Yuansu, I’m looking for a voice with grit, toughness, and a strong sense of resolve. His anger should feel explosive, but not performative — more like something that has been buried for a long time and is barely being held back. There should be a sense of survival in him: wounded, defiant, and still refusing to break.

His rhythm should have forward momentum, almost like a drumbeat. Tense, driven, and always close to the edge.

Musical inspiration: The Score’s “Deep End” and Daughtry’s “It’s Not Over.”

Vocal texture references: Chris Daughtry, Edgar Sandoval Jr., Alex Gaskarth from All Time Low, and Johnny Huynh’s “HELL ON ME.”

For Zhan Qinmo, I’m looking for something deeper, more restrained, and more dangerous in a quiet way. His voice should feel mature, masculine, languid, and elegant — almost ceremonial. He should sound like someone who does not need to raise his voice to control the room.

His pacing should be deliberate, with room for pauses and lingering weight. Not too fast, not overly theatrical — just controlled, intimate, and unsettlingly composed.

Musical style references: Poets of the Fall’s “Heroes and Villains” and Hearts & Colors’ “For the Love.”

Vocal texture reference: Sam Smith’s “Fire on Fire.”

Again, these are references, not boxes. I’m not looking for exact copies of any vocalist. I’m looking for actors who can capture the emotional core of the characters.



_

Update: Thank you all so much for the amazing response so far — I honestly didn’t expect this much enthusiasm, and I really appreciate everyone taking the time to read for these characters.

I also wanted to give a little more context about the project. Evil God Raising / Xie Shen Si Yang has a large online readership, estimated in the hundreds of thousands and potentially over half a million to a million readers across platforms. Because of that, we’re being careful with casting and want to find voices that really feel right for the characters.

For Shi Yuansu, the original song vocalist’s tone is an important reference, but it isn’t the only thing we’re listening for. If you feel you understand the heart of the character — wounded, restrained, defiant, and emotionally complex — you’re absolutely welcome to audition.

We’ve also decided to raise the upper payment range to $60 USD/hour for selected actors, depending on the final recording scope.

Thank you again for all the wonderful auditions. I’m going through them carefully and really appreciate the care and effort everyone has put in.

——

The Evil God Who Raised Me is an original Chinese queer dark romantasy / cosmic horror project currently casting English male voice actors for a short proof-of-concept audio scene.

This is a character-driven, cinematic project with a dark romantic atmosphere, psychological tension, mythic power dynamics, obsession, defiance, trauma, devotion, and cosmic horror elements. The tone is intimate, intense, dramatic, and emotionally charged.

I am currently looking for English male voice actors for two lead roles:

1. Shi Yuansu - a wounded, defiant survivor with sharp edges, survival rage, and modern American rock-vocalist energy. Think gritty, emotionally intense, raw, powerful, and rebellious.

2. Zhan Qinmo - an elegant, godlike manipulator with a calm, intimate, controlled, and quietly terrifying presence. Think velvet menace, divine arrogance, obsessive tenderness, and psychological control.

This is not commercial narration. I am looking for strong character acting suitable for animation-style performance, audio drama, visual novel, or cinematic proof-of-concept work.

First-round submissions may include an existing character demo reel or a short read using one or more of the provided audition lines. Shortlisted actors may be invited for a paid custom audition.

Paid custom audition rate: USD 50 per invited actor, per role. Full production recording, additional takes, directed callbacks, and commercial usage will be negotiated separately.

Actors must be comfortable with LGBTQ+ M/M dark romance themes, psychological intensity, fictional power imbalance, and heavy emotional material. No explicit sexual performance is required for this audition.

Professional studio is preferred but not required. A clean home-studio recording is acceptable. Please avoid phone audio, heavy room echo, background noise, music, sound effects, or excessive processing.

Audition recordings are for private casting evaluation only. They will not be published, used in the finished production, or used for AI training, voice cloning, synthetic voice generation, or dataset creation.


Official reference clips:

Chinese audio drama reference:

https://www.instagram.com/p/Dckx-4lhxjq/

Additional official tone reference:

https://www.tiktok.com/@obsidianmint/video/7594766336744590605

The Instagram clip is an official Chinese audio drama reference. The blue text represents Shi Yuansu, and the red text represents Zhan Qinmo. The English cast does not need to imitate the Chinese performances exactly; these clips are provided as tone, pacing, chemistry, visual mood, and atmosphere references.


Official social media:https://weibo.com/u/1833360114

Latest Updates

  • Thanks for everyone

    Hi everyone!

    A quick project update—and a huge thank-you to everyone who’s auditioned. Hearing your different takes on these characters has been a real pleasure.

    The long-term vision for THE EVIL GOD WHO RAISED ME includes animation, video dramas, games, and—my personal favorite—rock musicals. Right now, our first priority is the audio drama, followed by character voice clips for the project website. These performances will help establish the characters’ voices, with casting also taking the rights holders’ creative preferences into account.

    There are some wonderful voices here. I’m putting together a shortlist of performers to recommend for upcoming opportunities, and I may also reach out if I think you’d be a great fit for a different character. Please think of this as a long-term project: not being cast in a particular role now doesn’t close the door on working together later.

    And you’ve only met our central trio.

    There’s a much larger cast waiting beyond these three—including Order, an eldritch god, and a decadent young aristocrat with connections on both sides of the law. As development moves forward, we’d love to bring more of these characters into the spotlight—and find the voices that can do them justice.

    For now, I’m keeping the rest under wraps. Some characters deserve to make an entrance. So if none of the current roles feels quite right for you, stick around. You may not have met your character yet.

    One small housekeeping note: we sometimes leave CCC open in the background, so an online status doesn’t necessarily mean we’re actively reviewing auditions or available to reply. We’ll get back to you as soon as we can. Thank you for your patience.

    At its heart, this is a story about refusing the fate you’ve been handed. It brings together an epic science-fantasy rebellion and a dangerous, obsessive love story between two men. Their relationship drives the story, but the world they’re fighting to change reaches far beyond them.

    Thank you for bringing your talent—and your own interpretations—to these characters. I’m excited to hear more.

    —Obsidianmint Studio and K.K. Nan

  • To all the cool guys!

    Casting Update!(9.29)

    【Since our team is quite small, we’re only able to send individual replies to a limited number of applicants at the moment. If you haven’t heard back from us yet, please don’t take it as a rejection—we’re still carefully reviewing submissions and will share updates as the process continues.】

    We’ve received auditions from so many seriously talented people—thank you all for the incredible submissions so far!

    A few quick updates:

    The audio submission deadline will be extended into November, so please don’t worry too much about the current deadline. We’re also reviewing auditions from performers outside of CCC, so the casting process is still ongoing. We want to give as many strong performers as possible a fair chance to be considered.

    The audio drama and audiobook will have separate casts, and we’ll be putting together a shortlist for both productions.

    A quick content note as well: while the actual audition/voice work is relatively safe, the original novel itself contains 18+ material, including violence and sexual content, roughly comparable in overall maturity to A Song of Ice and Fire. We’ll be adding a more detailed content warning for performers. The story is a dystopian interstellar fantasy epic centered on rebellion, gods, power, and resistance against an oppressive order.

    And one more update: I’ve added An Jin, one of the story’s major antagonists, to the open casting list.

    He is also one of the most popular characters in the entire IP—sometimes rivaling the protagonists themselves—so if the role catches your interest, feel free to give him a try.

Shi Yuansu - Defiant Survivor / Wounded Rebel
Voice Actor Voice Actor
Shi Yuansu - Defiant Survivor / Wounded Rebel
open
Paid: Flat Rate 50 USD

Lead male role. Young adult to adult male voice.

Shi Yuansu is a wounded, defiant survivor with sharp edges, survival rage, and unstable emotional restraint. He should sound like someone who has lived through too much, refuses to kneel, and hides pain under anger, sarcasm, and dangerous charisma.

I am looking for strong cinematic character acting, not commercial narration. The voice can be gritty, raw, tense, exhausted, bitter, emotionally volatile, or rock-frontman-like, but it should still feel intelligent and human.

For the first round, please submit either an existing character demo reel or a short read using one or more of the provided lines.

Actors must be comfortable with LGBTQ+ M/M dark romance themes and psychologically intense material.

Voice / tone references:

- Chris Daughtry / Daughtry - “Over You” for gritty, wounded arena-rock intensity.

- The Score - “Deep End” for driving urgency, defiance, and emotional momentum.

These are tone, texture, and energy references only. Please do not imitate the singers or perform the audition as singing; this should remain an original spoken character performance.


Language:
  • english
Voice description:
  • male adult
  • american
  • audiobook
  • animation/character
  • dramatic
  • gritty
  • adr/looping/eps
  • audiodrama
  • emotional
Other info:
  • voice acting
  • voice editing
  • audacity
  • reaper
  • logic pro
  • character acting
  • adobe audition
  • pro tools
  • animation
  • improvisation
  • adr
  • shure sm7b
  • sennheiser mkh 416
  • neumann tlm 103
  • blue yeti
  • narration
  • rode nt1
  • focusrite scarlett 2i2
  • garageband
  • Audio-Technica AT2020
  • audient id4
  • If I refuse to believe in fate, then what the hell am I supposed to believe in?

  • I have no faith in gods. I have faith in you.

  • In this place, weakness is the first sin.

Zhan Qinmo - Elegant Godlike Manipulator / Velvet Menace
Voice Actor Voice Actor
Zhan Qinmo - Elegant Godlike Manipulator / Velvet Menace
open
Paid: Flat Rate 50 USD

Voice Direction Update:

Zhan Qinmo should have a mature, masculine vocal quality: deep, restrained, languid, and elegant, with a sense of ritual and quiet danger. He should sound like someone who controls the room without needing to raise his voice. His pacing should be deliberate, with pauses, restraint, and lingering weight.

For vocal texture and atmosphere, additional references include Jamulaya’s “Breaking the Chains” and Ville Valo’s vocal style in HIM’s “The Funeral of Hearts.” These references are meant to capture a dark romantic, slightly gothic, controlled, and dangerous elegance.

References are for tone, texture, and emotional direction only — not exact imitation.

——

Zhan Qinmo is one of the two male leads of The Evil God Who Raised Me, an original Chinese queer dark romantasy / cosmic horror project.

He is an elegant, godlike manipulator: beautiful, patient, intimate, and terrifyingly controlled. He does not need to raise his voice to dominate a room. His power comes from stillness, precision, and emotional possession.

Voice direction: smooth, intimate, emotionally magnetic, restrained, darkly romantic, and quietly dangerous. He should feel warm enough to draw someone closer, but cold enough to remind you that he is not human. Think divine arrogance, obsessive tenderness, psychological control, and dangerous gentleness.

Voice / tone references: Hearts & Colors’ “For the Love” and the EMO version of “The End.” These references are for smooth intimate texture, dark romantic atmosphere, emotional magnetism, restraint, melancholy, and dangerous tenderness.

Please do not imitate the singers or perform the audition as singing. This is spoken character acting. The goal is to capture a similar emotional color and vocal intimacy while creating an original performance for Zhan Qinmo.

He should not sound cartoonishly evil, theatrical, melodramatic, or like a generic villain. The ideal performance is subtle, intelligent, predatory, seductive without being oily, and emotionally layered. He can be gentle, but the gentleness should feel like a trap.

Animation-style, audio drama, visual novel, and cinematic performance styles are welcome.

Actors must be comfortable with LGBTQ+ M/M dark romance themes, psychological intensity, fictional power imbalance, obsession, manipulation, and heavy emotional material. No explicit sexual performance is required for this audition.

Professional studio is preferred but not required. A clean home-studio recording is acceptable. Please avoid phone audio, heavy room echo, background noise, music, sound effects, or excessive processing.

Audition recordings are for private casting evaluation only. They will not be published, used in the finished production, or used for AI training, voice cloning, synthetic voice generation, or dataset creation.
smooth intimate texture, dark romantic atmosphere, emotional magnetism, restraint, melancholy, and dangerous tenderness



Language:
  • english
Voice description:
  • all english accents
  • audiobook
  • american
  • female adult
  • animation/character
Other info:
  • all accents
  • blue yeti
  • adobe premiere pro
  • From now on, I’ll be your guardian. But you’ll have to be my believer.

  • And I, at long last, have my desire. Do I not?

  • He belongs to me, in life and in death. 

AN JIN — Major Antagonist / Recurring Role
Voice Actor Voice Actor
AN JIN — Major Antagonist / Recurring Role
open
Paid: Flat Rate 60 USD

An Jin is a young God of Light: brilliant, beautiful, charismatic, and profoundly dangerous.

On the surface, he can sound almost angelic—youthful, clear, luminous, and composed, with the effortless authority of someone delivering divine revelation. Beneath that immaculate surface, however, there should always be the sense that something is slightly, dangerously wrong.

He is not a conventional snarling villain, and he should never sound permanently unhinged.

His madness is controlled.

Until it isn’t.

When An Jin becomes emotionally explosive, the performance should gain intensity and penetration without becoming gravelly or conventionally “evil.” Think of blinding white light rather than fire: beautiful and pure at first, then suddenly unbearable to look at.

An Jin genuinely loves his older brother. That love is not an act, and it is essential to the character. He can mock him, manipulate him, threaten entire civilizations in front of him, and still mean every tender word he says.

Ideologically, An Jin sees himself as someone willing to commit terrible acts in order to destroy an unjust system. He believes the world, its gods, and its established order are fundamentally corrupt, and that radical destruction is necessary to force civilization toward something fairer.

In that sense, he exists somewhere between antagonist, revolutionary, and morally gray hero.

For the character’s charisma and playful danger, a useful touchstone is Loki-like energy, but please do not imitate Loki or any specific actor. An Jin should feel younger, brighter, prettier, and more sincerely idealistic. His charm should make his extremism more disturbing, not less.

Vocal direction

Youthful male voice, clean and distinct.

Bright rather than dark.

Charismatic rather than intimidating.

There should be an almost divine sense of order and purity in the surface delivery, with madness and emotional instability running underneath it.

During intimate moments, warmth and genuine affection are important. During manic or ideological passages, let that same beautiful voice become increasingly ecstatic, persuasive, and dangerous.

Avoid:

  • stereotypical villain growling

  • permanently manic laughter

  • overly deep or mature voices

  • roughness for the sake of sounding threatening

The danger should come from conviction.

He genuinely believes what he is saying.

Vocal / musical references

Vocal texture: Johnny Orlando; also the opening male vocal in New Hope Club’s “You And I.”

Character atmosphere: Jagwar Twin — “Happy Face”

Emotional / revolutionary energy: Robin Schulz feat. KIDDO — “All We Got”

The ideal performance should feel like a beautiful young god calmly inviting someone he loves to join him at the end of the world.

Language:
  • english
Voice description:
  • all accents
  • evil
  • male adult
Other info:
  • blue yeti
  • voice acting
  • audacity
  • Hahahaha… What makes you think someone who lives in hell would ever bring salvation to the world?

  • Take my hand, brother.Let’s slaughter every last piece of trash in this world together.

  • My dear brother, I really ought to show you my poor corpse sometime—the one riddled with a thousand bullets, still sitting in a warehouse.

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