DATO - Cinematic Audiobook (Deep Space Survival Horror)
Project Overview
DATO Cinematic Audiobook/Audiodrama – Full Voice Cast and Narration
Novel: DATO
Author: TS Wieland
Publisher: STA Studios and Wierok Entertainment LLC
Genre: Suspense, Sci-fi, Adventure, Horror Fiction
Characters: 15
Chapters: 20
Payment (Per Chapter): $25 Main Roles (5), $15 Supporting Roles (10)
Description:
We are currently in search of cast members for the latest TS Wieland Audiobook/Audiodrama, DATO.
TS Wieland Audiobooks are known for their "cinematic" combination of both audiodrama and audiobooks, applying both high quality SFX, musical orchestrated scores, and professional voice actors playing out the story to create an immersive experience unlike any other. Actors will be work for hire and paid per chapter (20 Chapters Total), with an opportunity for additional compensation based upon performances and promotion of the audiobooks Patreon page. Actors selected for the roles will be required to read through the script/novel before production begins late Summer of 2019, along with any additional research material relating to the story.
Story Synopsis:
After five years in deep space transporting resources from the asteroid belt to Earth, the husband and wife duo, Artie and Lara Glenn, grow excited for some much needed vacation time. But when an accident upon arrival at the most recent stop costs the company they work for, DATO, millions, Artie and Lara are forced to put their vacation time on hold until they can repay their debts. Setting out on yet another 26 day journey back to Earth, Artie and Lara, accompanied by their three crew members, Lem, Patrick, and Cliff, learn this trip won't be like the others. When another accident cripples their ship beyond repair, the five-man crew must rely on their wits and cleverness if they hope to survive the challenging trip home. And to make matters worse, something now stalks them in the empty halls of their crippled vessel. Something which has already killed three passengers...
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Latest Updates
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Hey Everyone, The Casting Call for the DATO Audiobook is now officially closed for the time being. Actors who have not received word on a rejection, stay close to your inboxes. We will be going through our list of shortlisted actors and be contacting actors chosen for Closed Readings within the week. Thank you to all those who auditioned! The choice is never easy, and I know it's always an uphill battle trying to land a role. For those still looking for parts, be sure to follow the TS Wieland Audiobook page on SoundCloud (https://soundcloud.com/ts-wieland) or check the TS Wieland Patreon (https://www.patreon.com/TSWieland) for the latest news on upcoming projects and new casting calls. Being first in line can always help rather than hurt your chances! Best Wishes to You All From Your Friend in the World Between Worlds! ~ TS Wieland
A 38 year old retired Captain of the Space Force, Artie Glenn is our lead character and focus of the story. As captain of his cargo vessel, DATO Six, with his wife Lara as his fist mate, Artie is known for his calm and collective leadership qualities. When things start to go south, Artie is the one who's always ready to find the quickest solution with deep space as his constant foe. Ever the optimist, Artie's number one priority as captain is keeping him and his crew alive, refusing to give up even when the odds of survival are stacked against him.
Narrator:
With an infuriated yell, he drilled his foot into the workstation
again, flipping the table over on its side. Artie’s eyes opened to see Patrick kicking the table over with a loud bang on the steel floor. Artie hopped up from his place on the floor, and rushed over to Patrick. He grabbed him by the collar and slammed
him into the full metal crate behind him. Artie glared at him
through his pale, sickly stare.
Artie:
(Scolding him)
“You lose your temper like that again, and you’ll bring that thing right to us.”
Patrick:
“If it’s going to kill us all, it should just get it over with,”
Patrick replied, not bothering to fight back.
Artie:
(Scolding him)
“So, what? You run yourself out of smokes and now you’ve decide your life’s not worth living anymore?”
Patrick:
“It knows we are in here. It’s probably already trying to find a way in to us right now.”
Artie:
(Scolding him)
“The only animal in here right now is you,”
Artie replied letting go of Patrick.
Narrator:
Stepping into the cargo bay, Artie swiftly picked up the space heater from off the table. The power cord resisted against him, reminding him it was still tethered to the heavy Schooner battery next to the workstation. He placed the heater back down and thought to himself. He glanced back at the crates lining the cargo bay, and rushed over to them. Lem ran in after him and stopped at the workstation.
Lem:
“Wait! We could use this!”
shouted Lem over to him.
Artie:
(Hurrying, hollering back to her)
“It would take too long, and it’s attached to the battery!”
Narrator:
Artie replied, grabbing a crate wrenching tool to open the each
of the cargo containers.
Lem:
“What’s your plan then?”
asked Lem running over to
him.
Artie:
(Quickly searching)
“Don’t know yet. Start cracking open these crates and tell me if you find anything useful,”
Narrator:
Artie said to her. Splitting up, Artie and Lem one by one began opening the crates in the room. Crate after crate was filled with processed ore or broken drilling tools from the station.
Lem:
“We have a ship full of drilling supplies, and yet none of
it works. Ironic,”
Narrator:
Lem said, opening another crate.
Lem:
“They are all filled with the same thing. All except this one.”
Narrator:
Lem reached down into the crate and picked up a small, closed, white container. She read the label out loud.
Lem:
“Ammonium nitrate. Still of no help.”
Narrator:
Artie lowered the lid on the crate he was opening and hurried over to her.
Artie:
(Stopping his search)
“Wait! What did you say?”
Lem:
“Ammonium nitrate. This crate is filled with bottles of it.”
Narrator:
Artie ran back over to the crate he was opening and picked up one of the boring heads, examining the surface of it.
Artie:
(Quickly ordering her)
“Get back to Patrick and tell him to start making a hole in the wall,”
Narrator:
said Artie.
Lem:
“What? Why?”
Narrator:
asked Lem.
Artie:
(Ordering her)
“Just go!”
Narrator:
shouted Artie.
Lara:
“Art!”
shouted Lara over the console speaker in the living quarters. Artie opened his eyes and stared blankly at the ceiling for a moment. He had just fallen asleep. Artie jumped up from his bed and walked over to the console in the room.
Artie:
(Waking up)
“Yeah?,”
Narrator:
he said back to her as he sat up.
Lara:
“They are ready for us,”
Narrator:
Lara replied.
Artie:
“All right. I’m on my way up.”
Narrator:
Artie rubbed the sleep away from his eyes as he reached over to the foot of the bed to grab his flight jacket. Slipping an arm into his jacket, he suddenly felt the whole ship change course, gently rolling him back onto the bed. He stared at the wall for a moment with only one arm in his jacket, his eyes were wide and alert. The cabin lights went dark. The ships red alert light began flashing followed by the master alarm wailing across the ship’s PA.
Lara:
“ART!”
Narrator:
shouted Lara again over the console.
Artie put his other arm in his jacket, trying to hurry over to the console near the door.
Artie:
“What the hell was that?!”
Narrator:
He shouted.
Lara:
“I don’t know! Engine four just stopped responding!”
Narrator:
shouted Lara over the alarm.
Artie:
“Shut it down then!”
Narrator:
Artie replied.
Lara:
“I tried already! I can’t! Something’s wrong!”
First mate onboard the DATO Six, as well as wife to its captain, Artie Glenn, Lara is a 37 year old woman who wishes for only one thing; to put space behind her and try again. Following the tragedy of losing her new born child to a respiratory illness, the loss ways heavy on Lara as she tries to forget the past and move on. But with so much built up grief and heartbreak bottled up and subject to the isolation of deep space, we begin to see Lara fall apart at the seams. Probably one of the most difficult roles of the story, actors chosen to play the part of Lara will be expected to convey every ounce of believable fear, panic, sadness, and metal stress as she plays our main surrogate to the terror within the story.
Narrator:
Artie shook his head at her, continuing to just to watch the ships traverse their way to and from the station. He wasn’t going to get into an argument with her when all she was going to do was twist his words. His mother had always told him to keep his mouth shut when conflict arose in marriage, knowing once tensions had been lifted, then was the time to talk. Lara watched her husband refuse to reply to her, knowing what tactic he had chosen to deflect their argument, one which seemed to work almost flawlessly.
Lara:
“We’ve been out there for almost five years now. You know how many trips
we’ve made?”
Narrator:
argued Lara. Artie shook his head and walked away from her. He
couldn’t stay quiet this time.
Artie:
“No, Lara. Please, remind me.”
Lara:
“Fifty-six! We’ve made fifty-six trips since we started! That’s one thousand four hundred and fifty-six days we’ve been on that ship traveling between stations, and not once have we made a trip down to Earth!”
Narrator:
Lara said still standing at the window.
Artie:
“Guess you can add another thousand on to that,”
Narrator:
Artie replied sitting back down on the couch. Lara stood staring at him, a scowling look on her face.
Lara:
“You said seven years. After seven years, we would both get back to the way things were and try again.”
Artie:
“I know what I said. But shit happens.”
Lara grinding her teeth in anger at her husband.
Lara:
“When do we leave?”
Artie:
“Two days if the repairs go as planned. Full cargo with extra passengers to make up for the repair costs,”
Narrator:
Artie replied. Lara stomped back into the bathroom, and slammed the
sliding door with a loud bang.
Narrator:
Lara’s aura of tension subtly softened by his words. She stared down at the computer with all the cargo listed on it, trying to keep her rock-hard composure.
Artie:
“I know I’ve not been the best at this relationship since we started this whole thing,”
Narrator:
said Artie stepping over toward her.
Lara:
“You weren’t very good at it before then, either. Night after night coming home late from the base, leaving me to go to family events alone.”
Artie:
“I was trying to start something for us.”
Lara:
“And then we started something together. And just when I thought you would finally start spending more time with me and playing your role, God punished us both for no reason.”
Narrator:
Artie glanced down at the bracelet on her wrist, reading the name on the plastic hospital tag.
Caitlyn Emilia Glenn
DOB: May 4, 2183
6.2 Ibs Dr. C. Becker
Artie:
“Tomorrow’s her birthday,”
Narrator:
said Artie. Lara wiped the water away from her eyes, staring at the
computer screen.
Lara:
“Why do you think I can’t sleep?”
Narrator:
Artie reached out and grabbed Lara by the arm and pulled her over toward him. She stood in front of him, sniffing.
Artie:
“Look at me,”
Narrator:
said Artie to her. Lara looked up at him, brushing the tear from her
cheek.
Artie:
“You and I may never know why, but what we’ve been
through has made us a couple capable of getting through
anything. Life has already beaten us down for us to get back
up again, and now we know there’s nothing worse that could
happen. Once we are finished, I promise that’ll be the end of
it.”
Narrator:
Lara laid her head on his chest, as he wrapped his
arms around her. She felt like she could just fall blissfully
asleep in his arms.
Narrator:
Lara came running back into the cargo door, just in time to see Cliff and Lem walking in with the other passengers. Artie and Patrick walked in the doorway behind her, both carrying arms full of supplies from the infirmary. Patrick broke away and tapped on the control panel to turn of the master alarm again.
Artie:
“Hey, what’s the rush?”
questioned Artie. He stared at his wife’s horrified expression, noticing the blood across her chest and arms.
Lem
“Oh my God! Are you all right?”
Narrator:
asked Lem, hurrying over to her.
Cliff:
“Is that blood?”
Narrator:
asked Cliff staring at her from across the room. One of the passengers whimpered with fright and covered her mouth. Cernan sat up in his chair, worried by the frantic atmosphere in the room.
Artie:
“Everyone just calm down and take a seat somewhere,”
Narrator:
he shouted at everyone else. Artie set his supplies down on the workstation and grabbed his sobbing wife by the arm and led her over to a small stack of crates, away from the other passengers. The rest of his crew followed, while Cliff stayed back, watching from a distance. Lara sat down on the boxes, desperately trying to gather breath as she wallowed in her own tears and hysteria.
Lara:
(Hyperventilating in pure fear and panic)
Artie:
“Lara, take a breath, hun. What happened? Are you hurt?”
Narrator:
asked Artie in a calming voice. Lem reached over and grabbed a set of bandages and
cleaning pads from Patrick’s arms. She bent down on one knee and started wiping the blood away from Lara’s arms.
Artie:
“Are you cut?”
Lara shook her head, repeatedly gasping trying to take a decent breath.
Artie:
“Lara, look at me!”
Narrator:
said Artie grabbing her hands.
Artie:
“What happened?”
Narrator:
Lara’s breathing finally settled.
Lara:
“Ther-there’s something down there.”
Narrator:
Everyone looked down at her, petrified as they listened. Cliff felt a chill run through him.
Lara:
“It kill-illed Piendrazi (Pen-dra-zee), and Annie, an-an-and… Rupert.”
Narrator:
Artie stared into his wife's eyes. She was telling the truth. He had never seen her this shaken up. He let go of her hand, suddenly realizing whose blood she was covered in.
Lara:
“I ran, but it found me in the reserve,”
Narrator:
muttered Lara.
Patrick:
“What was it? Like a dog or something?”
Lara:
“No… Something else. Something worse.”
The 42 year old chief engineer onboard the DATO Six and Artie and Lara's closest friend, Patrick Collins is a rather humorous and snarky character, but likable. A man looking to escape his many mistakes in life, Patrick often tries to act brave and bold like his captain, but continually falls short of the mark.
Narrator:
Lem closed her eyes, already feeling exhausted with
Patrick’s antics.
Lem:
“Now do you guys mind if I get back to…?”
Narrator:
Lem nudged her head back at the woman standing in the
room.
Artie:
“Just be back at the dock at eight am on Tuesday so we
can load cargo,”
Narrator:
Artie replied.
Lem:
“You got it, Cap.”
Patrick:
(Tossing her a pack of cigarettes)
“Here,”
Narrator:
said Patrick, tossing the remaining pack of
cigarettes over to her across the hall past Artie.
Patrick:
“You’ll want those for later.”
Narrator:
Lem looked at the pack for a moment with disgust. She threw them back to him. The pack bounced off his chest and fell to the floor.
Lem:
“I don’t smoke trash or cigarettes.”
Narrator:
Patrick snickered, as Lem closed the door behind her. Artie turned around and walked back over to Patrick. Patrick grinned at him.
Patrick:
“If I wasn’t a married man, I’d be doing the same thing.”
Artie:
“She can spend her days off the ship however she feels
like. Same goes for you , since you aren’t a married man,”
Narrator:
said Artie.
Patrick:
“Once you have a son, you’ll understand. Marriage isn’t
just about you and her. Once you have a child together, that
marriage becomes unbreakable.”
Artie:
“Could we please change the subject.”
Patrick:
“Right, sorry, boss. Anyway, I don’t need all that drama
in my life. I sleep. I can hardly sleep a wink while we are on
the ship, so now’s my chance to make up the last twenty-six
days I missed,”
Narrator:
said Patrick with the cigarette between his lips.
Narrator:
Artie looked up at her, wishing she would just let go of
her guilt already.
Artie:
“Fine. Did Patrick and Lem fix the doors to
the storage room?”
Narrator:
Lara stood next to him at the console, wiping the grease
and frustration away on her jumpsuit. “I don’t know; you’d
have to ask them.”
Artie swiveled his chair around and leaned forward to
the console. He pressed the call button with Patrick’s name on
it. The console beeped twice as they both waited for a
response.
Patrick:
(Greeting)
“Yellow?”
Narrator:
said a male voice over the speaker.
Artie:
“You guys fixed that door to the storage room yet,”
Narrator:
asked Artie leaning toward the console.
Patrick:
“Lem, hand me that box of wire nuts. Uh… No. Was
about to when Lem reminded me we still needed to repair the
ventilator for the argon tanks,”
Narrator:
Patrick replied.
Artie:
“Well once you’re done, please fix it. I don’t want to
be chewed out because the inspection crew can’t get in the
door. They always look for a reason to cut part of our pay,”
Narrator:
said Artie.
Patrick:
“Whole damn ship’s a floating space dumpster,”
Narrator:
muttered Patrick over the intercom.
Artie:
“Yea, well she’s my space dumpster, so take loving
care of her,”
Narrator:
said Artie.
Patrick:
“Yea, boss. We’ll get it fixed. Lara finished rewiring the
defroster on the Schooner?”
Narrator:
asked Patrick.
Lara raised her eyebrows at Artie in irritation.
Artie:
“She’s almost done. I’m going down to help her now,”
Narrator:
Artie replied looking back at her with a smirk.
Lara grinned back at him.
Patrick:
“All right. How close are we?”
Artie:
“Seventeen hours away,”
Patrick:
“Seventeen hours too many. All right, I’ll let you know if
we need anything back here,”
Artie:
“Roger that,”
Narrator:
Artie replied as he hung up the call.
The newest 23 yer old crew member onboard the DATO Six (until the arrival of the ships new technician, Cliff) Lem is a young greenhorn looking to prove herself in the world of commercial space travel. With dreams of one day becoming the captain of her own ship, Lem holds Artie up as her role model, doing her best to keep the crews spirits high and her own bravery in check.
Narrator:
Artie turned around and knocked on the door. He could
hear rustling around inside of the room of someone trying to
get to the door. The door slid open. to aA woman with red hair
stood inanding at the doorway with only a sheet wrapped
around her.
Patrick laughed to himself, watching the woman
standing in the doorway, unsure how to respond.
Artie:
“I’m sorry, I must have the wrong room,”
Narrator:
said Artie confused.
Patrick grabbed his pack of cigarettes from off the end
table and put one in his mouth before lighting the end of it, still
laughing at the uncomfortable situation he had created.
Lem:
“Sorry, Cap. I’m here,”
Narrator:
Lem replied hurrying out from
the back of the room over to the door, dressed in only a shirt, a
bandage patch hiding under her bangs from her head injury.
Lem gave the woman a look of uncertainty.
The other woman turned around and walked back into
the room, leaving Lem alone with Artie at the door.
Lem:
“I’ll be there in a second,”
Narrator:
Lem said to her.
Artie raised his eyebrows back at Patrick, then looked
back forward at Lem.
Lem:
“Sorry, Cap. How’d the meeting go?”
Narrator:
asked Lem nervously.
Patrick:
“We leave in two days,”
Narrator:
shouted Patrick across the hall
over Artie’s shoulder.
Lem looked at Artie in disbelief.
Lem:
“Two days is a lot shorter than two weeks, Cap. Not that I’m sad to hear we
didn’t lose our jobs, but that’s a bummer.”
Artie:
“Yea. We lost our vacation time,”
Narrator:
Artie replied.
Lem:
“Both now and when we get to Earth?”
Narrator:
asked Lem.
Artie:
“Yea. You guys are taking on another hand as well,”
Narrator:
said Artie not wanting a reminder.
Lem:
“Son of a bitch…”
Narrator:
Lem replied.
Lem:
“They don’t need to add another person we can handle-”
Artie:
“It was my decision. Our ships designed for a five-man
crew, and we’ve been floating by with only four so far.”
Narrator:
Lem nodded to him.
Lem:
“He or she?”
Artie:
“He. And he’s only been on three trips on a third-class
vessel with not the cleanest track record, so you and Patrick
will be in charge of him.”
Lem:
“Fun. Not only do we lose our vacation time, but we
get the town fool. No offense, Cap.”
Patrick:
“We already took on a town fool two years ago,”
Narrator:
shouted Patrick.
Lem leaned around Artie and glared at Patrick as he
smiled back jokingly.
Narrator:
Lem tied the two ends of Cliff’s flight jacket around the
back of his neck. He let out a subtle grunt of pain. His arm
swayed in the sling.
Lem:
“Better?”
Narrator:
Cliff looked down at his arm wincing with discomfort.
Cliff:
“Better than before, but still hurts.”
Narrator:
He examined the patch on her jacket sleeve, admiring
the intricacy. He reached out with his good arm and pointed at
it.
Cliff:
“What’s that from?”
Lem:
“A friend gave it to me. Means happy-”
Cliff:
“Happy accident? Yea, I’ve heard the term before. Don’t
see it being really relevant in this shit show though.”
Lem:
“Well, that’s the beauty of it I guess. You never really
know what’s happy about it until it’s all over.”
Narrator:
Lem turned
around and started walking toward the others.
Cliff cleared his throat.
Cliff:
“Hey, sweet cheeks. Thank you
for taking care of me by the way.”
Narrator:
Lem spun back around and stared at him through her
bangs.
Lem:
“You’re welcome,”
Narrator:
she replied. She stepped forward
and kissed him on the cheek. Cliff grinned at her as she
stepped away.
Lem:
“You’re still an asshole, but at least you’re an asshole I
don’t mind having around now,”
Narrator:
said Lem, stepping backward away from him.
Cliff:
“That means I might have a chance to convince you to
change teams?”
Narrator:
asked Cliff.
Lem snickered.
Lem:
“Not on your life.”
Narrator:
Cliff exhaled and laughed as she turned back around
and walked away from him with a sense of pride in her stride.
He followed her over to Artie and Lara standing by the cargo
bay door. Patrick remained on his side of the room, watching
Artie getting ready to make his run for the central server again
to restart the ship.
Narrator:
Patrick snickered to himself, running his hand back
through his crew cut grey and coffee- colored hair.
Patrick:
“We’ve made this run fifty-six times, and every time they put us on hold for another two or three hours. There’s always someone who has to ask someone else for docking confirmation, while that person’s probably running around asking questions from some other official for two hours. Bunch of monkeys could run the show better.”
Artie:
“Pat, head down to the hangar and load up in the
Schooner. Maybe if we are overly prepared they might speed things up,”
Narrator:
said Artie.
Lem:
“I’ll do it,”
said Lem with an eager voice.
Artie turned around and looked back at her.
Artie:
“Pat’s the only one designated to fly.”
Lem:
“I passed the SS license test yesterday on the computer
and Pat’s been working with me all week in the hangar. Come on, Cap,”
Narrator:
pleaded Lem.
Patrick shook his head in agreement.
Patrick:
“She’s got the right stuff. I wouldn’t mind staying on the ship for once.”
Narrator:
Artie thought to himself for a moment. He looked over at
Lara.
She shrugged at him, letting him know she was going to
abstain fromon the decision. Artie looked back at Lem, who
proceeded to clasp her hands together begging to him in
silence.
Artie:
“All right. But keep your mic open the whole time. Pat,
take her down and show her everything,”
Narrator:
said Artie.
Lem smiled with excitement.
Lem:
“Yessss.”
Narrator:
Pat grinned at her.
Patrick:
“Come on,”
Narrator:
he said, tugging Lem by
the sleeve toward the door.
A cocky 22 year old young man with an attitude problem, Cliff is the youngest and smartest crew member onboard DATO Six as its newest computer engineer. Following his brothers death in the military, Cliff abandoned an opportunity to attend one of the nations highest standing schools hoping to live out an adventurous life like his brother. However, despite his smarts and ability to mentally calculate, Cliff is all talk and no walk. Refusing to take orders from anyone, Cliff and Artie continuously bump heads until the sudden tragedy onboard DATO Six gives Cliff the ultimate chance to prove himself and find his own courage.
Narrator:
The young man walked up to the two of them, still
rubbing the sleep from his eyes. He removed a headphone
from his right ear.
Cliff:
“You Captain…”
Narrator:
The young man reached
into his bag and pulled out a crumpled up blue slip of paper
and unfolded it,
Cliff:
“Glenn?”
Artie:
“Maybe. You Cliff?”
Narrator:
asked Artie.
Cliff:
“Maybe. Assuming you can give me a good reason to
work on your ship.”
Narrator:
Artie looked at him confused.
Artie:
“Because you’ve been
instructed to?”
Cliff:
“Yea, but as an employee, I reserve the right to refuse
service on any ship I don’t deem worthy of my skills.”
Narrator:
Lem smirked, watching Artie’s attitude fade into his
commanding military background. She knew this new crew
member was about to see her captain’s real colors.
Artie:
“And as a captain, I have a right to leave your ass
behind and write you up as unreliable, forcing you to wait for
the next civilian transport in five months to take you home
without any payment. Then I’d leave without a second
thought.”
Cliff:
“I don’t appreciate the attitude, even from a Captain.
But fine, I guess you’ve made a solid point,”
Narrator:
replied Cliff
crumpling up the paper and putting it back in his pocket.
Artie:
“You never came to load this morning,”
Narrator:
Artie replied.
Cliff:
“Overslept. No one told me I needed to help load
anyway. I’m the guy with the brains, not the brawn.”
Narrator:
Artie stared at him. He obviously wasn’t the strongest
person, and he hadn’t shown any signs of intelligence, making
Artie question his true worth. He could already sense he and
his new technical engineer where going to bump heads the
whole trip.
Cliff:
“That it?”
Narrator:
asked Cliff.
Lem:
“Yea, that’s it,”
Narrator:
Lem replied standing next to him, putting
her welding gloves on, wearing her welding goggles over her
forehead.
Lem:
“That heating duct runs the full length of this level. If
it stays like that for another hour or so, the forward cabins on
this level will all freeze.”
Narrator:
Standing on the catwalk over the cargo containers, Lem
and Cliff peered down over at the uncoupled heating vent.
Lem:
“I’ll climb down there first,”
Narrator:
said Lem lifting her leg over
the railing.
Cliff:
“You what?”
Narrator:
Cliff gawked at her as if she had suggested
taking a leisure walk outside in space.
Lem straddled the railing and looked back over at him.
Lem:
“I’ll climb down, you hand me the cutter, then jump down
behind me.”
Narrator:
Cliff moved over toward the railing. There was at least a
twenty or thirty- foot drop down to the next level of the ship. All
they would be standing on was a narrow row of steel pipes
and tethered cables running the length of the duct.
Cliff:
“Yea, no. I’ll stay up here,”
Narrator:
Cliff replied.
Lem hopped down onto the steel pipes, and looked
back up at him.
Lem:
“Come on. If a girl can do it, surely a beefy
man like yourself can. Woman up.”
Narrator:
Cliff stepped back out of her view and bit his lip. He
picked up the cutting kit, struggling to drag it across the walk.
With one mighty heave, he bent over the railing to hand it
down to her, trying not to drop it. Letting go of the kit, he stood
at the railing for a moment.
Cliff:
“On one condition. I get to look at
your butt on the way back up,”
Narrator:
he said down to her.
Lem placed the kit down on the pipes, and looked back
up at him. She thought about the arrangement for a moment.
Lem:
“Fine. No touching though.”
Cliff turned away and smiled so she wouldn’t see.
Lem:
“Are you coming?”
Narrator:
Lem yelled back up at him.
Cliff moved back over toward the railing and looked
back down once more. He lifted his leg over the railing, feeling
butterflies starting to flutter in his stomach.
The trembling beneath everyone came to a standstill.
The ship fell quiet again.
Artie reached over and stabilized himself once more
using the mounting bracket.
Cliff turned toward Artie.
Cliff:
“What the hell!?”
Artie:
“I told you to shut it down! You nearly blew the engines
all together,”
Narrator:
Artie shouted back.
Cliff:
“We still had more than a thousand miles to make up!
Had I not compensated we’d still be off by eight hundred thousand!”
Artie:
“If we lost those engines we would have had no way of
slowing ourselves down!”
Narrator:
Artie shouted back.
Cliff huffed in anger. He turned back to the computer.
Cliff:
“The engines are still intact, so you can quit your
bitching,”
Narrator:
said Cliff.
Cliff:
“Engaging rotation again.”
Lem:
“How close are we now?”
Narrator:
asked Lem over the radio.
Cliff rubbed his shoulder, feeling a bruise starting to
form and checked the screen.
Cliff:
“Can’t get any closer,”
Narrator:
he said
with an unenthused snicker.
Artie untied himself from the mounting bracket and
drifted closer to the screen.
Artie:
“Great…”
Lem:
“What?”
Narrator:
asked Lem and Patrick.
Artie:
“We’re going to slam right into the Earth,”
Narrator:
answered Artie.
Lara:
“What?”
Narrator:
asked Lara over the radio.
Artie:
“We’re on a collision course,”
Narrator:
Artie replied with a heavy
sigh.
Cliff reached down and started untying himself from the
desk.
Cliff:
“At least we won’t miss it now.”
Unlike previous projects, the story of DATO is heavily focused on the five main characters. However, there are a few minor roles that play part in the story. Auditions should focus on demonstrating your recording quality, as well as your talents as an actor to covey a realistic and believable performance.
Requirements: 48 or 44.1 kHz, 32 Bit Depth, Noise Reduction, No Background Noise or Reverb
SFX
Knock! Knock! Knock!
Narrator:
The commander reached over in the darkness from the comfort of his bed for the light switch on his night stand. The lights turned on to a low dim. He sat up in his bed and coughed to himself, trying to clear his throat.
Knock! Knock! Knock! The knocking on the door continued.
Commander:
“One minute!”
Narrator:
shouted the commander at the door. He reached down and picked his pants up off the floor and began to slip them on. He looked over at his clock. It was two twenty-nine in the morning by standard station time. He huffed with disgust.
SFX
Knock! Knock! Knock!
Commander:
“I said give me a minute! Whoever you are.”
Narrator:
The commander grabbed his glasses from off the nightstand and shuffled over to the door. He pressed his hand on the door button, watching it slide open and reveal who had disturbed his sleep.
Russell:
“Commander, I’m so sorry for waking you,”
Narrator:
said the newest employee, Russell, sounding rather distressed and urgent.
Commander:
“Russell, I’ve told you everything you need to know. You're a bright kid, and I’m sure whatever the problem is, you’ll figure it out. Life will go on,”
Narrator:
replied the commander. He started to walk away from the door.
Russell:
“No, sir. It’s not that. We just…”
Narrator:
replied Russell fumbling through his words. Russell’s ability in taking initiative wasn’t his strong suit. His first two stressful weeks as the newest station operator were about to become even more stressful.
Commander:
“It’s just what, Russell?”
Narrator:
the commander replied with a sigh.
Russell:
“We… I mean there’s-”
Commander:
“I’m not going to play twenty questions with you, Russell. You either tell me what’s wrong, or I’m going back to sleep.”
Russell:
“There’s a ship coming in, sir!”
Commander:
“Yes, this is a docking station, Russell. There are always ships coming in,”
Narrator:
the commander replied with a sarcastic tone.
Russell:
“No, the ship, it’s not responding, sir!”
Commander:
“What do you mean? Did you hail it?”
Narrator:
replied the commander now looking rather concerned.
Russell:
“Yes, sir. But there is no response. We’ve been trying to get into contact with them for the past fifteen minutes.”
Patrick:
“I’d be extremely careful putting my hand into that lion's den,”
Narrator:
said Patrick over to Artie.
Artie stepped inside, approaching the two men arguing, ready to defuse the situation.
Pindrazi:
(Italian Accent)
“They do not stack! I specifically requested this on my forms!”
Narrator:
shouted the man in his sharp Italian accent.
Dock Worker:
“And I’m trying to tell you, if we don’t stack them, we’ll never fit all of them! If you just left half of them here, we would gladly put them on the next ship!”
Narrator:
shouted the dock worker back to the other man gesturing to all the crates around them.
Pindrazi:
“That’s unacceptable! My team and I require the full twenty-six days with each of our collected samples!”
Artie put his hands out ahead of him, ready to arrange a peace treaty between the two men.
Artie:
“Excuse me. What seems to be the problem here?”
Dock Worker:
“I have no time for this,”
Narrator:
said the dock worker turning his back on the argument.
Pindrazi:
“And who might I ask are you to be taking charge over this Neanderthal?”
Narrator:
asked the man in a rather unmannerly tone.
Artie turned toward him, with one eyebrow raised.
Artie:
“I’m Captain Artie Glenn. I’m the owner of this ship.”
Narrator:
The man gave a brief sigh of relief.
Pindrazi:
“I do apologize for my rudeness in that case. I’m Dr. Pino Pindrazi, project director for AB265 through 278,”
Narrator:
replied Pindrazi extending a handshake.
Artie:
“Pleasure,”
Narrator:
said Artie shaking his hand, feeling less than pleasured.
Unlike previous projects, the story of DATO is heavily focused on the five main characters. However, there are a few minor roles that play part in the story. Auditions should focus on demonstrating your recording quality, as well as your talents as an actor to covey a realistic and believable performance.
Requirements: 48 or 44.1 kHz, 32 Bit Depth, Noise Reduction, No Background Noise or Reverb
Cernan:
“Much obliged. Even in a crisis, you all never fail to put others before yourselves. It’s reasons like that I know we are in good hands.”
Narrator:
Lara smiled at him.
Lara:
“Thanks, Sergeant.”
Lisa:
“Go ahead, love. I’ll be right there,”
Narrator:
said Cernan’s wife gently nudging his shoulder. Cernan leaned back and kissed her on the cheek before maneuvering his way into the mess hall.
Lara floated over to her. They both stared in through the doorway at her husband while he oriented himself in the room out of ear’s range.
Lara:
“How is he?”
Narrator:
asked Lara.
Lisa:
“He’s been getting worse. I do what I can, but if he doesn’t get to a real hospital soon…”
Lara:
“How are you holding up?”
Narrator:
asked Lara.
Mrs. Cernan stared at her husband through the doorway with a bleak stare.
Lisa:
“I’ll be fine once he’s fine.”
The project is currently looking for someone to read through and convert the book into a pre-determined script format for the upcoming production. Writers and editors with any previous experience in formatting and editing are encouraged to apply. The position offers a one-time payment of $200 and an opportunity for involvement in all future projects.
Requirements:
- Over 18 Years of Age
- Fluently both Read and Write English
- Extensive Knowledge in Using Word or InDesign
- Reliably Communicate via Email
Say something you think would fit
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