General Project Info:
This is a fighting game about robots from different planets in our solar system hunting down an evil dude with a bounty on his head. It will be developed and published using the MUGEN Engine.
Requirements:
- Must have decent mic quality. It doesn't have to be perfect, but make sure any background noise is minimal.
- Must have a reliable means of communication. There will be consistent updates, so an easy way to get into contact with you will make the process run smoothly.
- Must have a PayPal or CashApp. These are the easiest apps to send you your payment.
Extra Info:
- This game will be free for everyone to play! But don't worry, you will still receive payment.
- Roles will be casted one at a time. Casting all roles at once would be overwhelming and ultimately inefficient.
- More character roles will arrive soon.
- This is a fighting game! Feel free to be as creative with the lines as you wish!
20XX, moments before humans could travel amongst the stars, Jerry was created the first mechanical being that can think, feel, and act on his own accord. After the successful demonstration of Jerry capabilities, the US army (At the time) wanted to make a weaponized version of that very same Jerry unit.
Multiple models were made in order to fill in the criteria, but 9 times out of 10 it would fail horribly...
then the year 2XXX came along and with it, more robots worth similar programming as Jerry and humanity can now travel to different planets commercially. During that time, The US army made significant progress with Project "AXEL", and decided to stick with a completely different body structure from jerry's original design. Since airborne and spaceborne travel was a big deal the team decided to implement a Versatile All-Perouse Aerodynamic Propulsion system (V.A.P.A.P. for short.)
To test this, they first conducted test flight on earth. This is when Axel first gained consciousness.
He's basically a bounty hunter on mars. He's very nonchalant and is usually pretty chill. He has no knowledge on how he gained his skills, but he adapts to them whenever he needs to.
For vocal range, go for something mid to high, a bit nasally/dorky.
Alrighty then, show me whatcha got! (Entrance Dialogue)
Hey so, uh... we done yet? I'm a little bored here... (Taunt Dialogue)
D-DAAAAAAAAAAMN IIIIIIIIIIIIIT!! (KO Scream)
(throw in some other hit/get hit sounds at your leisure)
Story still in development.
For range, a New York accent is a must. Slightly raspy, mid-range.
I'm gonna crush you. (Entrance Dialogue)
Don't make me laugh! (Taunt Dialogue)
I've been steamrolled... (KO Quote)
(throw in some other hit/get hit sounds at your leisure)
Story still in development.
For range, a low ranged, mature voice is optimal.
Prepare yourself! (Entrance Dialogue)
Am I too fast for you? (Taunt Dialogue)
THIS CAN'T BE HAPPENING! (KO Scream)
(throw in some other hit/get hit sounds at your leisure)
Story still in development.
For range, give him a mid-ranged, British accent.
Winner takes all. (Entrance Dialogue)
I recommend you fold, my friend. (Taunt Dialogue)
IMPOSSIBLE! (KO Scream)
(throw in some other hit/get hit sounds at your leisure)
Story is still under development.
For range, give her sort of a rockstar-ish vibe. Med to high range works best (extra points if you can sing!)
Let's get this show on the road! (Entrance Dialogue)
Hah! What a terrible performance! (Taunt Dialogue)
You can't be serious... (KO Dialogue)
(throw in some other hit/get hit sounds at your leisure)
Self-explanatory. Any range could work, so feel free to experiment.
Ready? FIGHT!
VICTORY!
SHUTDOWN! (basically Astral Finishes from Blazblue)
Someone who can make sound effects suitable for a fighting game, as well as user interface.
Say something you think would fit
