Idol : Universe INTERLUDE : LIMBUS COMPANY AUDITIONS!

HeathCliff in the AU is seen as a quiet yet brash individual after getting sent into the rift., though it isn't preferred to make him angry.. he's a deurotagonist alongside the sinners but is a major Character in the storyline.

- he's seen as an exceptionally short-tempered and abrasive individual, electing violence as a first resort, and aggression as a way of life. He is overly impulsive and quick to anger, with consequences for those involved. However, over the course of several Cantos, a considerably calmer, more considerate, and selfless side of his personality would come to light.

- He also has a singing role, refer using his Pass ON cover if you plan auditioning as his Singing and Speaking VA!

Meursault, he doesn't really show his emotions that easily.. that's all i have to say.

- he's seen as prompt man, with a penchant for following orders. He speaks bluntly and concisely, never mincing his words. Throughout his first few adventures with the LCB, Meursault is reserved and obedient to the point of not speaking or acting on the sole basis of not having been asked to.

He is noticeably emotionally distant, never emoting nor approaching matters from a non-logical standpoint. While he has a heightened awareness of the world around him, often noticing details others do not, he has trouble discerning which observations are worth sharing.

- He usually doesn't show his emotions easily. So when submitting auditions as him, you have record his lines with a monotone and zero signs of expressions in his dialogue.

Rodion, or Rodya for short presents herself as a fun loving , laid-back and playful individual in Limbus Company. She's a background character though she'll be important in ACT 4.

- she's seen as a highly amiable woman who makes a consistent effort to be on friendly terms with the people around her. She presents herself as brazenly fun-loving, laid-back, and playful, with a preference for casual speech and nicknames. Rodya always makes an effort to be talkative and keep the mood up, both on the bus and during missions, cementing herself as one of the Sinners Dante looks to for help with breaking the ice. While her cheeky remarks and teasing occasionally come off as babying to the other members of the group, her nature makes it clear that she isn't acting out of ill will.

She particularly strong dislike of boredom and time-wasting. Having been afforded few luxuries in her youth, Rodya highly values access to food, free time, and relaxation. This is often displayed in an unabashed love for eating and money. Rodion is open about a belief that wealth is the sole deciding factor in one's quality of life, and determined to take advantage of everything she's offered as an employee of Limbus Company, without shame. These ideas also reflect Rodya's disillusionment with the world. Though she follows her own moral code, Rodya tends to expect little from other people and has a strong understanding of just how many systems abuse innocent citizens with each passing day.

Though Rodya possesses a more solemn side shaped by her impoverished upbringing in the Backstreets. Having experienced the plights of the City's lower class first-hand, she's often the first to comment on the wealth-based inequalities and tragedies encountered by the LCB. In times like these, Rodya grows more deadpan and determined to be heard out, as her words become uncharacteristically dour. However, Rodya seems uncomfortable acting too serious; as a result, she rarely commits to her frustration in these moments, instead opting to break up the discussion with an excuse and a forced laugh more reminiscent of her usual demeanor. In reality, Rodya's easygoing disposition is largely an exaggeration meant to help her avoid confronting her truer feelings. Her attitude changes strikingly when discussing or reminded of her past: faltering, growing cold, or acknowledging as little of it as possible.

Emil Sinclair, Designated as Sinner 11 in Limbus Company, he's seen as a timid yet relatively passive individual though don't provoke him or play with his emotions. Or you'd get surprised when he expresses his disdain towards people.

- Sinclair is mainly portrayed as nervous individual. So make sure you stutter a bit in his dialogue when you audition as him!

Dante, the executive manager of the Limbus Company Bus and manager of PH4NTOM HEART. He's a major Character that appears in the current 3 acts.

- Dante is mainly portrayed as Nonbinary so it's prefered any gender role can voice them since we need two voice actors for em.

Outis, the executive Manager's right-hand commander, she's a background character alongside some of her colleagues though she'll be important in future chapters.

- she's seen as a strict, commanding woman whose history as a war veteran is at the forefront of her personality. Compared to other Sinners, she tends to be disciplined and well put-together, as she approaches most scenarios with a cool head and tactical mindset. This includes levying high levels of suspicion towards most everyone the LCB encounters, ensuring that everyone stays on their toes. She is also a quick thinker, and a highly opinionated one. Outis loathes to follow plans and people she does not agree with, and will not hesitate to talk back to individuals higher up the chain of command, so long as it wouldn't stand to disadvantage her. An excess of pride is evident in every action she takes. Which means you'll have express your pride while portraying as her but don't make it obvious..

Similarly, an arrogant sense of self confidence also follows Outis wherever she goes. Outis makes it clear that she sees herself as one of the most competent members of the LCB—if not the most—and often claims that her and Dante make up more than enough manpower to settle most situations.

Ishmael is seen as a calm, level-headed Sinner with an expectation for sound and reasonable judgement. She considers herself to be one of the more sensible members of the team, and is often one to sigh or scoff at the foolishness of those around her. This tendency for being critical extends to her superiors, as Ishmael is the type to prioritize rationality above formalities. Generally, Ishmael does well to back up her somewhat haughty attitude with competence, making a consistent effort to stay informed on the current mission and the right course of action. She is also portrayed as an overall intelligent individual with a staunch, reliable nature. Regardless of her aptitude, however, Ishmael's quips tend to lean into antagonism, sparking arguments with those who rise to her provocations.

While Ishmael is something of a doubtful and antisocial person, she's also shown to be willing to build on her relationships.

In that case try making her sound more calm yet keep the snarky undertone when portraying as her.

Ryōshū has an individualistic, free-spirited, and somewhat sadistic personality. She feels little obligation to uphold common courtesies like politeness or attentiveness, and near the beginning of the game, the majority of her comments are hostile or violent in nature. Even among the Sinners, Ryōshū comes off as strikingly unfriendly and forthright, preferring to live at her own peculiar pace

Ryōshū starts out as one of the least talkative members of the LCB, and one who is easily frustrated. She labels herself as someone who dislikes butting in and tends to scoff at the others for overthinking matters or sentimentality. Oftentimes, she sees the rest of the Sinners as ignorant for not understanding "true artwork", which, for Ryōshū, typically involves gruesome murder. When she does speak, her words almost always include a form of SANGRIA (abbreviation). Though she presents the choice as a form of efficiency, this is later revealed to be a habit she picked up from her daughter. Ryōshū grows very irritated whenever these acronyms are misunderstood, even despite the fact she seems largely unconcerned with how other people perceive her.

The woman's abbreviations also give her the chance to engage in wordplay, one of several habits which demonstrate a penchant for humor. While there are times where Ryōshū is depicted as genuinely stoked to engage in bloodshed and suffering, other occasions paint her as purposefully over-the-top, finding enjoyment in acting provocatively and getting a reaction out of people. For Ryōshū, teasing seems to be a form of bonding, though not one easily understood by those around her.

- Since she's Japanese, I'd suggest if you plan on Auditioning her, you'll have to learn the language because in some dialogue. She'll be speaking in Japanese and be sure to memorize SANGRIA or it's abbreviations of words.

- her voice tends to be a tad bit deep but not really just between low-mid pitch when speaking.

Charon is a laconic, quiet individual whose few words are blunt and brief. Charon simply seems to be in her own world, and repeatedly proves that she is neither shy nor scared of the Sinners. Similarly to Vergilius, Charon stays disconnected from the group and shows no interest in becoming close with them. Her stubborn refusal to learn how to use a map or navigate properly in Canto I: The Outcast is indicative of her unwavering nature and tendency to resist outside influence. Charon has somewhat of a childish personality, frequently using phrases such as "vroom-vroom" or "shimmy-shaky" and talking about Mephistopheles as if it were a living being. She also refers to herself exclusively in third person.

Vergilius is a jaded and straightforward individual with a sharp tongue. He is emotionally detached from most of the group, viewing them as a group of unruly children he has to watch over. He keeps his distance from them, and has no qualms with threatening Sinners with extreme violence or using it to discipline them.

Despite his cold behavior towards the Sinners, Vergilius seems to push people away and put up a cruel and uncaring front, in order to avoid getting closer to his colleagues again, as in Vergilius' past, this has happened before quite recently, with him losing his office and the orphanage kids he cared for at the hands of the Ring. Even so, he has a soft spot for Charon, and he seemingly considers Dante as some sort of confidant, even if he has no outer regard for Dante's struggles.