Dry Heat

Dry Heat

Project Overview

Well, hello there.

What you’ve just stumbled upon is an ambitious little multimedia project I’m currently working on. It goes by the name of Dry Heat.

What is Dry Heat, you may ask? It’s a lot of things: a new webcomic and a series of shorts published on YouTube and TikTok. But Dry Heat is more than the sum of these parts.

It is a comedy satire about two Arizona radio hosts, Black Jack and Cactus Jack, who run the titular Dry Heat radio show. Accompanied by their many strange friends and allies, the hosts are dragged into the politics, conspiracies, controversies, and personalities that define Arizonan life.

The project primarily consists of animated shorts and a webcomic. The shorts are original, voice-acted stories published on YouTube Shorts and TikTok. These simplified, animatic-style videos are intended to give audiences a rough idea of the humor, characters, and situations that inhabit the world of Dry Heat.

The webcomic serves as the main course. It is where audiences can experience the full, heaping meal of Dry Heat. Issues of the webcomic will take longer to produce and will eventually be adapted into motion comics, which will also be published on YouTube and TikTok.

Because of the nature of the show’s production, we will be casting performers with the hope that they will remain available for long-term voice work as their respective characters. We may also ask performers to voice multiple characters. Performers will receive an additional $15 for each extra character they voice.

These roles range from main characters to smaller supporting characters who may only appear occasionally or may not be featured in this initial listing.

English is the primary language of the project, but some characters will also speak other languages, primarily Spanish, German, and Russian. These roles will include an additional language tag so applicants know which characters require multilingual performers. Being bilingual or multilingual is therefore a major plus.

Main roles will pay between $20 and $50 per hour. Payments will be made through PayPal.


Performers will be credited in the video description and in every social media

post featuring their work. Credits may also include links to any social media profiles or professional pages provided by the performer.

PROJECT OVERVIEW

Dry Heat is a comedy satire about two Arizona radio hosts, Black Jack and Cactus Jack, who are repeatedly dragged into the state’s strangest political controversies, conspiracies, and local personalities. The project will be produced as a webcomic, a series of short animatic-style videos, and longer motion-comic adaptations. Performers will voice recurring characters across these stories, with some actors occasionally being asked to portray additional supporting roles.

DEADLINES

This is an ongoing production, and selected performers should be comfortable returning to their roles on a long-term basis. Scripts will generally be distributed on a monthly basis, although how often a performer records will depend on how prominently their character appears in a given story. Auditions for this casting round will remain open until September 7th, 2026. After the deadline, finalists may be contacted for callbacks before casting decisions are made. Or will be offered different roles if needed.

COMMUNICATION

If you are selected to join the cast, you will be invited to the shared Dry Heat Discord server, where you’ll be able to communicate directly with me and the other artists involved in the production. Discord will be our primary platform for communication and recording coordination, although Zoom can also be used if you are more comfortable with it. Whenever possible, I also plan to provide live voice direction during recording sessions.

WHAT WE ASK OF YOU

  • Above all, enjoy the work. Dry Heat is a collaborative project built by writers, artists, actors, and other creative lunatics trying to make something worthwhile together. We want performers who are interested in their characters and comfortable being part of an ongoing production.

  • Please record in a quiet environment using a good-quality microphone. Air conditioners, fans, room echo, electrical hum, and other persistent background noise should be kept to an absolute minimum. Your recording space matters just as much as the microphone itself.

  • Submit your recordings clean and unprocessed. Please do not apply noise reduction, compression, EQ, normalization, reverb, voice effects, or other post-production unless we specifically ask for it. We would rather receive the original recording and handle the audio ourselves.

  • Unless directed otherwise, you are welcome to provide up to three takes of a line. Different readings are encouraged when you think there is more than one way the character could deliver something. Please remove obvious mistakes, false starts, and takes you do not want us to use before submitting your recording.

  • Recordings should be submitted as .WAV files, preferably mono at 48 kHz/24-bit. File delivery and organization will be handled through the Dry Heat Discord server after casting.

  • Because Dry Heat is an ongoing production, scripts will generally be distributed on a monthly basis. The amount of material you receive will depend on your character's involvement in that month's story, so not every performer will necessarily be needed for every production cycle.

  • Whenever scheduling allows, recording sessions may be directed live through Discord or Zoom. We want to work with you on the performance rather than simply hand you a script and disappear into the Arizona desert.

  • Occasionally, we may request a line re-recording because of performance, pronunciation, technical problems, or changes made during editing. We will try to keep these requests reasonable and respect the time you put into the project.

  • Finally, communication matters. If something comes up and you cannot meet a recording deadline, just let us know. We understand that everyone involved has lives, jobs, school, families, and other commitments outside of Dry Heat.

  • Each recording should be in ABCABCABC. You can do variants like AAABBBCCC but it gives me the widest range out of your performance.

Latest Updates

  • 24 hours remain

    Oh my God. It's finally here. The end of the auditions, folks!

    It has been such a long journey to get here. When I first posted this listing, I expected only a fraction of the submissions we've ended up receiving. Instead, so many of you came out to audition that it still makes my head spin. In a good way! I am incredibly happy that so many people want to be involved with Dry Heat.

    And even if you aren't ultimately selected for one of these roles, this is far from the last casting call for the project. These auditions are specifically for the main six characters of Dry Heat, the core cast expected to appear throughout most of the project. There is a much larger supporting cast surrounding them, and there are plenty of characters who will still need voices as production continues. I'll absolutely be keeping strong auditions in mind as those opportunities come up.

    Over the next 24 hours, I will begin the final review process. I'll be listening to every remaining submission I haven't gotten to yet and narrowing each role down to a shortlist of finalists. From there, the other project heads and I will review those finalists together and determine which performances we feel best fit each character. Some actors may also be contacted for callbacks before we make our final decisions.

    The final cast will be announced on September 10th. Until then, please keep an eye on your messages for any future updates.

    Thank you to everyone who auditioned. Seriously. There are a ridiculous number of talented people in this pile, and you've made these decisions much harder than I ever expected them to be.

  • Nearing Deadline!

    Hey, everyone!

    It's been a few weeks since the last update, so I feel now's the time to start giving you all an idea of the schedule going forward.

    So, I said in my last update that I planned to change and simplify the voice performance notes in the casting. I decided against as so many people have auditioned with the prior criteria, it felt unfair to change it and give pointers to future submitters. It's my bad. I should have been more prepared for this audition process. Wrote more concisely, gave the sources for each performance reference. But truthfully, most of you didn't need it. You have all given each performance a special characteristic that I find it genuinely challenging to pick just six of you. I also decided not to add other characters, simply because I feel the shorts should focus on the main six.

    We have 9 days left until the audition ends! So if you're still on the fence about submitting, it's now or never!

    I never thought I'd get the insane volume of submissions, which I am very grateful. Thank you all for your hard work and passion for this project. :)

  • One Week In

    Yooo!

    First off, I want to say "wow."

    This audition posting has had so much traffic over the past week! I never thought I would get so many submissions from people interested in adapting these characters with me. I am truly honored and happy to see all of you and your work. It is honestly surreal to hear dialogue I wrote being acted by other people. Seeing the life you’ve all given to these performances has been incredible. You guys are fantastic.

    Secondly, I realized that I did not word some of the casting listings correctly, and I also regret not giving fuller sources for the references for each performance. So I plan to revise the project listing a little bit to add those references for future auditions, or re-submissions, if you are interested. I also want to simplify what I’m looking for so you have a better idea of what I want from the performances.

    Even then, so many of you have done a good job that I can already imagine some of you in the roles you auditioned for. We still have three weeks until auditions close! If you are interested, you have plenty of time to send in your submission, or re-submission, to this project, and I will gladly listen to it when I get the chance.

    Thank you so much for your support. I hope to post updates weekly and begin posting more frequently on social media. You can find the other Dry Heat accounts here: https://dryheat.carrd.co/

Project Roles: Cactus Jack Black Jack Cowgirl Red Cecilia Scotty Yelena
Cactus Jack
Voice Actor Voice Actor
Cactus Jack
open
Paid: Flat Rate 20 USD

Cactus Jack is a laid-back Arizona radio host with an easygoing, stoner-adjacent temperament and an instinctive distrust of authority. He is casual, dry, observant, and harder to shake than most people around him. He often seems detached, but he is not stupid. His intelligence comes through in offhand remarks, quiet skepticism, and the ability to notice when everyone else is taking something too seriously. His biggest flaw is inertia. He avoids conflict, delays action, and can mistake passivity for wisdom.

For Performance:
Cactus Jack's character is inspired by the Dude from the Big Lebowski. His voice should be relaxed, gravelly, warm, slightly mumbled, and unhurried, with a dry conversational rhythm. He sounds like he is thinking out loud rather than performing for anyone. The cadence can drift, pause, and double back, but he should still be understandable.

Notes:
Play him relaxed, amused, and slightly worn down. He should feel like someone who has seen enough absurdity that panic no longer comes naturally. Avoid making him dumb, vacant, or purely comic relief. His calmness should have intelligence behind it, even when he is lazy or irresponsible.

Language:
  • english
Voice description:
  • arizonan
  • animation/character
  • male adult
  • Well, that's fucking interesting, man.

  • Well, you can call me Jack, Jackie, Jackson... El Cacto del Jack-o if you wanna give it some southwestern flair.

  • This aggression will not stand, man.

Black Jack
Voice Actor Voice Actor
Black Jack
open
Paid: Flat Rate 20 USD

Black Jack is a confrontational Arizona radio host with a rigid moral worldview, a short fuse, and a deep need to correct what he sees as stupidity, hypocrisy, or disorder. He is Catholic, argumentative, intense, and convinced that most problems would improve if people simply admitted he was right. He is not stupid, but his certainty often outruns his judgment. His biggest flaw is moral authoritarianism: he wants clarity, obedience, and accountability so badly that he often becomes the chaos he claims to oppose.

Voice Description
His voice should sit between Walter Sobchak from The Big Lebowski and Al Pacino in The Devil’s Advocate: loud, forceful, gravelly, morally charged, and capable of sudden escalation. He argues with everything he's got, like he's always performing a sermon. His rhythm should be sharp and emphatic, with bursts of yelling and dramatic stress on key words.

Performance Notes
Play him as intense, defensive, and self-righteous, but not one-note angry. He should believe he is being reasonable even when he is clearly losing control. His comedy comes from the gap between how logical he thinks he sounds and how explosive he actually is. Avoid making him a generic yelling conservative or cartoon bully. He should have conviction, insecurity, intelligence, and genuine moral panic underneath the volume.

Language:
  • english
Voice description:
  • arizonan
  • male adult
  • animation/character
  • Am I the only one around here who gives a shit about the rules? Mark it zero!

  • Smokey, my friend, you are entering a world of pain.

  • This is what happens, Larry, when you fuck a stranger in the ass!

Cowgirl Red
Voice Actor Voice Actor
Cowgirl Red
open
Paid: Flat Rate 20 USD

Anna Krause, though she would rather be known through her persona, Cowgirl Red, is a charismatic communist cowgirl and labor agitator from Arizona who turned herself into a living legend (or so she hopes). She is theatrical, confident, funny, provocative, and politically sincere, with a sharp tongue and a strong sense of justice. She is a performer, organizer, and troublemaker who uses glamour and ideology as weapons. She rejects her old identity as Anna and insists on being Red. Her warmth and humor make her magnetic, but her certainty, pride, and revolutionary romanticism can make her difficult and dangerous.

For the performance:
Her demeanor is inspired by Bernadette Peters from Annie Get Your Gun! She should sound like someone who knows exactly what image she is projecting. She enjoys attention, but she doesn't beg for it. Can flirt, joke, and argue without becoming submissive, silly, or angry. She has an amused confidence, but when frustrated, she gets sharper and more direct. She is rarely angry but when she is, her humor disappears.

Don't Play Her As Notes:
Do not play her as a Southern Belle or sex object. She is a political performer with real convictions and a personal wound behind the persona. Avoid reducing her to a caricature. Play the persona as deliberate and performative, but keep the person underneath specific, grounded, and emotionally real.

Language:
  • english
  • german
  • spanish
Voice description:
  • female adult
  • arizonan
  • animation/character
  • “All right, Father Coughlin. You want a show? I’ll give you a show!”

  • “Guys like you never know when to give a lady credit.”

  • "Forget it! I'm stayin' right where I am. It's gonna take you and the police department and the fire department and the National Guard to get me outta here!"

Cecilia
Voice Actor Voice Actor
Cecilia
open
Paid: Flat Rate 20 USD

Cecilia is a detached, intelligent audio engineer with a dry sense of humor and very little patience for chaos. She is observant, sarcastic, and emotionally guarded, often treating the absurdity around her like an inconvenience rather than a crisis. She is not apathetic because she is stupid or empty; she is apathetic because caring too much seems exhausting. Her biggest flaw is disengagement. She notices everything, judges everyone, and often refuses to participate until the situation forces her hand.

Voice Description
Cecilia is inspired by Daria Morgendorffer. Her voice should be dry, flat, low-energy, and quietly cutting, but not robotic or emotionless. She speaks clearly and with minimal effort. Her sarcasm should be understated rather than theatrical. When serious, her voice becomes sharper, more direct, and less ironic.

Performance Notes
Play her as dry, unimpressed, and quietly intelligent. She should sound like someone who is too tired to raise her voice, not someone who has no feelings. Avoid making her purely monotone, smug, or one-note cynical. The humor comes from her restraint.

Language:
  • spanish
  • english
Voice description:
  • female adult
  • animation/character
  • arizonan
  • I was ready to go before we got here.

  • You guys clearly don't mind broadcasting your suicides so publicly.

  • This is going to depress me, isn't it?

Scotty
Voice Actor Voice Actor
Scotty
open
Paid: Flat Rate 20 USD

Scotty is a twitchy conspiracy obsessive, survivalist, and producer who treats every ordinary problem like evidence of a larger operation. He is paranoid, intense, defensive, and constantly trying to prove that he sees what everyone else refuses to see. He believes in radical individualism, but also desperately wants people to wake up and follow his warnings. His biggest flaw is hysteria: he can sense corruption around him, but his mind turns every fact into a five-alarm prophecy.


Voice Description
Scotty's voice is nasally, raspy, tense, fast, suspicious, and slightly unstable, with sudden spikes of volume when he thinks he has uncovered something important. He often sounds like he has been awake too long and is trying to explain the truth before someone cuts the power.

Performance Notes
Play him anxious, combustible, and overcommitted, but not stupid. He should sound like he believes every word he says, even when it is insane. Avoid making him just a screaming conspiracy guy. He should sound certain and panicked. When calmer, he should still feel coiled, suspicious, and ready to interrupt reality.

Language:
  • english
Voice description:
  • male adult
  • arizonan
  • animation/character
  • Have you ever seen a congressman up close? Their beady red eyes could melt steel!

  • Guns don’t kill people, the government does.

  • Have you ever seen a Commie drink a glass of water?

Yelena
Voice Actor Voice Actor
Yelena
open
Paid: Flat Rate 20 USD

Yelena is a Russian production assistant with sharp observational instincts, practical intelligence, and a blunt outsider’s perspective on American life. She often questions why people make simple problems unnecessarily complicated. Unlike Cecilia, she is more willing to participate and genuinely enjoy things. Her biggest flaw is fatalism; she expects institutions and people to fail, which can make realism turn into resignation.

Voice Description
Russian-accented English, grounded and natural rather than exaggerated. Her accent should be noticeable without becoming the joke: somewhat flatter intonation, direct phrasing, and occasional unusual emphasis or sentence construction. Her delivery is matter-of-fact and observational, often expressing bizarre or grim ideas with the same tone she would use to discuss a production problem. She can sound confused, irritated, amused, curious, or sincerely enthusiastic; avoid locking her into a permanently gloomy register. No broad exaggerated “cold Russian” stereotype.

Performance Notes
Play her as practical, candid, and observant rather than emotionless. Her humor comes from bluntly questioning the logic of what she sees and treating absurd or grim situations as practical facts. Avoid reducing her to a depressed Russian stereotype or Cecilia with an accent.

Language:
  • english
  • russian
Voice description:
  • female adult
  • russian english
  • animation/character
  • generic russian
  • Yeah. I figure if the people suck I can always wear headphones.

  • Should we tell her it’s easier to speak if you open your mouth?

  • I'm leaning toward trauma-induced amnesia myself. Punch my head, would ya?

Comments

Public Submissions