TADC Short Series (The Amazing Digital Circus)
Project Overview
A fan-made animated mini-series inspired by The Amazing Digital Circus, created in Blender. The story follows the cast through a connected mystery across multiple short episodes, starting with one of Caine’s strange new games. While searching through different parts of the circus, the characters begin to notice that something about the game feels... off. The series aims to capture the surreal, unsettling, and darkly funny tone of TADC while telling an original story.
Supporting recurring role. Looking for a playful, high-energy voice with a cute but chaotic feel. Bubble should sound cheerful, silly, and unpredictable, with very expressive delivery. The role may also need occasional unsettling or intense moments under the overly bubbly attitude, so good range is a plus.
- english
- canadian
- animation/character
- american
- androgynous
- male young adult
- female young adult
- comedic voice acting
Breathtaking! The committee is going to love that!
You really were the lesser of the two. You ruined this.
That’s right Caine! I can’t wait to see what you’ve got cooking up for today.
Recurring role. Looking for a voice that feels scattered, odd, and fragile, but capable of sudden sincerity. Kinger should sound like someone whose mind drifts constantly, while still having surprising clarity in certain moments. The performance should balance awkwardness, instability, and genuine emotion.
- english
- animation/character
- male adult
- canadian
- american
- emotional acting
- character acting
Yeah… I know. I’ve been here for so long.
Wait. No, no… that wasn’t there before.
I may not remember everything… but I remember that feeling.
Recurring role. Looking for a confident, dry, sarcastic voice with strong timing. Jax should sound naturally smug and amused, like he enjoys getting under people’s skin. The role needs someone who can deliver casual mockery without sounding too forced or overly exaggerated.
- english
- male young adult
- canadian
- animation/character
- american
- comedic voice acting
- emotional acting
Oh, great. Another stupid game.
You two are making this way more dramatic than it needs to be.
Alright, that was weird. I don't know what are you doing...
Recurring role. Looking for a dry, irritated, detached voice with a sharp edge. Zooble should sound tired of everything, but not boring. The performance should carry frustration, impatience, and subtle personality underneath the sarcasm.
- english
- female young adult
- animation/character
- canadian
- female adult
- american
- comedic voice acting
- emotional voice acting
Can we just get this over with?
I’m already annoyed, and we barely started.
What are we doing here?
Recurring role. Looking for a theatrical, energetic, unpredictable voice with strong presence. Caine should sound entertaining and cheerful on the surface, but with enough force and instability underneath to feel unsettling when needed. The role needs someone with strong control, projection, and personality.
- english
- animation/character
- american
- canadian
- male adult
- comedic voice acting
- emotional acting
Good morning, my lovable little performers! Today’s activity is a key hunt!
No, no, no, don’t give me those faces—this is going to be fun!
Six keys, six chests, six marvelous rewards! What could possibly go wrong?
Recurring role. Looking for a warm, friendly, emotionally grounded voice. Ragatha should sound kind and reassuring, but not overly soft or passive. The performance should be able to shift naturally into concern, discomfort, or unease when things stop feeling right.
- english
- american
- female young adult
- female adult
- animation/character
- canadian
- emotional acting
Hey, let’s just stay calm for a second, okay?
Y-Yeah. I -- I was thinking the same thing. -How much do you know about Kinger?
Huh? O-Oh, I probably know about as much as everybody else.
Recurring role. Looking for a soft, fragile voice that can sound timid, emotional, and easily overwhelmed. Gangle should feel delicate and nervous without becoming unintelligible or too weak in delivery. The role needs good emotional control, especially for fear and distress.
- english
- animation/character
- female young adult
- american
- canadian
- emotional acting
- emotional
Um… are we sure this is a good idea?
I really don’t think we should be here.
Am I doing this wrong? None of these even fit in the keyhole.
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