[Production Crew Casting] Zenithman M/L/V & Zenithman Tachyon

Whoever is assigned this role will draft approximately one 8th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to write for either or on occasion.

Whoever is assigned this role will draft approximately one 8th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to write for either or on occasion.

Whoever is assigned this role will draft approximately one 8th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to write for either or on occasion.

Whoever is assigned this role will draft approximately one 8th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to write for either or on occasion.

Whoever is assigned this role will draft approximately one 8th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to write for either or on occasion.

Whoever is assigned this role will draft approximately one 8th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to write for either or on occasion.

Whoever is assigned this role will draft approximately one 8th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to write for either or on occasion.

Whoever is assigned this role will draft approximately one 8th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to write for either or on occasion.

Whoever is assigned this role will edit and polish up approximately one 5th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to edit the scripts for either or on occasion.

Whoever is assigned this role will edit and polish up approximately one 5th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to edit the scripts for either or on occasion.

Whoever is assigned this role will edit and polish up approximately one 5th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to edit the scripts for either or on occasion.

Whoever is assigned this role will edit and polish up approximately one 5th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to edit the scripts for either or on occasion.

Whoever is assigned this role will edit and polish up approximately one 5th of the scripts per series. They should be prepared to work on both Zenithman Tachyon and Zenithman M/L/V, as they may be expected to edit the scripts for either or on occasion.

Although the project manager and producer GodzillaLouise is the main director, whoever is assigned this role will fulfill the role of the lead assistant director.

Although the project manager and producer GodzillaLouise is the main director, whoever is assigned this role will fulfill the role of an assistant director.

Whoever is assigned this role will oversee the creation and maintenance of the visual style of both series. This involves coming up with a visual identity for both the animation style and character/concept art.

Whoever is assigned this role will design approximately one 3rd of the human characters for the project, between both series.

Whoever is assigned this role will design approximately one 3rd of the human characters for the project, between both series.

Whoever is assigned this role will design approximately one 3rd of the human characters for the project, between both series.

Whoever is assigned this role will create approximately one 4th of the total storyboards per series.

Whoever is assigned this role will create approximately one 4th of the total storyboards per series.

Whoever is assigned this role will create approximately one 4th of the total storyboards per series.

Whoever is assigned this role will create approximately one 4th of the total storyboards per series.

Whoever is assigned to this role will be responsible for building the sonic identity across approximately one third of the total episodes between both series. This includes editing together the individual sound effects created by the Kaiju Sound Designer and the Foley Artist to diversify the soundscape and create unique sound design.

Whoever is assigned to this role will be responsible for building the sonic identity across approximately one third of the total episodes between both series. This includes editing together the individual sound effects created by the Kaiju Sound Designer and the Foley Artist to diversify the soundscape and create unique sound design.

Whoever is assigned this role will be responsible for creating the foley sound design for both series.

Whoever is assigned this role will be responsible for coming up with and implementing the musical vision for individual scenes in one 4th of the episodes between both series, as well as designing leitmotifs to use in the soundtrack overall.

Whoever is assigned this role will be responsible for coming up with and implementing the musical vision for individual scenes in one 4th of the episodes between both series, as well as designing leitmotifs to use in the soundtrack overall.

Whoever is assigned this role will be responsible for balancing the levels of component audio (dialogue, sound design, and music) in the final audio products of half the episodes per season.

Whoever is assigned this role will be responsible for balancing the levels of component audio (dialogue, sound design, and music) in the final audio products of half the episodes per season.

Whoever is assigned this role will be responsible for animating approximately one 3rd of the episodes between both shows per season. This includes a responsibility for animating one half of the scenes per each episode they work on, with the other thirds being animated by other 3D Sequencer Artists.

Whoever is assigned this role will be responsible for animating approximately one 3rd of the episodes between both shows per season. This includes a responsibility for animating one half of the scenes per each episode they work on, with the other thirds being animated by other 3D Sequencer Artists.

Whoever is assigned this role will be responsible for animating approximately one 3rd of the episodes between both shows per season. This includes a responsibility for animating one half of the scenes per each episode they work on, with the other thirds being animated by other 3D Sequencer Artists.

Whoever is assigned this role will be responsible for animating approximately one 3rd of the episodes between both shows per season. This includes a responsibility for animating one half of the scenes per each episode they work on, with the other thirds being animated by other 3D Sequencer Artists.

Whoever is assigned this role will be responsible for animating approximately one 3rd of the episodes between both shows per season. This includes a responsibility for animating one half of the scenes per each episode they work on, with the other thirds being animated by other 3D Sequencer Artists.

Whoever is assigned this role will be responsible for animating approximately one 3rd of the episodes between both shows per season. This includes a responsibility for animating one half of the scenes per each episode they work on, with the other thirds being animated by other 3D Sequencer Artists.

Whoever is assigned this role will design approximately one 3rd of the kaiju (including both non-recurring monsters-of-the-week and recurring characters) for the project, between both series.

Whoever is assigned this role will design approximately one 3rd of the kaiju (including both non-recurring monsters-of-the-week and recurring characters) for the project, between both series.

Whoever is assigned this role will design approximately one 3rd of the kaiju (including both non-recurring monsters-of-the-week and recurring characters) for the project, between both series.

Whoever is assigned this role will be responsible for animating approximately one 3rd of the episodes between both shows per season. This includes a responsibility for animating one half of the scenes per each episode they work on, with the other thirds being animated by other 3D Sequencer Artists.

Whoever is assigned this role will be one of 3 people providing practical choreographic advice for the fight scenes in both shows. They will be responsible for ensuring realistic and combatively-grounded choreography is standardized.

Whoever is assigned to this role will be responsible for building the sonic identity across approximately one third of the total episodes between both series. This includes editing together the individual sound effects created by the Kaiju Sound Designer and the Foley Artist to diversify the soundscape and create unique sound design.

Whoever is assigned this role will be responsible for coming up with and implementing the musical vision for individual scenes in one 4th of the episodes between both series, as well as designing leitmotifs to use in the soundtrack overall.

Whoever is assigned this role will be responsible for coming up with and implementing the musical vision for individual scenes in one 4th of the episodes between both series, as well as designing leitmotifs to use in the soundtrack overall.

Whoever is assigned this role will be one of 3 people providing practical choreographic advice for the fight scenes in both shows. They will be responsible for ensuring realistic and combatively-grounded choreography is standardized.

Whoever is assigned this role will be one of 3 people providing practical choreographic advice for the fight scenes in both shows. They will be responsible for ensuring realistic and combatively-grounded choreography is standardized.

Whoever is assigned this role will be a primary lead vocalist for the various theme songs of Zenithman M/L/V, especially with regards to Opening or Intro Themes.

They may also, in some cases, be asked to include 2 or more vocal layerings for harmonizing purposes, and will frequently be asked to collaborate with other vocalists on the project.

As for the audition lines, the qualities that auditions will be judged on is not necessarily the melodies chosen, but rather how well you are able to perform the vocal melodies you choose. That said, you it is preferred for you to try to rehearse the provided audition lines.

Whoever is assigned this role will be a primary lead vocalist for the various theme songs of Zenithman M/L/V, especially with regards to Ending or Outro Themes.

They may also, in some cases, be asked to include 2 or more vocal layerings for harmonizing purposes, and will frequently be asked to collaborate with other vocalists on the project.

As for the audition lines, the qualities that auditions will be judged on is not necessarily the melodies chosen, but rather how well you are able to perform the vocal melodies you choose. That said, you it is preferred for you to try to rehearse the provided audition lines.

Whoever is assigned this role will be a primary lead vocalist for the various theme songs of Zenithman M/L/V, especially with regards to Insert or Backing Themes.

They may also, in some cases, be asked to include 2 or more vocal layerings for harmonizing purposes, and will frequently be asked to collaborate with other vocalists on the project.

As for the audition lines, the qualities that auditions will be judged on is not necessarily the melodies chosen, but rather how well you are able to perform the vocal melodies you choose. That said, you it is preferred for you to try to rehearse the provided audition lines.

Whoever is assigned this role will be one of 9 vocalists performing the choirs and/or chants for all soundtracks that require these vocal elements that are designed by the Composers on the project.

As for the audition lines, the qualities that auditions will be judged on is not necessarily the melodies chosen, but rather how well you are able to perform the vocal melodies you choose. That said, you it is preferred for you to try to rehearse the provided audition lines.

Whoever is assigned this role will be one of 9 vocalists performing the choirs and/or chants for all soundtracks that require these vocal elements that are designed by the Composers on the project.

As for the audition lines, the qualities that auditions will be judged on is not necessarily the melodies chosen, but rather how well you are able to perform the vocal melodies you choose. That said, you it is preferred for you to try to rehearse the provided audition lines.

Whoever is assigned this role will be one of 9 vocalists performing the choirs and/or chants for all soundtracks that require these vocal elements that are designed by the Composers on the project.

As for the audition lines, the qualities that auditions will be judged on is not necessarily the melodies chosen, but rather how well you are able to perform the vocal melodies you choose. That said, you it is preferred for you to try to rehearse the provided audition lines.

Whoever is assigned this role will be one of 9 vocalists performing the choirs and/or chants for all soundtracks that require these vocal elements that are designed by the Composers on the project.

As for the audition lines, the qualities that auditions will be judged on is not necessarily the melodies chosen, but rather how well you are able to perform the vocal melodies you choose. That said, you it is preferred for you to try to rehearse the provided audition lines.

Whoever is assigned this role will be one of 9 vocalists performing the choirs and/or chants for all soundtracks that require these vocal elements that are designed by the Composers on the project.

As for the audition lines, the qualities that auditions will be judged on is not necessarily the melodies chosen, but rather how well you are able to perform the vocal melodies you choose. That said, you it is preferred for you to try to rehearse the provided audition lines.

Whoever is assigned this role will be one of 9 vocalists performing the choirs and/or chants for all soundtracks that require these vocal elements that are designed by the Composers on the project.

As for the audition lines, the qualities that auditions will be judged on is not necessarily the melodies chosen, but rather how well you are able to perform the vocal melodies you choose. That said, you it is preferred for you to try to rehearse the provided audition lines.

Whoever is assigned this role will be one of 9 vocalists performing the choirs and/or chants for all soundtracks that require these vocal elements that are designed by the Composers on the project.

As for the audition lines, the qualities that auditions will be judged on is not necessarily the melodies chosen, but rather how well you are able to perform the vocal melodies you choose. That said, you it is preferred for you to try to rehearse the provided audition lines.

Whoever is assigned this role will be one of 9 vocalists performing the choirs and/or chants for all soundtracks that require these vocal elements that are designed by the Composers on the project.

As for the audition lines, the qualities that auditions will be judged on is not necessarily the melodies chosen, but rather how well you are able to perform the vocal melodies you choose. That said, you it is preferred for you to try to rehearse the provided audition lines.

Whoever is assigned this role will be one of 9 vocalists performing the choirs and/or chants for all soundtracks that require these vocal elements that are designed by the Composers on the project.

As for the audition lines, the qualities that auditions will be judged on is not necessarily the melodies chosen, but rather how well you are able to perform the vocal melodies you choose. That said, you it is preferred for you to try to rehearse the provided audition lines.

Whoever is assigned this role will be responsible for creating the high-fidelity 3D models for our primary characters and central antagonists. They will sculpt, model, and texture optimized real-time animation assets, ensuring clean topology and efficient UV layouts while maintaining flawless edge flow for facial and body rigging. A strong grasp of human and animal anatomy, along with proficiency in general 3D modeling tools, is essential for this role.

Whoever is assigned this role will be responsible for creating the 3d models for secondary characters, one-off characters, and background creatures. They will sculpt, model, and texture optimized real-time animation assets, ensuring clean topology and efficient UV layouts while maintaining flawless edge flow for facial and body rigging. A strong grasp of human and animal anatomy, along with proficiency in general 3D modeling tools, is essential for this role.

Whoever is assigned this role will be responsible for crafting the vehicles, main weapons, and mechanical assets. They will design, model, and texture highly detailed, functionally plausible hard-surface assets optimized for a real-time animation engine. A strong understanding of mechanical design principles, as well as proficiency in general 3D modeling tools, is essential for this role.

Whoever is assigned this role will be responsible for building out the world's inventory of secondary weapons, background vehicles, and interactive props. They will design, model, and texture highly detailed, functionally plausible hard-surface assets optimized for a real-time animation engine. A strong understanding of mechanical design principles, as well as proficiency in general 3D modeling tools, is essential for this role.

Whoever is assigned this role will be responsible for building complex, highly articulated skeletal rigs for our primary characters. They will develop advanced facial rigging systems, set up intricate real-time physics for cloth and hair, and create custom control tools for the animation team. They will also handle rig testing to ensure stable performance across diverse assets. An understanding of joint hierarchy, kinematics, and real-time engine constraints is essential for this role.

Whoever is assigned this role will be responsible for creating reliable, optimized skeletal rigs for secondary characters, background creatures, and moving props. They will develop advanced facial rigging systems, set up intricate real-time physics for cloth and hair, and create custom control tools for the animation team. They will also handle rig testing to ensure stable performance across diverse assets. A strong understanding of anatomy and the ability to work quickly and adaptably across a wide variety of asset types are essential for this role.

Whoever is assigned this role will be responsible for the overarching world-building, set pieces, and primary biome generation. They will block out expansive levels, establish the visual language of key locations, and manage terrain sculpting and master lighting setups. A good eye for composition, color theory, and environmental storytelling is essential for this role.

Whoever is assigned this role will be responsible for detailed set dressing, prop placement, and populating the world with foliage and ambient assets. They will utilize modular kits to construct background architecture and meticulously detail scenes to make them feel lived-in. A strong talent for asset optimization, collision setup, and balancing visual density with real-time frame rates are essential for this role.

Whoever is assigned this role will be responsible for designing and implementing narrative-driven visual effects, such as character abilities, large-scale destruction, and complex energetic phenomena. They will build intricate particle systems and custom shaders that serve as focal points in the animation. A skill for developing custom node-based VFX tools and the ability to balance high-poly visuals with strict performance requirements are essential for this role.

Whoever is assigned this role will be responsible for bringing the world to life with ambient environmental effects, such as atmospheric fog, falling rain, dust motes, and background fires. They will also create secondary impact effects and UI-related visuals. A strong grasp of VFX creation, material instancing, and minimizing overdraw to maintain smooth performance is essential for this role.