Five Nights at Freddy's: Relight - Total Depravity

During the day, Freddy likes to have fun and also appears to be charitable, easygoing and relaxed. However, at night, Freddy is provocative, mysterious and quiet. I imagine Freddy's voice as a mix between a cold, emotionless deep voice and a typical goofy deep voice (something like Barney Rubble from The Flintstones). Feel free to audition however you like with lines that you find interesting for the character.

Bonnie is a great stalker, a cunning, malicious, merciless, and impatient killer, obsessed with the idea of killing the night guard. He is an unpredictable robot and does not have an easy temper. He loses easy control of his emotions and explodes easily. I can imagine your voice being very anxious and unstable. It would not be something that would flow calmly, Bonnie cannot stop talking and her voice changes are many! Not to mention that he is still an animatronic for children, so there is still the mix with a voice similar to "Frank Sinatra". Feel free to audition however you like with lines that you find interesting for the character.

Chica, during the night, transforms into a considerably darker predator. The desire to get to the night guard turns her into a formidable opponent, but she still has half-silly features. She has an even greater thirst for revenge than the other robots, but her personality is affected by AI. As such, her voice is that of a psychopath who no longer has any sanctity or sense of what is right or wrong. He talks about torture and death as if it were something fun and silly. Amber Lee Connors' voice is a great reference. Feel free to audition however you like with lines that you find interesting for the character.

Foxy becomes a dangerous robot, manipulative, and an obsessive killer when the night guard takes her place in the office. Unlike other animatronics, he seems to not only have the heat of revenge, but also the pleasure that is attacking the guard. He was bored and frustrated, and as soon as the night comes, he gets all enegic about having something new to play with. He is selfish, cunning, provocative, manipulative and, above all, funny, with a strong pirate accent and once half-aged. Christopher McCullough's voice at UCN is a great example. Feel free to audition however you like with lines that you find interesting for the character.

Golden Freddy is possesed with two souls, one is the soul of one who is angry, disturbed, who cannot rest. That soul that controls the body, its movements and actions. The other soul is someone pure and innocent, one who is not all bad, but who is also there for a reason. The two souls form the consciousness of this robot, he has a dual personality and even cases where the robot seems to "talk to itself". Golden Freddy voice is very similar to Freddy Fazbear, however, Golden Freddy would be seen more as a ghost or hallucination than a physical robot. So his voice is softer, more gravely, and there's not much of something robotic about his voice, just something demonic and obsessed. A curious character, as the soul that keeps control of Golden Freddy's actions is clearly female, but the soul that stays in his shadow is male. Therefore, both voices can be heard during the character's speech.

Toy Freddy is not necessarily possessed by a soul, making his personality the same one already programmed into the AI. So Toy Freddy is moody, playful and childish, since clearly, he is a robot to entertain children. His voice is still a little low, like the classic Freddy, but it's a silly voice. Feel free to audition however you like with lines that you find interesting for the character.

Toy Bonnie is not necessarily possessed by a soul, making his personality the same as the one already programmed into the AI. As such, Toy Bonnie bears no resemblance to Classic Bonnie and his voice is silly, high-pitched and nasal. A slightly curious voice too. Clearly, Toy Bonnie has a masculine design, but his voice is reminiscent of both a male and female robot. Feel free to audition however you like with lines that you find interesting for the character.

Toy Chica is not necessarily possessed by a soul, making her personality the same as the one already programmed into the AI. So, Toy Chica is very similar to Chica Classica, the only difference being the psychosis in the character's speech. Toy Chica is a lot sillier and a lot less psychotic. Feel free to audition however you like with lines that you find interesting for the character.

Mangle is not necessarily possessed by a soul, making her personality the same as the one already programmed into the AI. So, Mangle has a very similar personality to Foxy, with certain differences. Her intentions are not to kill, as this is only due to the robot's malfunctioning, but she satirizes herself and how disfigured she is and, also, because she is in a lot of damage, her voice box is not perfect. With a lot of hiss, bugs and errors in her voice. Feel free to audition however you like with lines that you find interesting for the character.

Marionette (Puppet) is cold, dark, vindictive, and sadistic. A character whose intentions are based entirely on anger and revenge, but doesn't show her feelings. A troubled and depraved soul, with no sense of right or wrong, only does what will ensure success in her goals. The ends justify the means. Feel free to audition however you like with lines that you find interesting for the character.

Withered Freddy is the previous version of Classic Fredy. Withered Freddy would be the robot that, after being reassembled and repackaged, gave life to the classic robot. Apparently Fazbear Entertainment wanted to save money on animatronics. Withered Freddy can have the same personality and vocal characteristics as Freddy Fazbear. The only difference is that W. Freddy is an old robot, dismantled, unrepaired and completely unstable. Its damaged voice box doesn't help to identify the robot's voice clearly and it looks like it's not the same person we saw with Classic Freddy. Feel free to audition however you like with lines that you find interesting for the character.

Withered Bonnie is the previous version of Classic Bonnie. Withered Bonnie would be the robot that, after being reassembled and repackaged, gave life to the classic robot. Apparently Fazbear Entertainment wanted to save money on animatronics. Withered Bonnie can have the same personality and vocal characteristics as Bonnie The Bunny. The differences would be the deeper voice of the robot and the clear flaws in the voice box, meaning that the more altered the robot is, the more it will glitch. The voice made by Hans Yunda at UCN is a great example. Feel free to audition however you like with lines that you find interesting for the character.

Withered Chica is the previous version of Classic Chica. Withered Chica would be the robot that, after being reassembled and repackaged, gave life to the classic robot. Apparently Fazbear Entertainment wanted to save money on animatronics. Withered Chica can have the same personality and vocal characteristics as Chica the Chicken. The most obvious differences would be the flaws in her voice box, making the robot's voice different and thicker, and the satirization of her own appearance and the way the child was killed. Darbi Worley's voice at UCN is a great example. Feel free to audition however you like with lines that you find interesting for the character.

Withered Foxy is the previous version of Classic Foxy. Withered Foxy would be the robot that, after being reassembled and repackaged, gave life to the classic robot. Apparently Fazbear Entertainment wanted to save money on animatronics. Withered Foxy is different from his classic version. He is cold, psychotic and sadistic. He doesn't show any reaction during speech, and his voice box seems intact. Withered Foxy is far more observant than any other robot. The voice acting by Marc Martel of Withered Foxy in FNaF World is a great example. Feel free to audition however you like with lines that you find interesting for the character.

Shadow Bonnie is not a soul, nor is he a robot. He is agony in its purest form. The agony suffered by each of the children, the feeling, the energy of agony that is present in Freddy Fazbear's Pizza. Its rabbit form based on Toy Bonnie is precisely to refer to the trauma left by the "yellow rabbit". A cold, sadistic, psychotic, depraved entity, with a very strong sense of justice and a desire to kill. His voice is something quiet and at the same time demonic. Shadow Bonnie is aware of her abilities and constantly extols them, not as an inflated ego, but to warn of the harm this entity can cause. Feel free to audition however you like with lines that you find interesting for the character.

William Afton, the man who killed and disemboweled each of the missing children in cold blood. Afraid of death, ironically, it "comes" to him. William Afton actually never died. A living body, trapped, suffering, disturbed... William desires and longs for death, which never comes. It can be assumed that he retains most of his personality traits; methodical, cruel and cold-blooded. However, he suffers and deteriorates more and more as time goes on, so he tries to talk as little as possible and, when he does, he tries to say only what is necessary. Feel free to audition however you like with lines that you find interesting for the character.

Cold-hearted, depraved, and sadistic. A vengeful and angry soul. A thick, demonic voice. This animatronic's only objective: kill you. Feel free to audition however you like with lines that you find interesting for the character.

Crazy and lunatic, a pure demonic beast. Of all the Nightmares, Nightmare Bonnie is the most depraved and mad, craving and satirizing the pleasure of death. Deep and beastly. Feel free to audition however you like with lines that you find interesting for the character.

Crazy, psychotic, and sadistic. Attentive to every detail, Nightmare Chica fulfills her role as a "nightmare". Disturbing, she tries to play with your mind, causing feelings of fear, guilt and agony to mix several times, to the point of confusing you and being able to kill you. Feel free to audition however you like with lines that you find interesting for the character.

Smart and treacherous, always tries to outwit you. He talks too much, with excitement and a strong pirate accent. It's the worst of the Nightmares, and certainly one of the most irritating. Feel free to audition however you like with lines that you find interesting for the character.

A real beast. It's not a robot, it's a predator. A sadistic, cruel and cold-blooded entity. He revels in death and loves to play with the minds of his victims before attacking. His voice is thick and demonic, it always seems that he is hungry and thirsty for something. Feel free to audition the way you want and add lines that are interesting to the character.

A monstrous and sadistic animatronic, which takes nothing more pleasure than the death and torment of its victims. An angry, mad beast. His voice is that of a demonic creature, and resembles several other voices in one. Feel free to audition the way you want and add lines that are interesting to the character. 

Perverse, vengeful, sadistic and depraved. One of the worst nightmares and like any other, it torments its victims and revels in their deaths. His voice is deep, distorted, and stutters a lot, similar to a glitch. Feel free to audition the way you want and add lines that are interesting to the character.

Goofy deep typical voice. Feel free to audition the way you want and add the lines you find interesting for the character.

Annoying childish high-pitched voice. Feel free to audition the way you want and add the lines you find interesting for the character.

Egocentric soft voice. Feel free to audition the way you want and add the lines you find interesting for the character.

Soft and screaming voice. Feel free to audition the way you want and add the lines you find interesting for the character.

Deep, screaming robotic voice. Feel free to audition the way you want and add the lines you find interesting for the character.

Soft and emotional youthful voice. Feel free to audition the way you want and add the lines you find interesting for the character.

Smooth youthful voice, transition from calm and excited, to boredom and anger. Feel free to audition the way you want and add the lines you find interesting for the character.

Dishonest, mischievous, naughty, and depraved, a treacherous manipulator, while very polite, quiet, and silent. Her voice is soft and silent. Feel free to audition the way you want and add the lines you find interesting for the character.

Seductive and deadly, calm and composed. She is also pragmatic, intelligent, and mature. Sadistic and depraved. Feel free to audition the way you want and add the lines you find interesting for the character.

A rambunctious, exuberant, playful, troubled, highly tense, and sadistic big baby. Sounds and talks like an excited child entertainer; an effeminate silly clown. He has a very volatile temper, losing control of his anger at random and shouting a lot of voices. This makes him stutter several times, looking like failures. Feel free to audition the way you want and add the lines you find interesting for the character.

A stark contrast to Funtime Freddy; Bon Bon is formal, smooth, balanced, calm, and extremely shy. However, he can also be violent, homicidal, sadistic, mischievous and murderous. A high-pitched, silent, effeminate voice. Feel free to audition the way you want and add the lines you find interesting for the character.

An animatronic with a grandiose, larger-than-life personality. A true circus master of ceremonies. It's raucous, outgoing, lively, and mischievous. A curious animatronic, with a female design, but it's voice serves both male and female. It's voice box, unlike the other Funtimes, is muffled.

A strange little robot with childish demeanor, petulance, cunning, and sociopathic tendencies. A sadistic and silent killer. High-pitched, smooth, quiet voice. Feel free to audition the way you want and add the lines you find interesting for the character.

An intelligent and interesting AI. A jokester, cheeky, and somewhat sarcastic personality. His voice is neutral, calm, and smooth. Feel free to audition the way you want and add the lines you find interesting for the character.

Molten Freddy has a voice and personality very similar to his predecessor. However, Molten Freddy is calmer and less noisy, while stuttering a lot more with the glitches. Feel free to audition the way you want and add the lines you find interesting for the character.

Scrap Baby has a voice and personality very similar to her predecessor. Dishonest, mischievous, sadistic, and depraved, a treacherous manipulator. Her voice is soft and silent. Feel free to audition the way you want and add the lines you find interesting for the character.

Scraptrap is very similar to its predecessor. However, Scraptrap is a lot more talkative. Speaks quickly and angrily, being brief, for feeling so much pain just talking. His voice is deep and harsh. Feel free to audition the way you want and add the lines you find interesting for the character.

Lefty is very similar to its predecessor (Marionette). However, Lefty is even more cold-blooded, silent, and cold. Her voice always comes out in neutral whispers. Feel free to audition the way you want and add the lines you find interesting for the character.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.

When it comes to humans in FNaF, it's not that simple to idealize a voice, as they've never been explored so much. It's not like the animatronics, which have been explored, have references, there's crucial information about, and so on. Humans in FNaF are "complicated"; however, in my view, this opens more doors for creativity. If you're going to audition for any human, regardless of which one, be creative and let loose! Bring out everything human in you and really embody the character. You can audition the way you want, with the text and lines that you find interesting.