The Redacted SCP [SCP -0]

Debbie Randall for Researcher Megan

Debbie Randall
Debbie Randall auditioning for Researcher Megan in The Redacted SCP [SCP -0]
Whinot Toonish
Whinot Toonish

Id like to start by saying, that you have incredible quality for your audio, and a pleasant voice overall. Its a naturally gentle and endearing tone, something akin to a mother, or an elementary school teacher. Id very much like to hear you submit an audition for Dr. Mel or Junior Researcher Maria with a similar approach. For Researcher Megan however, Id like to hear you take a second go at it, with a somewhat more irritated expression. You're nailing the frazzled emotional state, it comes off as someone who genuinely doesn't have a plan of action, and needs some legitimate instruction, but id like to know that more than stressing you out, its getting on your nerves. Think, management isn't taking your calls, and if you don't start getting answers soon, you're going to become a problem for them.

    Debbie Randall
    Debbie Randall

    Hi and thanks for the helpful feedback! I'll resubmit for Megan and hopefully incorporate the irritation aspect. I'll also submit for the other 2 roles!

Researcher Megan
Voice Actor Voice Actor

Researcher Megan

open
Unpaid

Foundation researcher whose primary appearance is a formal note requesting O5 intervention.

Voice Description

Age range: 25–35

Articulate but clearly frayed.

Her main note should feel like a real, escalating complaint rather than dry commentary — someone who has been dealing with this for weeks and is finally saying it out loud.

Closer to burnout than weary acceptance.

Think a sharp professional who knows the request probably won’t change anything, but still needs to get it on the record.


The key is sustained frustration. This isn’t a quick sarcastic aside — it’s someone hitting a wall.

Voice description:
  • female adult
  • Stressed
  • Irritated
  • Frayed
The sides they read from:

  • So for the last ██ weeks, there's been some 'thing' moving through the Foundation, taking jobs that don't exist and making everyone fall in love with it. All we've managed so far is showing up after the damage has been done and learning from it."

  • We handle genuine threats on a daily basis — monsters, phenomena, things that shouldn't be — but at least they have rules. Something that sets them off, a boundary we can work with. This feels like we're just along for the ride.

  • Improv

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