Hi Mirabelle,
The musical transformation in Carnival immediately caught my attention: beginning with intimacy and melodic warmth backstage, moving into a bright mechanical performance, and then gradually distorting as perfection and spectacle turn into psychological horror.
I’m Timer, a screen composer with an MMus in Composition from the University of Edinburgh. My work combines narrative scoring, electronic sound design, piano writing and orchestral colour. For this film, I would establish a clear melodic idea on piano, reinterpret it through mechanical carnival timbres during the performance, then progressively destabilise its tuning, rhythm and texture as the characters’ reality begins to fracture. The credits loop could retain a warped fragment of the same motif.
Relevant work:
The Prisoner — electronic composition, atmospheric tension and original sound design: https://physical-anything-545470.framer.app
The Story of Racheltjie de Beer — narrative film scoring: https://youtu.be/YJF8xHAcn-o
0.4 Second and a Dream: https://youtu.be/J7UgyjNg2To
I can deliver a picture-synchronised master, a seamless credits loop and stems where useful. I would be glad to discuss the schedule, revision process, music rights and payment milestone.
Timer