THE DAREDEVIL: Episode 101 - “A Rumor in Red”
Project Overview
The Daredevil is a dark, grounded, TV-MA crime drama set in Hell’s Kitchen, New York.
Episode 101, “A Rumor in Red,” introduces a version of Hell’s Kitchen where Daredevil already exists, but not as a clean public superhero. He is a rumour, a blurry red shape in bad phone footage, a warning criminals half-believe until he is standing in the hallway with them.
The episode follows a violent tenant intimidation job against the Alvarez family, Nelson & Murdock taking the case, Karen Page beginning to notice repeated language in the paperwork, Detective Brett Mahoney investigating the bloody aftermath, Father Cathal wrestling with the morality of violence and charity, and Wilson Fisk’s public redevelopment initiative beginning to reveal its rotten underside.
This is not a bright cartoon superhero project. Performances should feel grounded, cinematic, emotional, restrained when needed, and brutal when the scene calls for it. Think crime drama first, superhero second.
Already cast characters: Matt Murdock / Daredevil, Foggy Nelson, Ben Urich, James Wesley, Benjamin Poindexter, Elektra Natchios.
TV-MA
Contains strong language, violence, intimidation, blood, religious themes, organised crime, trauma, and mature dramatic material.
AUDITION RULES
Please submit 2-3 takes per line.
Clean audio is required. No background noise, clipping, echo, or phone-mic audio if possible.
Do not overact. This is grounded drama. No cartoon villain voices, no “anime screaming,” no fake trailer voice.
You must be comfortable with strong language and mature subject matter.
Discord contact is required for cast communication.
When you are logged in, you can comment, add submissions, create projects, upvote, search open roles, and way more. Login here.
Karen Page
Gender: Female
Age Range: Mid 20s to early 30s
Role Size: Lead / Recurring
Accent: American. Light New York edge welcome, but not required.
Status: Major role for the season.
Karen is sharp, warm, emotionally perceptive, and already far better at reading people than most lawyers in the room. She works at Nelson & Murdock and is Matt’s girlfriend, but she is not “the girlfriend role.” She is the person who notices when the paperwork smells wrong, when a client is lying out of fear, and when Matt is telling the truth in pieces.
In Episode 101, Karen begins her investigative arc by noticing repeated phrases in tenant documents: “fresh start,” “safe future,” “responsible transition,” “dignity,” and “peace.” She does not have all the answers yet, but she can feel the pattern forming. The script shows her carefully questioning Rosa Alvarez about who sends papers versus who sends men, which is proper Karen material.
Voice DirectionEmpathetic, intelligent, careful. Karen should sound like someone who can be gentle without being weak. She is emotionally open, but she is not naïve.
- female adult
- neutral american
- american (new york)
(gentle but firm, trying not to scare the client) No, Mrs. Calderon, don’t sign anything until we look at it. Not even if they say it’s just confirming receipt.
(quietly investigative, sensing the fear underneath the words) Mrs. Alvarez, can I ask you something that isn’t on the forms? Who are people in the building actually afraid of?
(focused, building the pattern in her head) Start with the ones that made you feel like they had already decided what you were supposed to do.
Wilson Fisk / Kingpin
Gender: Male
Age Range: 40s to 50s
Role Size: Lead Villain / Recurring
Accent: American
Status: Major role for the season.
Wilson Fisk is publicly a respected businessman and philanthropist. Privately, he is the Kingpin of New York’s criminal infrastructure. In Episode 101, he appears late, at a polished civic event for Rebirth of Hell’s Kitchen, where he makes exploitation sound like mercy.
He should not sound like a cartoon mob boss. No growling for the sake of it. Fisk’s voice is controlled, heavy, deliberate, and almost civic. The scary part is that his public speech is not obviously evil. It is convincing because a lot of it sounds true.
Voice DirectionLow, gravelly, controlled, intimidating, deliberate. A public philanthropist with the voice of a man who could break someone in half and still fix his cufflinks afterwards.
- male adult
- neutral american
(public-facing, calm, formal, hiding power behind manners) Councilwoman. Thank you for allowing the work to be seen.
(low and deliberate, almost philosophical, with quiet menace underneath) Fear does not make people foolish. It makes them honest about what they cannot afford to lose.
(grave, controlled, as if explaining something obvious to someone beneath him) Stories breed when men are afraid to say facts.
Mrs. Rosa Alvarez
Gender: Female
Age Range: 60s to 70s
Role Size: Major Supporting / Recurring
Accent: Latina / Puerto Rican / New York preferred
Status: Important emotional anchor.
Rosa Alvarez is an elderly Hell’s Kitchen tenant being pressured out of her home. She is frightened, tired, and deeply stubborn.
She is not helpless. She is scared because she understands exactly how dangerous this is. Her home matters. Her dead husband matters. Her son Luis matters. Her dignity is not for sale.
Voice DirectionWorn but strong. Quiet steel. She should sound like someone who has survived plenty and resents being treated like an obstacle.
- female adult
- spanish (puerto rican)
- latina
- puerto rican
(quiet, tired, afraid but refusing to break) Men do not give names. They give messages.
(bitter, wounded, repeating words she has heard too many times) Fresh start. Safe future. Responsible move. Dignity. Always dignity. Like dignity is leaving quiet because they ask nice.
(small but fierce, dignity cutting through fear) Then tell them to stop sending peace like a brick through the window.
Luis Alvarez
Gender: Male
Age Range: 20s to early 30s
Role Size: Major Supporting / Recurring
Accent: New York / Latino preferred
Status: Important emotional role.
Luis is Rosa’s son. He is angry, protective, guilty, and terrified in ways he would rather punch through than admit. He gets beaten in the opening attack and still pushes back because he refuses to let these men make his mother small.
Luis is not stupid. He is reactive because the threat is personal. His rage is understandable, but that rage can be used against him in court, which becomes part of his dynamic with Foggy and Karen.
Voice DirectionRaw, emotional, street-level. Protective son energy. Anger covering fear. Needs to handle pain, panic, and wounded pride.
- male adult
- latino
- puerto rican
- american (new york)
(furious, protective, trying to sound braver than he feels) You touch her, I’ll kill you.
(shaken, angry, still carrying the trauma of the attack) You ever have someone put gas in your mother’s doorway?
(low, desperate, asking them to fight back properly) Then use it hard.
Father Cathal
Gender: Male
Age Range: 40s to 60s
Role Size: Major Supporting / Recurring
Accent: Irish preferred, but not cartoon-Irish
Status: Major recurring moral figure.
Father Cathal is Matt’s priestly counsel and a community anchor in Hell’s Kitchen. His church is not decorative. It is a working place full of food boxes, frightened tenants, volunteers, dirty charity money, and people who need help before anyone can afford to ask where the help came from.
He knows Matt better than Matt wants. He has warmth, bite, guilt, intelligence, and a low tolerance for holy bullshit.
Voice DirectionDry, moral, tired, compassionate without being soft. A priest who has seen enough suffering to know when someone is using faith as an excuse.
- male adult
- irish (general)
(dry, familiar, gently calling Matt out) This is a church, Matthew. Bad news travels here faster than gossip and almost as accurately.
(grim, practical, already knowing the answer will be ugly) You mean by men with forms, men with badges, or men with fists?
(firm, moral, not angry but refusing to let Matt hide behind excuses) There is a difference between preventing harm and deciding pain is the only language left.
Detective Brett Mahoney
Gender: Male
Age Range: 30s to 40s
Role Size: Supporting / Recurring
Accent: American / New York preferred
Status: Recurring police role.
Mahoney is a detective who is honest, observant, sceptical, and deeply tired of bullshit. He investigates the aftermath of Daredevil’s attack in the West 46 hallway. He does not worship Daredevil. He does not dismiss him either. He sees a crime scene, sees the official story forming too neatly, and knows it is already annoying him.
Voice DirectionDry, sharp, grounded. Cop voice without macho parody. He should sound like a man who notices too much and hates paperwork because it notices nothing.
- male adult
- american
- american (new york)
(dry, unimpressed, looking at a scene that is clearly worse than reported) No fatalities is doing a lot of work there.
(disturbed but controlled, piecing together the threat) Christ. They brought enough to scare her or burn her?
(sceptical, sharp, not buying the suspect’s story for a second) Door chain did all that to you?
Ellison
Gender: Male
Age Range: 40s to 60s
Role Size: Supporting / Recurring
Accent: American
Status: Recurring newsroom role.
Ellison is Ben Urich’s editor. He understands news, legal exposure, and the problem with chasing Fisk stories without proof. He is not weak. He is responsible, which in this world can look cowardly until you realise lawsuits and dead sources are real things.
Voice DirectionDry, editorial, pragmatic. He should sound like he respects Ben but has to keep the paper alive.
- male adult
- american
(brusque, editor mode, no time for nonsense) Urich. Conference room.
(concerned, already fearing a lawsuit) Tell me those are not Fisk filings.
(firm, protective, trying to save Ben from himself) Fisk-related development stories require proof. Not instinct. Not memory. Proof.
Dr. Miriam Voss
Gender: Female
Age Range: 40s to 60s
Role Size: Supporting / Recurring
Accent: American
Status: Recurring Ravencroft role.
Dr. Voss works at Ravencroft and appears in the Poindexter seed scene. She is intelligent, clinical, and deeply aware that the institution around her can turn danger into paperwork. She knows Poindexter is not normal. She also knows the system is beginning to move him somewhere.
Voice DirectionProfessional, restrained, tired. A doctor who knows fear but refuses to let it run the room.
- female adult
- american
(clinical, professional, keeping control of the room) It is a standard cognitive sequencing object.
(uneasy but restrained, realising what Poindexter sees in ordinary things) Everything has a point if you hold it with enough commitment.
(quietly alarmed, but refusing to show panic) Tell them it will be reviewed in the morning.
Sister Grace
Gender: Female
Age Range: 60s to 80s
Role Size: Supporting / Recurring
Accent: Irish, New York, or American acceptable
Status: Recurring church/community role.
Sister Grace is terrifyingly efficient and has absolutely no time for nonsense. She helps run practical support at Father Cathal’s church. She is funny because she is blunt, not because she is silly.
Voice DirectionSharp, brisk, no-nonsense. She should sound like she could run a soup kitchen, a parish hall, and a hostage negotiation before lunch.
- female adult
- american
- irish
(sharp, busy, no patience for stupidity) Not there. If you put beans beside nappies again, I’ll have you baptised as a filing cabinet.
(deadpan, unimpressed) They’re not full. They’re arranged by a man who thinks gravity is a storage system.
(rapid-fire authority, funny because she is deadly serious) Pasta below, tins above, baby formula nowhere near the bleach unless you want me explaining murder to the bishop.
Turk Barrett
Gender: Male
Age Range: 30s to 40s
Role Size: Supporting / Recurring
Accent: New York / streetwise American
Status: Recurring street-level criminal/comic relief.
Turk is loud, slippery, funny, and always two bad decisions away from hospital food. He appears at Josie’s bragging about the Daredevil clip and pretending he knows more than he should. He is comic relief, but in this world even comic relief knows when names get you killed.
Voice DirectionFast-talking, cocky, self-preserving. Funny, but not goofy. He should sound like a man who has survived by talking first and thinking somewhere around next Thursday.
- male adult
- american (new york)
- new york
(cocky, entering like he owns the room, badly) What? Don’t all cheer at once. Makes me shy.
(fast-talking, defensive, obviously lying) Now, I was nowhere near this situation. Let me be clear. Nowhere. I was at home, asleep, engaged in personal growth.
(suddenly serious, fear slipping through the comedy) I’m not naming names. Names are how you get invited to the morgue by people with no damn manners.
Gender: Male child voice / any actor who can convincingly play boyhood Matt
Age Range: 10-14 voice
Role Size: Supporting / Flashback
Accent: New York / Irish-American preferred
Status: Important flashback role.
Young Matt appears in the accident flashback. This is not a cute kid role. He is energetic, mouthy, brave, then absolutely terrified when the chemicals blind him.
Voice DirectionNatural child performance. Play the panic honestly. Do not make it theatrical.
- male child
- american
(brave, impulsive, childlike defiance) You watch it!
(pure panic, terrified and in pain) Dad! Dad, I can’t see! I can’t see!
(small, scared, overwhelmed by sound) They think I can't hear them.
Jack Murdock
Gender: Male
Age Range: 30s to 40s
Role Size: Supporting / Flashback
Accent: New York / Irish-American preferred
Status: Important flashback role, likely recurring.
Jack Murdock is Matt’s father. In Episode 101, he appears in the accident flashback. He is a boxer, a father, and a man whose hands were built for violence but become useless when his son is hurt. He must feel human before he feels mythic.
Voice DirectionWorking-class warmth, panic barely controlled, deep love. No superhero-dad grandstanding.
- male adult
- american
(sudden terror, a father seeing his son hurt) Matt!
(panicked but trying to comfort him, voice breaking slightly) Matty. Matty, I’m here.
(desperate, loving, trying not to fall apart) Stay with me. You hear me? Stay with me, son.
Josie
Gender: Female
Age Range: 40s to 60s
Role Size: Minor / Recurring
Accent: New York preferred
Status: Recurring bar owner.
Josie owns/runs Josie’s Bar. She is local, sharp, and completely unimpressed by everyone. Her lines are short but need character.
Voice DirectionDry, rough, funny without trying.
- female adult
- american (new york)
(yelling across the bar, furious but routine) You break that lock again, I’m keeping your shoes!
(dry, accusing, absolutely done with him) You still owe me for the mirror.
(deadpan, landing the insult like a cigarette burn) Your head was the issue.
The Driver
Gender: Male
Age Range: 30s to 40s
Role Size: Supporting Antagonist
Accent: American / New York preferred
Status: Episode 101 role, possible future mention.
The Driver leads the intimidation crew in the opening. He is not loud. He is professional in a scummy, bored, dead-eyed way. He speaks in clean phrases because he is repeating the language of the people above him. He is the kind of man who thinks violence is just another work order.
Voice DirectionControlled, bored, threatening without shouting. He should sound like a man who has done this before and finds everyone’s emotions inconvenient.
- male adult
- american
- american (new york)
(cold, practical, giving instructions like this is just another job) No hero shit. No extra damage. We remind him what old buildings do when people make them difficult.
(quietly threatening, trying to sound reasonable while intimidating someone) People make offers. People decline offers. Then conditions change.
(calm, cruel, almost educational) No one is burning tonight. Tonight is education.
Kelly
Gender: Male
Age Range: 20s to early 30s
Role Size: Supporting Antagonist
Accent: American / New York preferred
Status: Episode 101 role.
Kelly is younger, twitchier, and dumber than the Driver. He is dangerous because he is humiliated easily. He is the kind of small man who escalates because fear embarrasses him.
Voice DirectionNervous bravado. Mouthy. Aggressive until the second real fear arrives.
- male adult
- american (new york)
- american
(nervous bravado, trying to look tougher than he is) These are useless.
(aggressive, escalating because he is scared and embarrassed) Open the fucking door!
(screaming in pain, panic completely taking over) My leg! My fucking leg!
Reyes
Gender: Male
Age Range: 30s to 40s
Role Size: Supporting Antagonist
Accent: American / New York preferred
Status: Episode 101 role.
Reyes is part of the intimidation crew and records the attack for proof. He is older than Kelly, but not braver. Once Daredevil shows up, Reyes’ survival instinct takes over fast.
Voice DirectionTense, practical, scared underneath. The fear should become obvious once the lights go out.
- male adult
- american (new york)
- american
(practical, uneasy, checking what the job actually requires) You want the door too?
(terrified, whispering because saying it louder makes it real) Holy shit. That was him. That was fucking him.
(panicked, pleading, trying to save himself) I don’t know anything. I don’t know shit.
Judge Mara Ellis
Gender: Female
Age Range: 50s to 70s
Role Size: Supporting
Accent: American
Status: Courtroom role, possible recurring.
Judge Ellis presides over the Alvarez housing court hearing. She is sharp, exhausted, and not careless. She is not corrupt, but she is trapped inside a system that makes small victories feel like sandbags during a flood.
Voice DirectionControlled, authoritative, tired but fair. No melodrama. She has heard every sob story and every corporate excuse, and she still has to keep the room moving.
- female adult
- american
(tired, procedural, keeping the court moving) Next matter.
(controlled, authoritative, weighing the size of the request) Mr. Nelson, you are asking this court to restrain relocation efforts, block certain building access, compel preservation of records, and prohibit further contact with tenants outside counsel. On an emergency basis.
(firm, final, giving limited relief but not comfort) Seven days. Filings by noon tomorrow. Ownership disclosures included.
Opposing Counsel / Mr. Ainsley
Gender: Male
Age Range: 30s to 50s
Role Size: Supporting
Accent: American
Status: Episode 101 legal antagonist.
Ainsley is the polished opposing counsel in housing court. He is not openly monstrous. That is the point. He is polite, clean, and dangerous because he makes predatory pressure sound legally reasonable.
Voice DirectionSmooth, professional, faintly smug. A lawyer who insults people through manners.
- male adult
- american
(smooth, polite, false concern) Mrs. Alvarez, my clients continue to hope for a peaceful resolution.
(professional, rehearsed, hiding cruelty in legal language) The current ownership group is committed to safe transition and responsible redevelopment.
(quietly smug, needling Foggy without raising his voice) Emergency calendars can be forgiving.
Councilwoman Elaine Mercer
Gender: Female
Age Range: 40s to 60s
Role Size: Supporting / Recurring Political Figure
Accent: American
Status: Recurring civic/political role.
Mercer is a polished councilwoman tied to the public face of Rebirth. She is smart enough to know the room is dangerous and ambitious enough to think she can use it without being used first.
Voice DirectionPublic-facing, polished, intelligent. She should sound good on camera, which is exactly the problem.
- female adult
- american
(polished public speech, warm but political) For too long, Hell’s Kitchen has been asked to survive neglect and call it character.
(confident, rehearsed, selling the public dream) Rebirth is about restoring faith. Safe homes. Responsible development. Real partnership.
(formal, respectful, slightly careful around Fisk) Mr. Fisk. Thank you for joining us.
Marla Venn
Gender: Female
Age Range: 30s to 50s
Role Size: Supporting
Accent: American
Status: Episode 101 role
Marla Venn is a city/development liaison involved with the document storage site. She is not a street thug. She is part of the clean-paper side of the machine, and when Daredevil reaches her, she realises the people above her are far scarier than the man in red.
Voice DirectionProfessional cracking into terror. She should sound like someone who thought paperwork would protect her.
- female adult
- american
(terrified, barely able to say it) The devil.
(panicked, cornered, more afraid of her employers than Daredevil) I can’t. You don’t understand. The man I work for will come after me, and then he'll come after my family. It's not just about me!
(pleading, desperate to separate herself from the violence) I didn’t send them.
Patrick Donnelly
Gender: Male
Age Range: 30s to 50s
Role Size: Supporting
Accent: American
Status: Avalon Community Trust representative.
Donnelly works with Avalon Community Trust, bringing charity support to Father Cathal’s church. He has the soft voice of a man whose job is not social work, even if he wants it to sound that way. He is polite, branded, and very carefully helpful.
Voice DirectionSmooth, pleasant, donor-friendly. The performance should feel almost too reasonable.
- male adult
- american
(pleasant, donor-friendly, carefully reassuring) Sister, we are not asking the parish to commit to anything today. These are supplies. Immediate support. No strings.
(smooth, slightly too polished) Branding helps donors understand impact.
(professional warmth, practiced introduction) Father Cathal. Patrick Donnelly, Avalon Community Trust. We spoke on the phone.
Gareth Shaw
Gender: Male
Age Range: 40s to 50s
Role Size: Supporting
Accent: American
Status: Atlas Protective Services representative.
Shaw represents Atlas Protective Services in Wesley’s meeting. Ex-law enforcement posture, private-sector smile. He discusses Luis and the tenants like they are operational risks, not people.
Voice DirectionCorporate security. Professional, controlled, faintly dismissive.
- male adult
- american
(matter-of-fact, treating a person like a security issue) The son is the problem. Luis. Loud. Angry. Organised the chat, posted notices, told tenants not to engage individually.
(flat, dismissive, reading from a file) He works delivery and lives with his mother.
(practical, calculating social influence) Priest has reach. People listen to him.
Dana Pell
Gender: Female
Age Range: 30s to 40s
Role Size: Supporting
Accent: American
Status: Councilwoman Mercer’s aide.
Dana Pell is Mercer’s aide. Ambitious, careful, politically aware. She is not fully comfortable with what she is seeing, but she is still in the room taking notes.
Voice DirectionPolitical staffer. Smart, cautious, polished.
- female adult
- american
(controlled political caution, choosing every word carefully) Her office is comfortable with the safety language. We would prefer to avoid “relocation” in public materials for the next forty-eight hours.
(sharp, alert, sensing possible political danger) Is he connected politically?
(firm, risk-management mode) Councilwoman Mercer cannot be positioned near anything involving old organised crime. Not even historically.
Victor Hall
Gender: Male
Age Range: 30s to 50s
Role Size: Supporting
Accent: American
Status: Development consultant.
Victor Hall is a development consultant who speaks in polished civic language. He says “community” like it came from a briefing packet. He is the kind of man who sands the blood off a sentence before sending it to print.
Voice DirectionConsultant-smooth, careful, corporate.
- male adult
- american
(smooth, corporate, correcting language like it matters more than people) Transition performs better.
(quick, confident, consultant-speak) Tests better. Yes.
(calm, transactional, making strings sound harmless) Avalon can expand refrigeration support and medication transport if the parish signs the partnership letter.
Elliot
Gender: Male
Age Range: 20s to 40s
Role Size: Supporting
Accent: American
Status: Document storage worker.
Elliot works at the Meridian-linked storage site. He is not heroic in the big sense, but he has one brave moment where he questions the order to shred protected documents. That is enough to put him in danger.
Voice DirectionNervous, ordinary, frightened but not spineless.
- male adult
- american
(nervous, trying to stay professional) This is the indexed batch.
(worried, realising the order may be illegal) There are preservation holds on tenant communications now. There was a court order this afternoon.
(scared but finding a small bit of backbone) I need that instruction in writing.
Baker
Gender: Male
Age Range: 30s to 50s
Role Size: Minor Antagonist
Accent: American
Status: Storage-site heavy.
Baker is one of the men moving and destroying files at the storage site. Practical, ugly, threatening. He is not clever, but he has authority in the room until Daredevil arrives.
Voice DirectionBlunt, intimidating, impatient.
- male adult
- all american accents
(blunt, impatient, used to being obeyed) Not that one. That one gets shredded.
(mocking, cruel, dismissing Elliot’s concern) Did I ask for its dreams?
(low threat, stepping into intimidation) You need a lot less than you think.
Lennox
Gender: Male
Age Range: 20s to 40s
Role Size: Minor Antagonist
Accent: American
Status: Storage-site crew.
Lennox is one of the storage-site men Daredevil interrogates. He is a small cog in the machine and very aware that he does not know enough to be safe.
Voice DirectionPanic under toughness. Breaks fast under pressure.
- male adult
- all american accents
(in pain, terrified, breaking fast) Stop! Stop, fuck!
(panicked denial, trying to survive the interrogation) I don’t know!
(desperate, babbling the truth because fear has cracked him open) I don’t know names! We get times! Locations! Cash!
Hicks
Gender: Male
Age Range: 20s to 40s
Role Size: Minor
Accent: American
Status: Storage-site worker.
Hicks is another storage-site worker caught in the chaos. He is not important because he is powerful. He is important because he shows how ordinary workers get pulled into criminal machinery.
Voice DirectionScared, breathless, overwhelmed.
- male adult
- all american accents
(terrified, trying to sound harmless) I just move boxes.
(confused and scared, realising the job was dirtier than he thought) They said it was city overflow.
(pleading, honest panic) I don’t know who owns it. I swear.
Naomi
Gender: Female
Age Range: 20s to 30s
Role Size: Minor
Accent: American
Status: New York Bulletin reporter.
Naomi is a young reporter in the Bulletin newsroom. Sharp, tired, and allergic to lazy headlines.
Voice DirectionQuick, dry, modern newsroom energy.
- female adult
- american
(dry, unimpressed, undercutting the hype) That’s a handrail.
(half-joking, half-serious, because this city is insane) In this city, I wouldn’t swear to that.
(sharp, newsroom cynical) Question marks are not oxygen. They’re cowardice with punctuation.
Ty
Gender: Male
Age Range: 20s to 30s
Role Size: Minor
Accent: American
Status: New York Bulletin reporter.
Ty is a younger reporter caught up in the Daredevil clip hype. He is more excited by the viral monster story than the boring corruption underneath it.
Voice DirectionFast, curious, slightly too online.
- male adult
- american
(excited, too online, convinced he found something) There. That’s a horn.
(defensive, arguing his point) Handrails don’t move.
(smug, watching the numbers climb) Cowardice is outperforming the mayor’s transit story three to one.
Jules
Gender: Any
Age Range: 20s to 40s
Role Size: Minor
Accent: American
Status: New York Bulletin reporter.
Jules is another Bulletin reporter, focused on the viral Daredevil story. Quick, opportunistic, newsroom cynical.
Voice DirectionConfident, brisk, slightly smug.
- male adult
- female adult
- american
(fast newsroom pitch, opportunistic) Headline package is already moving. “Devil of Hell’s Kitchen?” Question mark gives us legal oxygen.
(matter-of-fact, chasing the viral angle) This is the thing today. Local monster story. Vigilante angle. Tenement attack. People are eating it up.
(incredulous, trying to drag Ben into the obvious headline) You know there’s a man with horns body-slamming people in that video, right?
Crane
Gender: Male
Age Range: 30s to 50s
Role Size: Minor
Accent: American
Status: Ravencroft staff/security.
Crane is a Ravencroft staff/security presence in the Poindexter scene. He is wary of the objects in the room because he understands, correctly, that Poindexter can weaponise basically anything.
Voice DirectionPractical, uneasy, not stupid.
- male adult
- american
(wary, practical, not liking the risk) You want the pencil in there?
(uneasy, trying not to sound scared) It’s a sharpened object.
(quietly defensive, knowing he has a point) Still got a point.
Uniform Officer
Gender: Any
Age Range: 20s to 40s
Role Size: Minor
Accent: New York / American
Status: Police day-player.
Responding police officer at the West 46 aftermath and/or storage site. Small role, but should sound grounded.
Voice DirectionRealistic cop, not action-movie cop.
- female adult
- male adult
(shocked, arriving at a wrecked scene) What the fuck happened here?
(professional report, trying to summarise chaos) Detective. We got six injured, one records clerk, one city liaison in the back office, multiple suspects detained.
(awkward, chastened after saying the wrong thing) Sorry.
Clerk
Gender: Any
Age Range: 30s to 60s
Role Size: Minor
Accent: American
Status: Courtroom day-player.
Court clerk in the housing court scene.
Voice DirectionTired, procedural, matter-of-fact.
- female adult
- male adult
(formal, courtroom routine) All rise.
(procedural, reading the matter clearly) Alvarez, Rosa, tenant petitioner, against West 46 Holdings and associated management entities.
(neutral, official) Emergency application for temporary injunctive relief.
TV Anchor / Reporter
Gender: Any
Age Range: 20s to 50s
Role Size: Minor
Accent: American broadcast voice
Status: News voice role.
Local news voice covering Rebirth of Hell’s Kitchen. Should sound polished and public-facing.
Voice DirectionClean news delivery. Slightly corporate. No parody.
- female adult
- male adult
(clean broadcast voice, polished and public-facing) Rebirth of Hell’s Kitchen, a public-private redevelopment initiative backers say will bring safety, dignity, and opportunity to long-neglected blocks on the West Side.
(neutral news delivery, slightly corporate) Supporters say the initiative will combine private investment, community partnerships, and coordinated safety review.
(live reporter energy, professional but energetic) We’re standing at the first public preview for Rebirth of Hell’s Kitchen.
Child / Tomás
Gender: Any child voice
Age Range: 6-10 voice
Role Size: Minor
Accent: Any American / New York
Status: Church scene role.
A child at Father Cathal’s church drawing the red devil. Innocent, blunt, and accidentally devastating.
Voice DirectionNatural child voice. Curious, not stage-school polished.
- male child
(focused on a drawing, innocent) It’s not finished.
(matter-of-fact, repeating something scary he heard from someone older) My brother says he broke a man’s head open.
(small, genuinely confused and worried) Is he bad?
Mother
Gender: Female
Age Range: 20s to 40s
Role Size: Minor
Accent: Any
Status: Church scene role.
Mother of the child in the church scene. Small but grounded role.
Voice DirectionQuiet, embarrassed, protective.
- female adult
(warning her child gently but firmly) Tomás.
(quiet, worried, asking the priest for reassurance) Father?
Forensics Tech
Gender: Any
Age Range: 20s to 50s
Role Size: Minor
Accent: American
Status: Crime scene role.
Crime scene technician in the West 46 aftermath.
Voice DirectionProcedural, professional.
- male adult
- female adult
(professional, examining the damage) Door chain snapped clean out.
(analytical, thinking through the injury pattern) Could be pipe. Rail. Something cylindrical.
Nurse
Gender: Any
Age Range: 20s to 50s
Role Size: Minor
Accent: American
Status: Ravencroft voice role.
Nurse/intercom voice at Ravencroft. Small role with institutional pressure behind it.
Voice DirectionProfessional, slightly tense.
- female adult
- male adult
(professional, cautious, interrupting with bad timing) Doctor Voss? Sorry. Counsel is asking whether the weekly summary will be signed tonight.
(uneasy, aware the request is strange) They said the filing schedule changed.
(subdued, following orders) Yes, Doctor.
Krazin Studios is looking for a composer to create original music for The Daredevil, a grounded TV-MA crime-drama fan series produced using Roblox Studio animation.
The score should feel dark, cinematic, tense, emotional, and street-level. This is not a bright superhero cartoon. The music should support a gritty New York crime atmosphere, with elements of noir, psychological tension, religious guilt, urban dread, and slow-building intensity.
The ideal composer can create music for scenes involving legal drama, quiet emotional moments, violent action, church/confessional scenes, investigation sequences, villain tension, and dark heroic moments.
We are looking for original music only. Please do not submit copyrighted themes, direct recreations of existing Marvel/Daredevil music, or tracks using uncleared samples.
Preferred Style:
- Dark cinematic crime-drama score
- Noir / thriller atmosphere
- Low strings, piano, subtle brass, percussion, ambient textures, synths, or hybrid orchestral elements
- Emotional but restrained
- Tense and grounded rather than overly heroic
- Music that feels like Hell’s Kitchen, not a generic superhero trailer
*Say something you think would fit*
![[unpaid 17+] mlp doctor whooves: "cinematic style" shorts fanseries [urgent casting for voice actors, male & female characters]](https://images.castingcall.club/project_images/image-1261886-DoctorWhooves-StringsofTimeNewWIPposteradFINISHEDAPRIL.png)
Comments
Public Submissions
