Last Fables: Daemon (Voice Auditions)
Project Overview
Project Description: Before he was the Slayer, he was a wolf. Starring Bordeaux Black, this demo takes you 125 years before the events of the novel Last Fables: Fraudewolf, to the very beginning of his story.
World & Setting Overview
Genre: Anthropomorphic Dark Fantasy / Action RPG
Setting: The continent of Aerodan
WORLD SUMMARY:
In the dark fantasy world of Aerodan, intelligent anthropomorphic mammals live in a land steeped in ancient magic, growing corruption, and looming decay. Safety is scarce, trust is hard-earned, and communities are constantly threatened by monstrous beasts, ancient evils, and internal factional strife. The characters in this story are survivors, caretakers, and warriors navigating grief, faith, duty, and terror in a world that is rapidly coming apart at the seams.
Voice & Accent Notes for Performers
Setting Tone: High-stakes, grounded, and emotionally realistic dark fantasy. Even in moments of humor or bravado, performances should feel rooted in genuine survival instincts.
Accents & Dialects:
General Preference: European dialects (British, Irish, Scottish, Slavic, or regional European variations) and grounded fantasy accents are highly encouraged to fit the continent of Aerodan.
Accent Choices: Unless specified on a character sheet (e.g., Thond's classic dwarf/celtic-style gruffness), actors are free to try accents that feel natural and authentic to the character's traits.
Non-US Accents Preferred: A non-American accent is strongly encouraged across most roles to match the classic dark fantasy setting, though clarity, emotional resonance, and acting quality always take priority over a perfect accent.
NO AI IS USED IN CREATION OF THIS GAME OR ANY OTHER LAST FABLES PROJECTS - We believe in art created by humans!
Gender: Female (or Young/Child voice actor)
Age: Child / Young Teen
Voice Style: Elna acts tough because she's scared, but she can't keep it up for long. When
her bravery cracks, she sounds like the scared kid she really is. She keeps
trying to be in charge because the grownups aren't, but she's still a child who
trusts promises.
- english
- english
- female child
- female teen
- northern european
"Rarn isn't here. Where are Mom and Dad? You said they'd be here."
"Are you... are you a monster?"
"Stop telling me to be brave! Brave doesn't find anyone! Just—just FIND him!"
Gender: Male (or Young/Child voice actor)
Age: Child
Voice Style: Rarn is more open about being afraid. He needs someone to hold onto. When
he's scared, he freezes or clings. Elna pushes forward. Rarn holds back. They're
just two kids handling fear in different ways and both ways make you want to
protect them.
- english
- northern european
- male child
- english
"Where's Mom and Dad? I—I can't find them."
"Mister... I don't know where my sister went. She was right here. She said she'd be right here."
"I don't want to be alone. Please don't leave me alone."
Gender: Female
Age: Adult / Mature
Role Type: Secondary / Lead
Voice Style: Mila's warmth is genuine but layered with intellectual distance. She is a mammal of faith who has learned to doubt her own judgments, and that tension between certainty and self-questioning, informs everything she says. Her prayers are genuine conversations with a divinity she both loves and fears she has failed.
- english
- female adult
- english
- northern european
"Greetings. It's... genuinely pleasant to see a face that isn't half-eaten or misshapen for a change."
"Poor Elyssa. I should never have left her behind. I told myself it was necessary, that the living required my attention more than the dead. But she deserved better than that justification. She deserved me staying."
"The Mother has called upon me to deliver these people to safety. Whatever that requires of me, I will do it. Without hesitation."
Gender: Male
Age: Adult
Voice Style: Harkhl's practicality is his armor and his humor is the chink in it.
He speaks in observations rather than opinions, preferring to state facts and let others
draw conclusions. His dry wit is a survival mechanism, a way of maintaining distance
in a world that demands proximity to danger. But his willingness to call the Slayer
"brother" at the end suggests that distance is shrinking, whether he wants it to or not.
- english
- male adult
- northern european
- english
"You're not the Cobalt. That much is obvious. So who in Raenir's name are you?"
"If you're offering, I'll come with you. If you're not, I'll enjoy the peace of having both legs attached to my body. Either way, I'm not particular."
"Get a hold of yourself, brother. Or don't. But if you're going to fall apart, do it somewhere I don't have to watch."
Gender: Deep Male
Age: Adult / Older Adult
Voice Style: Beaver (Fantasy dwarf archetype). Thond is a fantasy dwarf, his gruffness is genuine but not unkind,
he simply values craftsmanship over conversation. He finds comfort in the tangible,
the measurable, the repairable. When threatened, his response is utter indignation; he
refuses to be intimidated because intimidation is inefficient. His pride in his work is
his most vulnerable point. He is not a hero. He is a craftsman in circumstances that
demand heroism, and he is deeply resentful of the situation.
- english
- northern european
- english
- deep
- male adult
"AAARGH! Get yer pretty face over to my hammer!"
"Broken ain't useless where I come from. Perhaps unfinished."
"You will NOT hurt these good people, you hear me? Nothing in these waters or this land will save you from my bludgeon."
Gender: Female
Age: Adult / Mother
Voice Style: Sheep. Jala manages people instinctively. She's a mother first, and that
means she'll be gentle until something threatens her lambs, then she'll fight like a
ram. When she pleads, she's bargaining with everything she has, even her pride,
because she knows exactly what's at stake. She's not foolish enough to believe there's
an easy way out. But she'll beg, and claw for one anyway because that's what mothers
do.
- english
- english
- female adult
- northern european
"You look like you haven't slept in a week. Sit down. Whatever's chasing you can wait until you've eaten something."
"They're my children. I know when they're frightened. I don't need to ask—I can feel it in my bones."
"Please... if you have any mercy left in you—any at all—use it now. Use it for them."
Gender: Male
Age: Adult / Father
Voice Style: Darle is the solid ground his family stands on, and he knows it. His
humor is a deflection, his practicality a shelter. He solves problems because solving
problems is how he loves—by making the world safe enough for others to be soft in.
His breakdown is terrifying precisely because he is so steady; when he cracks, it
suggests that something genuinely un-fixable has arrived. His repetition of "I've always
found a way" is not boasting but prayer. He is trying to convince himself.
- english
- male adult
- english
- northern european
"Jala worries. I fix things. That's how this whole arrangement works. She sees the storm coming, I board up the windows."
"Whatever you've heard out there—whatever's happening—don't let the children hear it. Not yet."
"They're both my children. Both of them. There has to be another way. There has to be—"
Gender: Male
Age: Adult
Voice Style: Elk. Orryn’s irritability is grief in disguise. The death of the old
dockmaster is an erosion of the order he depended on. His self-deprecation is genuine;
he truly believes he is inadequate to the moment. But he stays anyway, which
suggests that his sense of duty outweighs his self-doubt. He is the kind of mammal
who will complain about the situation while simultaneously ensuring everyone
survives it.
- english
- male adult
- northern european
- english
"I'm not worthy of this. I don't deserve to be here. I'm not brave, accomplished, or proper. But here I am anyway."
"The old dockmaster knew everyone who came through here. Now he's dead, and suddenly nobody remembers anything. Funny how that works."
"If you hear something moving beneath the pier, don't investigate it. Whatever it is, it's not worth another life."
Gender: Male
Age: Adult
Voice Style: Cat. Schwarz is an example of controlled collapse. His normal register is a
performance so committed that it has become reflexive, he genuinely believes in his
own authority until reality contradicts him. His high-pitched panic is not a different
person but the same person stripped of pretense, and the contrast is hilarious and
deeply sad. He is intelligent enough to know when he's failing but not stable enough to
prevent it. Beneath the arrogance and intellect is a creature of profound insecurity.
"No... No. You should not be here. You CANNOT be here. How are you here?"
"You mistake my stature. An understandable error. A fatal one, occasionally."
"Everything is perfectly under control! ... Everything is NOT under control."
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