Justice in Unity: Redux ~ Part One / Teil Eins ~ [Final Call 3, EN & DE]

There are various languages we would love to localize the game into, and we would like some help translating. The goal is eventually to try casting actors for dubs in these languages, if possible.

Part One: Light of My Life has approximately 31 scripts, of varying lengths, that need translating. However, only character dialogue and text used in-game need to be translated. Translations will be done through Google Docs, with content needing translation highlighted.

Translations can be done from English or German, as the scripts are available in both languages.

Any language translations appreciated, but here are some ordered by personal priority (sort of):

- French (Currently has zero (0) translators)
- Japanese (Currently has zero (0) translators)
- Spanish (Currently has one (0) translators)

All other languages are also appreciated and accepted for translation.
(Note: we might not be able to use translations in languages that are written from right-to-left (ex. Arabic, Hebrew) simply due to the way RPG Maker is coded. I do have a script that tries to force RTL text, but it's not entirely reliable...)

If you're fluent in another language (even one that already has a translator or two assigned to it) and are interested in helping us, either PM me or fire an e-mail to noelle.jiu.jiure @ gmail . com.

Multiple people will be cast for this role, and will likely be "unofficially" cast early: due to the way CCC works, everyone chosen will be "officially" cast when the call is closed for good, otherwise the role may appear closed when it's still open. If selected in advance, I will comment telling you to send me an email.

We are looking for pixel artists capable of mimicking RPG Maker XP-style character sprites to make variants of character sprites for certain actions (e.g. sitting, sleeping/wounded lying down, aiming a gun, talking on the phone, smoking a cigarette, etc.) throughout the game. The base character sprites will be given to artists, along with instructions of what’s needed for the particular assigned set.

Please audition with links to samples of your spritework, or simply e-mail samples to noelle.jiu.jiure @ gmail . com.

Multiple people will be cast for this role, and will likely be "unofficially" cast early: due to the way CCC works, everyone chosen will be "officially" cast when the call is closed for good, otherwise the role may appear closed when it's still open. If selected in advance, I will comment telling you to send me an email.

We’re looking for musicians to finish the game’s soundtrack. While no more tracks are required for Part One or Part Two, future Parts still require some tracks, and we would like them to be completed in advance. The general genre for the tracks depends on the Part or the track in question, but typically they fall between dark “jazz”-influence and an antiquated classical feel. As of writing this, there are currently about 7 tracks remaining for the full soundtrack.

Please audition with some sample tracks of yours, or simply send an e-mail with samples to noelle.jiu.jiure @ gmail . com.

Multiple people will be cast for this role, and will likely be "unofficially" cast early: due to the way CCC works, everyone chosen will be "officially" cast when the call is closed for good, otherwise the role may appear closed when it's still open. If selected in advance, I will comment telling you to send me an email.

Medium-pitched voice with a standard North American accent preferred. Looking for an actor who can sound outgoing and boisterous, but also cold and aloof (character is quite dynamic), and pass as a youthful 28-year-old. Has a few screaming/crying lines. Approximately 24 scripts in Part One; character will return as a Lead role in Part Three and a Major role in Part Five.

Having been raised in an excessively Catholic household with his mom (a psychic), his father (an exorcist), and his not-so-bright twin brother, Simon was initially very jovial and outgoing as a child. He enjoyed caring for his brother and seemed to gravitate toward good-natured people. However, after a fire destroyed his family home and nearly took his life at the age of six, he began to see the world in a much bleaker light. He became cold and hateful, resenting his parents and their Catholic teachings, and wanting nothing more than to get away and learn about the world for himself.

As soon as he was old enough, he left the house on his own, leaving his parents and his twin behind. From there, he made his way to Lyon, where he decided to train to become a police officer. He remained calloused and embittered until he met a confident waitress named Charlotte, who brightened his days with her outgoing, shameless demeanor. He married her not long after, and the two had a daughter together, named Gaëlle, who Simon cherishes dearly, hoping to never have her lose her innocence and childlike glee like he did.

Sometime after that, Simon met Det. Elliot Mortensen, a colleague of his, and his wife, Émilie. They became fast friends, with Simon being one of the few who got to see past Elliot’s stoic, grumpy façade by bringing out the dorky nature in him. Now, Simon enjoys bringing comfort and humor to his friends and new family, opting to think as little of his upbringing and past of misery and contempt as he can. That said, he still takes his job seriously, and may only be a series of unfortunate events away from falling back into his old nature, despite his best efforts.

Medium-high to high-pitched voice with a standard North American accent preferred. Looking for an actress with a soft, child-like voice, able to pull off a happy and pampered 6-year-old. Has a few crying lines. Approximately 8 scripts in Part One; older versions of the character will return Minor roles in Parts Three and Five.

Daughter of Simon and Charlotte, Gaëlle is an outgoing little girl who enjoys the simple aspects of life, as a child would. She loves her mom and dad, and the little stuffed rabbit her dad gave her a few years back. However, she is a little bit spoiled, though she tries to be polite like her dad tells her to be.

She also enjoys the company of Elliot and especially his wife, Émilie, who she sees as her uncle and aunt respectively. Despite this, she is a little intimidated by Elliot at times, while she’s closest by far with her mother. She doesn’t do well with stressful or frightening situations, where she prefers to hide and cry until someone she trusts comes to her aide.

**British accent MANDATORY**
Medium to medium-low voice preferred. Looking for an actor who can pull off a soft, fatherly type of voice, capable of screaming. Emotional, loving, and brave, with decent self-confidence. Approximately 1 script in Part Two; character will not return in a later Part.

Father of Dr. Cheshire and husband of Lorelle, George is a well-paid and open-minded physician who owns a manor/estate in the small village of Catshill. He is only seen during Part Two’s prologue scene, where he is fawning over his and Lorelle’s newborn (and only) son, Mordecai. He has a big heart and is very family-oriented, despite his family’s overall small size. He isn’t afraid of showing his emotions or taking on any threat to his family, though he isn’t much of a fighter. He was born and raised in London, but moved to Catshill to get away from the hectic nature of the city – to be somewhere much quieter. It was in Catshill that he met his wife, and they married after only a few months of courting, but regardless he loves her to death.

Side information for the sake of padding: though this is not seen in-game, only referenced, after the events of the prologue, he falls into a deep depression and becomes addicted to alcohol, drinking himself to death five years later. As such, his son, unfortunately, has little respect for him, as he feels abandoned by him – during his bouts of alcoholism, George could barely bring himself to look at Mordecai, as the sight of him reminded him of said events, so he was rather neglectful, instead leaving the dwindling number of servants in the estate to care for his son. He felt guilty about it until the last.

No sprite yet.

**British accent MANDATORY**
 Medium to medium-low voices preferred. Looking for an actress capable of pulling off a gentle motherly voice, one a bit sickly and weak. One screaming line. Approximately 1 script in Part Two; character will not return in a later Part.

Mother of Dr. Cheshire and wife of George, Lorelle is a sickly housewife who enjoys knitting and other forms of tailoring. While she has always been prone to illness, she does her best to maintain herself, and her husband was vowed to care for her when she needs it. That said, she is a little less of a dreamer than her husband, though she tries not to let her realism ruin his optimistic disposition.

After giving birth to her son, her first one with George, Lorelle’s health takes a decline. She doesn’t regain her strength all that well, though she doesn’t regret it one bit. Cherishing her son, she loves him, yet restrains herself from interacting with him too much, as if aware of some impending misfortune that may separate her from him, and not wanting him to get too attached. Though, the misfortune that befalls her may not have been what she had in mind . . .

No sprite yet.

High-pitched voices preferred, though clips will likely be filtered. Looking for an actor/actress who can manage to sound like a cockatoo mimicking human speech, whether naturally or through editing. Also needs a few squawks of pain or fear. Unknown number of scripts in Part Two, but likely won’t have very many; character will return as a Minor role in Part Five.

Dr. Mikkelsen’s pet cockatoo. Whether or not each iteration of it is the same bird is unclear but unlikely, as Mikkelsen seems to have a habit of ending its life for dramatic effect or for “practicality”.

Either way, Finny is a suspicious and intelligent little bird, capable of simple speech. It remains perfectly obedient to its master and is even able to put up a fight with its wings and small, taloned feet. When it’s not riding on Mikkelsen’s shoulder, it tends to sit on tables or other surfaces, whistling odd melodies to itself or repeating certain phrases that its master must repeat around it often . . .

No sprite yet.

Any voice type allowed, though French accents preferred. Looking for any actor/actress that can sound like a generic, relatable civilian. So, any voice, we suppose. All Extra actors will be given the same scripts; some lines will be specified to be children NPCs. Rather than full scripts, actors may simply be given individual lines/batches of lines to record. Approximately 14 scripts in Part One; extras cast for Part One will likely also be assigned as extras in Part Three.

Generic civilians, children, police officers, high school students, forensic scientists, churchgoers, etc. from France. Elliot, Simon, and other playable characters will be able to interact with these people, whether in passing or as witnesses to be questioned about a case. These extras are mostly all open-books, able to be whatever their actor wants them to be in their respective contexts.

Sprites will be assigned upon a voice being decided for each NPC (actor may be able to decide certain factors of the sprite themselves, such as skin/hair/eye color).

Multiple people will be cast for this role.

Medium-high to high-pitched voice with a standard North American accent preferred. Looking for an actress with a soft, child-like voice, able to pull off a happy and pampered 6-year-old. Has a few crying lines. Approximately 8 scripts in Part One; older versions of the character will return Minor roles in Parts Three and Five.

Daughter of Simon and Charlotte, Gaëlle is an outgoing little girl who enjoys the simple aspects of life, as a child would. She loves her mom and dad, and the little stuffed rabbit her dad gave her a few years back. However, she is a little bit spoiled, though she tries to be polite like her dad tells her to be.

She also enjoys the company of Elliot and especially his wife, Émilie, who she sees as her uncle and aunt respectively. Despite this, she is a little intimidated by Elliot at times, while she’s closest by far with her mother. She doesn’t do well with stressful or frightening situations, where she prefers to hide and cry until someone she trusts comes to her aide.

Any voice type accepted. Looking for a dry sort of voice, kind of monotone, as if bored with their life.

Desk clerk of the apartment complex on Rue du Chariot d’Or. He’s rather cold and sarcastic, uninterested in dealing with anything that doesn’t concern him.

No sprite, as we never actually get to see him.

Any voice type accepted, but sophisticated, aged voices preferred. Looking for a voice that would suit a butler-type of character, with a high-class air to them.

The headwaiter at the newly opened classy restaurant, Le Jardin des Anges. Suiting the air of the restaurant, he might come across as a bit snobby and pompous to some. That said, he means well and will do what he can to help out law enforcement should we need to.

No sprite yet.

Any voice type accepted, but something in the medium range preferred. Looking for a serious but welcoming voice, perhaps a bit sultry.

The head receptionist at the Fantome d'Or Casino. She takes her job seriously, but might be a bit of a party animal in her personal life. Despite her dedication, she enjoys keeping tabs on workplace drama and rumors. Her personality is mostly up in the air besides this.

No sprite yet.

***Southern/Cajun (New Orleans) accent preferred.***

Medium-low voices preferred. Looking for a voice suiting a somewhat-casual, kind-hearted businessman.

The owner of the Fantome d'Or Casino. He's originally from New Orleans, but came to France to try his luck opening a casino since it didn't go so well back home. He loves his job and his employees, and is an honest, responsible man. He doesn't take the murder of one of his dealers so well, seemingly overcome with grief that something like this could happen to someone under his watch.

No sprite yet.

I'm basically looking for a Gordon Ramsay impression. Hit me with your best shot.

A chef who's temporarily running the Fantome d'Or Casino's restaurant kitchen. An aggressive man, his patience has been tested by lazy, unmotivated cooks and other drama, and he doesn't give a pig's left arsecheek about your feelings. Basically, he's no-name Gordon Ramsay. He only has two lines, as his appearance is meant to be little more than an inside joke.

No sprite yet.

Medium voices preferred. Looking for a dull, lifeless, monotone voice. Basically, this: https://youtu.be/pXOlJ4KFuNA?t=37

Another inside joke character. The Sous-Cook (not "The Sous-Chef", for obvious reasons) works with The Cook and says only one thing, ever: "I'm the cook." But now that he's the sous-chef, he instead says "I'm the sous". Because it sounds bloody ridiculous and makes, like, no grammatical sense whatsoever.

No sprite yet.

Medium to medium-low voices preferred. Looking for a voice that's suave, cool, and collected. Also, generally unsympathetic and a touch cruel.

A regular patron at the Fantome d'Or Casino, and a big fan of Texas Hold 'Em style poker. Not from France; probably moved there for the women. He's a self-absorbed womanizer with little sympathy for others. He seems to treat love (and life in general) like some big game, calculating every move for his own benefit and no one else's. He's unfazed when Det. Mortensen questions him regarding a murder case; might even take it as a challenge to prove him wrong.

No sprite yet.

Medium-pitched voices preferred. Looking for a casual, generic female voice, with a bit of a French inflection.

A prior customer at the classy restaurant, Le Jardin des Anges. She’s a little posh, but more or less just a normal person. Not much to say, as she only has a brief conversation with Det. Mortensen over the phone, talking about her visit to the restaurant. Most of her character is therefore up to the actor.

No sprite, as we never actually see her.

Medium-high to high-pitched voices preferred. Looking for a soft-spoken female voice.

A prior customer at the classy restaurant, Le Jardin des Anges. She’s a little posh, but more or less just a normal person. Not much to say, as she only has a brief conversation with Det. Mortensen over the phone, talking about her visit to the restaurant. Most of her character is therefore up to the actor.

No sprite, as we never actually see her.

Medium-low to medium-pitched voices preferred. Looking for a somewhat rough female voice with a French inflection.

A prior customer at the classy restaurant, Le Jardin des Anges. She’s a little posh, but more or less just a normal person. Not much to say, as she only has a brief conversation with Det. Mortensen over the phone, talking about her visit to the restaurant. Most of her character is therefore up to the actor.

No sprite, as we never actually see her.

Medium-low to medium-pitched voices preferred. Looking for a soft-spoken male voice.

A prior customer at the classy restaurant, Le Jardin des Anges. He’s a little posh, but more or less just a normal person. Not much to say, as he only has a brief conversation with Det. Mortensen over the phone, talking about his visit to the restaurant. Most of his character is therefore up to the actor.

No sprite, as we never actually see him.

High-pitched voices preferred. Looking for a snooty-ish female voice.

A prior customer at the classy restaurant, Le Jardin des Anges. She’s a little posh, but more or less just a normal person. Not much to say, as she only has a brief conversation with Det. Mortensen over the phone, talking about her visit to the restaurant. Most of her character is therefore up to the actor.

No sprite, as we never actually see her.

Medium to medium-low voices preferred. Looking for a friendly, mature male voice, one that could belong to a caring, open-minded director.

The general director of the local shadow opera house. He's passionate about his job and the performances he directs, but cares more than anything about his actors' well-being. A prideful, high-class type of man, but also humble.

No sprite yet.

Medium to medium-low voices preferred. Looking for a voice capable of expressing madness and desperate-ness.

The costume designer for the local shadow opera house. He makes a short appearance at the end of case five. Having gone mad from his obsession with Elaine Bellerose, he's taken it to the next level by deciding to force her to love him or die. There's no talking him down; he's gone full "yandere" stalker mode.

No sprite yet.

Medium voices preferred. Looking for a nerdy kind of voice, possibly a bit nasally. Something that kind of grates on the nerves a bit?

The hazzan at a Jewish synagogue, and also the weary son of a fortune teller. He's eager to help people convert to Judaism . . . perhaps, a little too eager. He tends to come off as a bit forceful, using an overly friendly form of peer pressure to convince people to put on yarmulkes, etc. He's also quite worried about his mother's occultic habits, though it does often give him chances to get people to pray and repent to God.

No sprite yet.

Medium voices preferred. Looking for a kind voice, fatherly and welcoming, but also capable of being stern when necessary.

The father of Simon and Frank Callahan, married to Héloïse. He's an exorcist by trade, though not directly affiliated with the church. Out of the four in the family, he's arguably the most Catholic of them. He takes his wife's side in most conflicts and is always there to comfort her. He's less family-oriented than her, but still cherishes his family. He takes his wife's paranoia of demonic possessions seriously, sometimes taking drastic measures to protect his children, just in case.

No sprite yet.

Medium to medium-low voices preferred. Looking for a soft, timid kind of voice, one that’s shy but also capable of capturing moments of childlike wonder. Returns as a Major role in Parts 3 and 5.

The twin brother of Lt. Simon Callahan. Heavily nurtured by overprotective parents, he’s quite shy, soft-spoken, dim-witted, and naïve, almost to the point of seeming like a child in a grown man’s body. He idolizes his brother to the point of wanting to do anything to join him in Lyon, blissfully unaware that the brotherly love is only partially mutual.

No sprite yet.

Low-range voices preferred. Looking for a mature, motherly sort of voice, one that can capture sympathy, anger, and despair, alongside friendly nurturing. Has a few screaming/crying lines.

Mother of Zacharie, Francine is the principal of Collège Beaufort, a local high school in Lyon. She’s dutiful about her job, but nurturing to the children she helps mentor and is especially protective of her son. All that said, she is a genuinely kind-hearted, compassionate woman despite her defensive streak and interest in keeping the school’s public image up, and how she does her best to not take any sass from her pupils or others.

No sprite yet.

Low to medium-low range voices preferred. Looking for a mature, professional, and unbiased voice, one that sounds befitting of someone reporting a heavy news story on live television. May return with some lines in Part Three.

A newscaster on a local Lyon news station. He reports with the same cadence as a typical newscaster: unbiased, composed, and straight to the facts. Outside of that, most of him is up for interpretation, as he is only ever heard in-game reporting a news story or two.

No sprite, as we never actually see him.

Low-range voices preferred. Looking for a stern, mature-sounding male voice, one capable of capturing paternal overprotectiveness and defensiveness, but also sorrow and empathy.

Father of Maci, Célestin is a lonely man, overprotective of his teenage daughter. With no wife to speak of, he maintains that Maci’s mother is dead, and there’s no way he wants to risk the same fate befalling his beloved little girl. He tends to be strict and brusque, though he’s loving to his daughter and would do anything to keep her safe.

No sprite yet.

Medium-low to medium-range voices preferred. Looking for a casual, outgoing female voice, one capable of seeming hip, trustworthy, and compassionate.

One of two gym teachers at Collège Beaufort, a local high school in Lyon. Courtemanche is a candid woman who enjoys her job, but does tend to get so caught up in fun sometimes that she forgets little things, like where she’s left the keys to the back room of the gym. That said, she’s aware of this fault of hers and isn’t afraid to admit it. She cares about the students she tends to, and sort of sees them all as friends.

No sprite yet.

Low-range voices preferred. Looking for a cold, sort of smug-sounding male voice, one that can encompass sarcasm, defensiveness, and playful spite.

One of two gym teachers at Collège Beaufort, a local high school in Lyon. Unlike his female counterpart, Dufort doesn’t seem to care much for his job, nor the students under his wing. He doesn’t take any disrespect, though may be quick to dole it out himself. He can, however, be amiable to like-minded individuals like Det. Mortensen. He’s quick to tell the truth, whether it’s hurtful to others or not, and generally keeps to himself whenever possible, not sticking his nose in other people’s business.

No sprite yet.

Medium-high voices preferred. Looking for a cocky, snarky voice befitting of a high school bully, capable of encompassing rage, sarcasm, but also veiled pain at the loss of his girlfriend.

Son of one of the vice-principals at Collège Beaufort, a local high school in Lyon. Denis is known to his fellow students as a hot-headed jerk, who has made his name by beating up fellow guys and insulting guys and girls alike. He was often accompanied by his girlfriend, Nathalie Poirier, who was just as nasty as him before her sudden “suicide”. Then, upon being considered as a suspect when her case becomes seen as foul-play, he expresses his anger by screaming at Det. Mortensen, while also admitting he misses his girlfriend and can’t believe she would leave him in such a horrible way. Therefore, despite his brash outward demeanor, it seems he may actually be a caring guy inside . . . though certainly not toward anyone who gets in his way.

No sprite yet.

Medium-low to medium-range voices preferred. Looking for a sad, emotional, and motherly voice with a French inflection, capable of encompassing sorrow, grief, and anger. Has a few screaming/crying lines.

Mother of Nathalie, Vivianne is a protective, soft-spoken mother. After his daughter’s sudden apparent “suicide”, she is utterly devastated and wrought with grief, blaming herself for not seeing any signs that might’ve allowed her to save her daughter from this horrible fate. Having lost her husband years before, she feels lost now, alone after losing the final piece of her late lover in such an awful, abrupt way. She’s cooperative enough to talk to the police and Det. Mortensen about her daughter, but won’t accept any rude comments from either.

No sprite yet.

Medium-low voices preferred. Looking for a shy, soft-spoken male voice capable of passing off as a teenager, able to express restrained frustration, and a very quiet demeanor. Has a few screaming lines.

Son of Francine, the principal at Collège Beaufort, a local high school in Lyon. Zacharie is an introvert who has very few friends and often doesn’t feel like he fits in, or is even understood or listened to by his own parents. He had a crush on Nathalie Poirier, a girl in one of his classes, and was talked into asking her to prom by one of her friends, only to be humiliated in front of everyone when she rejected him and mocked him for even trying. Then, he was beaten up by her boyfriend, Denis Traverse, who he now harbors deep disdain for, especially since there’s no chance of him being suspended, due to him also being the child of one of the head staff of the school. All in all, he really just yearns for someone to listen to him, someone who will try to understand his side of the story . . .

No sprite yet.

Medium-range voices preferred. Looking for a youthful male voice with a French inflection, capable of encompassing guilt, remorse, and insistent sympathy.

Florian is a recent high-school graduate, who has been best friends with Irenée Sauvageon for years. However, all of a sudden, one day he learns that his friend is quite unsound, and may well be a psychopath, after he is wrangled into committing a heinous act with him: dragged along by force to form an attack on a local mall, L'Aimable Auréole. He regrets having gone along with the idea to begin with, having initially assumed it was only a dark joke, and feels immense guilt at what he was forced to do by his former friend. However, he’s afraid to snitch, as Irenée has threatened his life, and he fully believes he is being forced to choose between doing what’s right or keeping himself alive and safe from Irenée’s wrath.

No sprite yet.

Medium-range voices preferred. Looking for a smug, cold male voice, capable of expressing self-righteousness, sarcasm, and cruel wit befitting of a heartless psychopath.

A recent high-school graduate, Irenée had good grades, but ambitions not requiring post-secondary education. All his life, he’s yearned to make his mark on the world in ways most people would never imagine: he wants to have a “high-score”, in his own words, of bodies dropped. So, roping in the reluctant assistance of his best friend, Florian Lécuyer, he finds a method of acquiring firearms illegally and forms an attack on a local mall, L'Aimable Auréole. He feels no compassion nor remorse for his acts, only pride at having wounded and taken the lives of so many people. There is no fear of consequences in him, not a single shred of humanity beyond his own ego.

No sprite yet.

Medium to medium-low voice preferred. Looking for an actor who can pull off a soft, fatherly type of voice, capable of screaming. Emotional, loving, and brave, with decent self-confidence. Approximately 1 script in Part Two; character will not return in a later Part.

Father of Dr. Cheshire and husband of Lorelle Cheshire, George is a well-paid and open-minded physician who owns a manor/estate in the small village of Catshill. He is only seen during Part Two’s prologue scene, where he is fawning over his and Lorelle’s newborn (and only) son, Mordecai. He has a big heart and is very family-oriented, despite his family’s overall small size. He isn’t afraid of showing his emotions or taking on any threat to his family, though he isn’t much of a fighter. He was born and raised in London, but moved to Catshill to get away from the hectic nature of the city – to be somewhere much quieter. It was in Catshill that he met his wife, and they married after only a few months of courting, but regardless he loves her to death.

Side information for the sake of padding: though this is not seen in-game, only referenced, after the events of the prologue, he falls into a deep depression and becomes addicted to alcohol, drinking himself to death five years later. As such, his son, unfortunately, has little respect for him, as he feels abandoned by him – during his bouts of alcoholism, George could barely bring himself to look at Mordecai, as the sight of him reminded him of said events, so he was rather neglectful, instead leaving the dwindling number of servants in the estate to care for his son. He felt guilty about it until the last.

No sprite yet.

Medium to medium-low voices preferred. Looking for an actress capable of pulling off a gentle motherly voice, one a bit sickly and weak. One screaming line. Approximately 1 script in Part Two; character will not return in a later Part.

Mother of Dr. Cheshire and wife of George, Lorelle is a sickly housewife who enjoys knitting and other forms of tailoring. While she has always been prone to illness, she does her best to maintain herself, and her husband was vowed to care for her when she needs it. That said, she is a little less of a dreamer than her husband, though she tries not to let her realism ruin his optimistic disposition.

After giving birth to her son, her first one with George, Lorelle’s health takes a decline. She doesn’t regain her strength all that well, though she doesn’t regret it one bit. Cherishing her son, she loves him, yet restrains herself from interacting with him too much, as if aware of some impending misfortune that may separate her from him, and not wanting him to get too attached. Though, the misfortune that befalls her may not have been what she had in mind . . .

No sprite yet.

High-pitched voices preferred, though clips will likely be filtered. Looking for an actor/actress who can manage to sound like a cockatoo mimicking human speech, whether naturally or through editing. Also needs a few squawks of pain or fear. Unknown number of scripts in Part Two, but likely won’t have very many; character will return as a Minor role in Part Five.

Dr. Mikkelsen’s pet cockatoo. Whether or not each iteration of it is the same bird is unclear but unlikely, as Mikkelsen seems to have a habit of ending its life for dramatic effect or for “practicality”.

Either way, Finny is a suspicious and intelligent little bird, capable of simple speech. It remains perfectly obedient to its master and is even able to put up a fight with its wings and small, taloned feet. When it’s not riding on Mikkelsen’s shoulder, it tends to sit on tables or other surfaces, whistling odd melodies to itself or repeating certain phrases that its master must repeat around it often . . .

No sprite yet.

Any voice type allowed, though French accents preferred. Looking for any actor/actress that can sound like a generic, relatable civilian. So, any voice, we suppose. All Extra actors will be given the same scripts; some lines will be specified to be children NPCs. Rather than full scripts, actors may simply be given individual lines/batches of lines to record. Approximately 14 scripts in Part One; extras cast for Part One will likely also be assigned as extras in Part Three.

Generic civilians, children, police officers, high school students, forensic scientists, churchgoers, etc. from France. Elliot, Simon, and other playable characters will be able to interact with these people, whether in passing or as witnesses to be questioned about a case. These extras are mostly all open-books, able to be whatever their actor wants them to be in their respective contexts.

Sprites will be assigned upon a voice being decided for each NPC (actor may be able to decide certain factors of the sprite themselves, such as skin/hair/eye color).

Multiple people will be cast for this role.