Hello! + Update
We will be reopening and dismissing most auditions so we can start fresh! We are about to open all / most roles we have which will take a while to update but there will be a new huge range of roles.
OLD ATOP LISTING
We will be reopening and dismissing most auditions so we can start fresh! We are about to open all / most roles we have which will take a while to update but there will be a new huge range of roles.
A few roles have re-opened!
We have new roles added and will be adding more throughout the week; we currently have 5 open‼️ Stay tuned‼️ — ATOP’s Showrunner
Base Description of “The King” ‘s Character
The King is Dakoda’s alter ego used in his imaginary world known as The Paracosm.
I this world he is mighty and untouchable but also Kind and Fair.. beloved by all in The Paracosm — at first.
As his frustration with reality and his situation mount, so does his cruelty towards his own fictional creation. He unintentionally rewrites himself as the violent villain of his story, maiming and torturing all who get in his way of his coping.
VOICING “The King”
The King exudes authority, control, and a simmering rage born from grief and disillusionment. Voicing The King requires a shift to a more commanding tone, marked by arrogance, manipulation, and a sense of entitlement. He can also be characterized as very manic! He is prone to fits of hysteria and laughter.
Attributes;
Media examples are similar to Dakoda’s; ( not exact just range choices and general consensus. Like a moodboard for voices ) Funshine:Carebear’s ( Jokealot ) , Rudolph (RTRNR)( so hard to find any clips of him ) , Markl ( HMC ) , Custard Cookie III ( CRK ). This is just to give examples of the different types of voices in this general area; again this doesn't mean the voice has to sound like any of these specifically.
“ May it be by my boots or the many dangers of this place, you will surely have your blood soaked in these floorboards, just like cycles before you! “ [ Exclaiming ] [ Context: Prophetic rambling ]
“ I am not young! I am twelve and three quarters actually! Technically thirteen .. My age shall not correlate pity. “ [ Matter of fact or aggressive ]
“ Well! I have— evenly spread my thoughts out.. like icing on a pretty cake!! “ [ <— unstable ; wavery ] “ Buttercream specifically. “ [ <— abruptly normally speaking
Base Description of Earl’s Character
Earl is the right hand man to a 12 year old king but subsequently his mortal enemy; Formerly The King's best friend. It is less of a man and more of a creature molded after the King’s pure spite and fear, It despises The King but was created by him to serve and eternally owe loyalty. It is rather emotionless and immune to the chaotic world it hopes to destroy; taking on the representation of an isolating and closed-off coping mechanism toward grief. Gallery of images featuring Earl to get an idea of what it looks like: https://toyhou.se/20299356.the-advisor/gallery
VOICING EARL
Playing Earl is , in a way , like taking on two different roles. Earl's character is characterized by its ability to seamlessly transition between contrasting moods and tones, often in an unbalanced or chaotic manner. One moment, it may exude charm and wit, while in the next, he could display flashes of rage or a stoic nature
By embracing the dichotomy within Earl's persona, you can fully explore the shades of his character, focusing just enough on the inner turmoil and conflict that drives his actions while keeping a silly/goofy front. Earl most often grapples with its ability to navigate the confusing nature of his own psyche, embodying the essence of a character teetering on the edge of sanity.
Short description of Earl’s voice can be categorized as goofy, raspy, or manic. The pitch can shift and the range is a bit back and forth. Attributes mainly looked for are;
Media examples could be ( not exact just range choices and general consensus. Like a moodboard for voices ) Discord:MLP , Ice King:AT , The Postman:OTOR , Mystery:DE, Blake Robinson:SO,Circus Contraption, Gargamel:TS. This is just to give examples of the different types of voices in this general area; again this doesn't mean the voice has to sound like any of these specifically.
((PLEASE ONLY BEGIN LINES ONCE YOUVE READ EARL’S ENTIRE DESCRIPTION)) “ My my! Ain’t you an interestin’ fellow? Don’t think I’ve ever seen someone so grumpy. Is your face always so glum? Cause it gets a bit repetitive. “
“ Well, what a pretty thing you are! Look at this hemmed up coat and that scruffy stuff all over your face .. what are you like a .. a mammal of some kind? “
“ Reality is a sad concept that my being is not a part of, and Either way I don’t see how you could see me as something real. Real things are good things. But it is rather nice of you to think that way. “ ( slightly more stoic / serious line? Can be matter of fact or can be played up as Earl can be sorta dramatic )
Base Description of Dakoda’s Character
Dakoda is a representative for childhood trauma and how it commonly affects children of his age. Prior to the traumatic incident, he was a cheerful, rebellious, and surprisingly well-mannered boy, absolutely brimming with youth and energy. However, following the tragedy, Dakoda undergoes a dramatic change. He becomes a deeply isolated child, grappling with overwhelming feelings of loss, confusion, and a profound sense of powerlessness.
To cope with his trauma, Dakoda retreats into dissociation and denial, a common response for children facing overwhelming emotion. By disconnecting from his emotions and the harsh realities of his life, Dakoda seeks refuge from the pain and turmoil consuming him while seeking control. Yet, in doing so, he relinquishes control over his own existence and becomes trapped in a cycle of avoidance and detachment.
VOICING DAKODA
Voicing Dakoda is like playing two different characters. You are essentially acting as Dakoda and alternatively The King. While these are the same character they have different personalities, goals, and overall tone.
Dakoda embodies innocence, vulnerability, and a longing for escape from the harsh realities of his life. As Dakoda, the tone may be softer, more introspective, and tinged with sadness and/or frustration.
Attributes;
Media examples ;
( not exact just range choices and general consensus. Like a moodboard for voices ) Rudolph (RTRNR)( so hard to find any clips of him ) , Funshine:Carebear’s ( Jokealot ) , Markl ( HMC ) , Custard Cookie III ( CRK ). This is just to give examples of the different types of voices in this general area; again this doesn't mean the voice has to sound like any of these specifically.
“ I don’t know what to do. I don’t want to be angry anymore. “ [ Monotone but saddened ]
“ I — want everyone to stop pretending there’s nothing no one can do.. It’s only been a few months.. he’s not— .. dead. So why won’t anyone do anything .. ? “ [ Frustrated, confused, maybe stuttery ]
“ It’s not fair! They shouldn’t be mad at *me* , because they’re the reason he isn’t here! “ [ Enraged/Seething ]
Base Description of Vince’s Character
Vince is a quiet, reserved man. He is a loving father who in turn also has private struggles with mental health and identity. He is often gentle in nature, introspective, and thoughtful. While he has a lot of inward struggles, he channels his focus on his family keeping his train of thought regularly distracted and chained down to this alone. Most of his concerns go more towards others rather than himself.
VOICING VINCE
Vince’s voice would likely be somber and reflective of his usual burdened perspective on things. He is soft, gentle, and likely hesitant with his words. He has a habit of either too carefully choosing his words to the point he has delayed tone, or hardly thinks at all leading to a blunder of stuttering. Keep in mind he has a prominent stutter, it’s not too intrusive to his words but is a constant part of his character. His stuttering might be found to be less than if he is speaking confidently or to someone he is more comfortable around. His stutter should also sound realistic in a way, occasionally fully stopping on his words to correct himself even. Get silly with it but don’t make it intrusive to the scene.
Media examples being ( not exact just range choices and general consensus. Like a moodboard for voices )
Danny Tanner , Jon Arbuckle, Fix-It-Felix, Deckard ( Bee & Puppycat ) , Jack Stauber , Spyro ( TEN ) . This is just to give examples of the different types of voices in this general area; again this doesn't mean the voice has to sound like any of these specifically.
“ If you keep talking about all this existential stuff I’m gonna need a good puff of my inhaler. “ ( humorous but nervous )
“ You know, I’ve always really liked the snow.. Even if it’s all the time…” ( Casual )
“ Here, Dakoda , Let me clean that up—, I don’t want you in trouble with your mother..” ( Nervous )
Base Description of Doug’s Character
Douglas is a down-to-earth and blunt fella with a knack for keeping things realistic. In ATOP he acts as a friend to Dakoda who genuinely guides him through his issues better than most. He’s better at navigating his emotions solely because he treats Dakoda as a person rather than just a kid with no broader knowledge of the world.
VOICING DOUGLAS
Douglas is rather monotone in a way. He is blunt with his words and his tone can often make him sound like he is uninterested in what others are saying. He is very quick to anger and has a bit of a temper naturally.
Media examples being ( not exact just range choices and general consensus. Like a moodboard for voices ) Red Guy; DHMIS, Ice Bear; WBB, L Lawliet; DN
This is just to give examples of the different types of voices in this general area; again this doesn't mean the voice has to sound like any of these specifically.
ACCENT DOSENT MATTER !!! Can have none or can have one. Douglas is a very loose character when it comes to interpretation.
“ If you’re not gonna tell me where we’re going, then it wouldn’t be very smart of me to keep following you would it — ? “ [ Aggressive ]
“ Well.. Fuck , I guess you have a point . . Let’s just . . keep going .. “ [ Defeated / Compliant ]
“ Kid, you’re not gonna feel better if you just keep acting like nothing’s bothering you, Y'know. “
Base Description of Howard’s Character
Howard is a character mostly dowsed in shadow and mystery.. shadow being taken literally. His character design is presented this way but in actuality he is a normal human being, although with twisted morals. In regards to his role in the series he could be seen as an antagonist but the rest of his character is left to mystery. He acts as many roles and goes under many different names.
VOICING HOWARD
Howard's character is defined by his distinctive Southern drawl, thick and rasped. His voice is full of ominous intention and a tone of manipulation is very prominent. There is a sinister charisma about him, almost too nice and spritey. He can sound sappily sweet with his words while his intentions are entirely shielded by this false nature. Occasionally he can dip into darker , menacing tones.
Attributes;
Media examples could be ( not exact just range choices and general consensus. Like a moodboard for voices ) Rooster Cogburn , Gideon Grey , Arthur Morgan;RDR. This is just to give examples of the different types of voices in this general area; again this doesn't mean the voice has to sound like any of these specifically.
“ Well if it ain’t my favorite client! How’s the family doin’ over there Ekniv? “ ( name pronounced Eck-niv )
“ Everyone in town is always talkin’ bout that family being well off ‘fore the murder happened.. ( Scoff ).. Nah , it was always a shit-show over there. “
“ Who else woulda done it? I think the sheriff's right.. I know that man got the qualities of a waterboarded cat, but I think he snapped. He ain’t the type for divorce. “
Base Description of Nia’s Character
Nia is Wingtail's dependable Sheriff and is a crucial pillar of support in maintaining its order. She has always found her job practically a breeze in such a seemingly perfect town! What could go wrong! She is a very relaxed but rough woman; the type to grapple someone unexpectedly just to ruffle up their hair. She is pretty strong-willed physically and emotionally and is also very passionate about her job.
VOICING NIADELE
Yet another of our characters honing a distinctive Southern drawl to them; she is a country woman at heart. She is very hearty in tone and often can be a bit of a jokester in the way an older sibling or obnoxious uncle might be. She has a pretty laid back and go-with-the-flow attitude that carries well into her tone. She is also a pretty loud person!
Attributes;
Media examples could be ( not exact just range choices and general consensus. Like a moodboard for voices ) Mayor Joy;SH , Applejack;MLP , Zora Salazar;EE. This is just to give examples of the different types of voices in this general area; again this doesn't mean the voice has to sound like any of these specifically.
“ Carl, my favorite, and might I add, only deputy. You mind grabbin’ me a coffee from the shop at the boardwalk? Stevenson can go with you. “
“ Immoral death is a premise this town has never had ta experience . . . You’ll have to excuse my department’s lack of knowledge on their *manners* .. “
“ Carl, I’ve *been* working . I’m tired and I think you should be too.. go home. “
Base Description of Carl’s Character
Carl is Niadele’s less dependable deputy! It’s a bit obvious he is barely cut-out for the job but Nia has her faith in him. He is a very anxious and apprehensive fellow, often opting out of anything social with his co-workers. He’d rather not try and make friends with the rest of his crew but Nia actively encourages him to. He definitely needs the push. Secretly he has a big crush on the sheriff but his feelings would realistically never be reciprocated by the gal as she already has herself a girlfriend.
VOICING CARL
Carl’s voice could be described as nasally or in simpler terms , “nerdy-sounding”. He can be pretty matter of fact sometimes but mainly he is a bit awkward’ and stuttery. When he’s nervous is when he talks the most though, he can often go on long but quick rambles.
Attributes;
Media examples could be ( not exact just range choices and general consensus. Like a moodboard for voices ) Lloyd;SH , Spike;MLP , Fern;AT. This is just to give examples of the different types of voices in this general area; again this doesn't mean the voice has to sound like any of these specifically.
“ Well Stevenson I guess it’s just.. you and me.. yay.. “ ( unenthused )
“ Nia said we should check the perimeters of the house before we move anything inside.. “
“ That was the first time I’ve seen something like.. like *that*. I think I’m gonna be sick, Serge..”
Base Description of Liz’s Character
Liz is one of Wingtail’s newscasters! Reliable for broadcasting the news on televisions all across Wingtail. She is often broadcasting with her lay-about Weatherman brother but Liz is always there to pick up her brother’s slack and make up for it with her killer segments. She’s also the current doting girlfriend of the town’s sheriff !
VOICING LIZ
Liz is a very relaxed young woman. She sounds very confident and casual most of the time and it’s hard to get under her skin. Everything is water off a duck's back to her, her tone should be pretty lax but she can sometimes slip into the attitude of an annoyed older sister due to her brother’s antics.
Attributes;
Casual / Relaxed
Stern at times
Professional when it comes to her job
Media examples could be ( not exact just range choices and general consensus. Like a moodboard for voices ) AutumnBlaze;MLP , Adora;Shera Debra; Dexter. This is just to give examples of the different types of voices in this general area; again this doesn't mean the voice has to sound like any of these specifically.
“ Danial stand up straight you look like a— .. “ ( drops to a strict whisper ) “ Did you smoke Something before you got here.. “
`` Why weren’t we given any sort of warning about what would be on the prompter ? ``
`` Danial , I don’t even think we were supposed to *have* that information. ``