Our Summer's End GLMM
Project Overview
This is the casting call for my voice acted gacha life mini movie
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Clementine is Beatrice's twin and she's really shy but she's also a huge nerd and can ramble on about things that interest her without knowing it.
Mumbling: "I don't think that's such a good idea"
Trying to sound assertive: "That belongs to me. Please give it back."
Fondly: "Well i never really got into painting or anything all that much because that was Beatrice's thing. I never wanted us to be the twins that were exactly alike."
Beatrice is Clementine's twin. She's upbeat and peppy, her lines should reflect that. For her upset lines, she's not all that angry; it'd be overlapped by someone else arguing over her.
Surprised but also slightly teasing: "Woah, Theodore! Badass! When did you become so intimidating?"
In the middle of a rant for an argument [Upset]: "I wasn't being rude! You're just trying to act like your above me, like I'm some child or something!"
Slightly annoyed, but still just teasing: "Says the girl who spent most of July taking remedy classes so she could go to her big fancy school 12 hours away."
Theodore is a gentle guy, there's not a bad bone in his body.
Reassuringly: "Hey, hey. Don't worry. No harm done, see?"
Hopeful: "You guys are going to come too, right?"
Sternly: "Don't you think you should stop? She said she wasn't interested, didn't she?"
Aimee is a sweet girl but she has horrid self confidence and sees herself as second best.
Casually: "What's stopping us? We're legal adults now."
Emotional, trailing off at the end: "I knew it! You don't like me at all! I'm nothing like Clementine! She's perfect and pretty and smart and I'm just... me"
Determined: "An eye for an eye. She helped us, we help her."
This is for roles such as a waitress, a kind neighbour, and a main character's mother.
"I have the order for number 6 here, 3 hot chocolates and a black coffee."
"No one's lived there since it caught on fire in 2004. Shame what happened to the daughter."
"Just have fun, okay? Call me when you get there. I love you so much."
This is for roles such as an employee, an adult man trying to seduce a girl, and one of the main character's fathers
Like a creep: "Oh come on, don't be like that."
Protective: "If that boy tries anything, you let me know. Give me a call and ill come get you, understand?"
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