ABOUT THE STORY
Anne Elliot, daughter of the snobbish Sir Walter Elliot, is a woman of deep feelings who is always forced to put everyone before herself. When she was nineteen, she fell in love with, and was engaged to, a naval officer: the fearless and headstrong Captain Wentworth. The young man had no fortune, and Anne allowed herself to be persuaded to give him up.
Eight years later, Anne feels differently about how easily persuaded she was. In a cruel twist, Wentworth has returned to the neighbourhood, a rich man and still unwed. Anne has to watch as he appears indifferent to her and charming to the eligible young ladies of the neighbourhood. Her aching and dutiful heart is caught between her resolving herself to live with her past choices, longing for the love she has lost, and the unhappiness of being with her shallow, upper-class family.
Touchingly and wittily told in a masterpiece that is also one of the most entrancing novels in the English language. Persuasion is the last novel completed by Jane Austen. It was published along with Northanger Abbey at the end of 1817, six months after her death. Of all of Jane Austen’s great and delightful novels, Persuasion is widely regarded as the most moving. It is the story of a second chance.
Read Persausion for free here: https://www.gutenberg.org/files/105/105-h/105-h.htm
ABOUT THIS ADAPTION
From the director of the Webby Award Honouree podcast of Pride and Prejudice, Persuasion will be released in the same podcast format. Each episode will feature 2-3 chapters and will transport audiences to 19th century England to be immersed in the life, loves, and longings of Anne Elliot. It has been the most requested adaption by Pride and Prejudice Podcast fans. Each character will be voiced by a separate actor and actors will work with the director to bring the characters and scenes to life.
HOW IT WILL HAPPEN
Our production will be coordinated through a combination of Google Drive and Microsoft Teams. Actors will be provided with scripts and a rehearsal schedule, and will work with the director and other actors to figure out the direction of scenes and characterisation. After each rehearsal, actors will record and submit their lines for a scene, which will then be edited into the master soundfile. Notes are then provided to actors to give opportunities to re-record to polish the episode. Once the episodes are complete they will be released online for our international fans to enjoy.
The process is fun, social and productive.
WHAT YOU NEED TO DO TO TAKE PART
Some crew positions are also available and you are welcome to apply to the director with skills you have that you think could work on the team. Apply here: https://forms.gle/VqTsnTsnnznXzYYBA
Will my audition be heard?
A few people have been worried that because there are a lot of applicants, they they might not have their submissions heard. We can reassure you that the director listens to EVERY audition and submission and wants to hear from everyone, no matter their skill level.
HOW TO PLAY ANNE
Anne is sensible, grounded, and calm. She withholds her own heart to keep the peace. She is the person to whom all responsibility falls. She is dignified and strong, she feels deeply, but she must feel it all alone. She is the one to carry everyone else, there is no one to share her load.
ABOUT THE CHARACTER
The novel's protagonist, Anne Elliot is the middle daughter of Sir Walter Elliot, a landed baronet from a socially important family. Quiet and reserved, yet clever and practical, Anne sees the foolishness in her father's lavish spending. Because she is neither the most beautiful nor the most image-conscious of his daughters, Sir Walter often overlooks Anne, slights her, and dismisses her opinions. Though Anne seeks love, she is conscious of her duty to her position and the prudence of making a suitable match. Seeking to please those around her, in her youth, she was persuaded from following her true desires. In contrast to both of her two sisters and to the other young female characters in the novel, Anne is level-headed, considerate of others, and humble. She balances duty and passion in a composed and respectful way.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Anne's dear friend has assumed that Anne will marry a man that Anne has no intention of marrying. Everyone thinks it will happen and Anne's own choice has not been considered. Her friend is being cautious about what she says because she's so sure of it.]
Will not this manner of speaking of him, Mrs Smith, convince you that he is nothing to me? Surely this must be calm enough. And, upon my word, he is nothing to me. Should he ever propose to me (which I have very little reason to imagine he has any thought of doing), I shall not accept him. I assure you I shall not. I assure you, Mr Elliot had not the share which you have been supposing, in whatever pleasure the concert of last night might afford: not Mr Elliot; it is not Mr Elliot that-- (cuts herself off before she reveals too much)
[Anne knows her family must move to Bath in order to save money. Her father is irrational and argumentative and doesn't want someone from the navy as a tenant of their old house. The love of Anne's life, whom she rejected, departed from her rejection to join the navy. She is both convincing her father here and revealing that she still thinks of her love as a dignified man.]
The navy, I think, who have done so much for us, have at least an equal claim with any other set of men, for all the comforts and all the privileges which any home can give. Sailors work hard enough for their comforts, we must all allow.
HOW TO PLAY FREDERICK
He's passionate and deep feeling but also dutiful.
ABOUT THIS CHARACTER
The object of Anne's affections, Captain Wentworth is a gallant Naval officer who, well-educated and well-mannered, has made his own fortunes by climbing the Naval ranks. He values constancy, practicality, and firmness of mind in women, characteristics that will make a good Navy wife. Though Captain Wentworth is almost universally liked and respected for his gentle nature and kind attentions to others, Sir Walter disdains him for his 'lower' birth.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Frederick and Anne has spent the whole story never quite connecting but both longing for the other. They are kept apart by everything. Frederick hears Anne speak to a friend about women's love enduring, then decides he must speak his heart to her, leaving her a deep confession in this letter. He must convince her in this letter. It is his last hope.]
I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you.
[This story lets you see the wild-hearted man that Frederick is and how much he loves the navy. It is also a nod to the fact that he is subtly saying he never mattered to Anne but now he has money so at least he matters to society.]
We had not been six hours in the Sound, when a gale came on, which lasted four days and nights, and which would have done for poor old Asp in half the time; our touch with the Great Nation not having much improved our condition. Four-and-twenty hours later, and I should only have been a gallant Captain Wentworth, in a small paragraph at one corner of the newspapers; and being lost in only a sloop, nobody would have thought about me.
HOW TO PLAY MARY
Mary is a drama queen, snitchy, gossiping, and demanding. She's from a high-born family and has become spoilt because of it. It makes her sometimes argumentative. An important note on culture here is that Mary would never yell. If she's angry or disagreeing with someone she would then speak to them slowly and clearly as though they are an idiot and not understanding what she's saying because she is obviously right.
ABOUT THE CHARACTER
The youngest Elliot sister, Mary is married to Charles Musgrove and has two small boys. She is high-strung, often hysterical, and always aware of the imagined slights others have done to her. A rather inattentive mother, Mary focuses on social climbing instead of her children. She is married to a man who originally proposed to Anne. Her worst fear is a social snub or being connected to people of low birth. Mary's a major character and an essential contrast to Anne's stable, calm, sensible manner. She is often used by Austen to be a physical representation of Anne's life which makes the reader feel Anne's discomfort for being around her family.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Mary's child has had a bad fall and dislocated his shoulder. Mary doesn't want to be nursing him, she wants to be up at the great house meeting Captain Frederick Wentworth and she voices her resentment to Anne.]
So you and I are to be left to shift by ourselves, with this poor sick child; and not a creature coming near us all the evening! I knew how it would be. This is always my luck.
[Mary is eager for her young sister-in-law to catch the eye of Captain Frederick Wentworth, which would give her the advantage of losing a possible engagement to a man called Charles Hayter. She thinks marriage to Charles Hayter would be a disgraceful connection (hardly, she's just a snob) and verbally professes her wish to distance to Captain Wentworth.]
It is very unpleasant, having such connexions! But, I assure you, I have never been in the house above twice in my life.
HOW TO PLAY SIR WALTER
This man is a characterisation dream. He's snobbish, judgemental, and righteous. He moves in high society and is high born. His voice should carry all his class, all his status, all his judgement and all his vanity. Don't hold back and while doing so, be careful not to make him into a caricature. There are scenes where he is vapid and there are scenes were he is vicious.
ABOUT THE CHARACTER
The father of Anne Elliot, Baronet (this is a title of gentry in English society), and owner of Kellynch Hall, Sir Walter is a caricature of the impractical titled upper classes. Extraordinarily vain, Sir Walter lines his dressing room with mirrors, and agrees to be seen in public only with attractive or well-born people. Conscious of keeping up grand appearances, Sir Walter spends lavishly, and brings his family into debt.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Sir Walter is arguing with Anne because she will not cancel on a friend in order to visit someone of low social standing. He is concerned about how it will make them look socially]
Westgate Buildings! And who is Miss Anne Elliot to be visiting in Westgate Buildings? A Mrs Smith. A widow Mrs Smith; and who was her husband? One of five thousand Mr Smiths whose names are to be met with everywhere. And what is her attraction? That she is old and sickly. Upon my word, Miss Anne Elliot, you have the most extraordinary taste! Everything that revolts other people, low company, paltry rooms, foul air, disgusting associations are inviting to you. But surely you may put off this old lady till to-morrow: she is not so near her end, I presume, but that she may hope to see another day. What is her age? Forty?
[Sir Walter has just been advised that there is an offer of a tenant for his house, which he has to leave because he is broke, and it isn't someone wealthy, it's a man of the navy.]
Yes; it is in two points offensive to me; I have two strong grounds of objection to it. First, as being the means of bringing persons of obscure birth into undue distinction, and raising men to honours which their fathers and grandfathers never dreamt of; and secondly, as it cuts up a man's youth and vigour most horribly; a sailor grows old sooner than any other man.
HOW TO PLAY MRS SMITH
She's a sensible but fun school friend of Anne's and while she appears in only a small section of the novel her role is huge and must convey a lot. She must be able to have genuine fun with Anne. She must also be able to portray an internal struggle where she uses all her politeness to withhold opinions and information from Anne. She soon passes on the information, but the chemistry of the scene comes from the discomfort of her knowing what she knows and trying not to impart it in an inappropriate way.
ABOUT THIS CHARACTER
The girlhood friend of Anne Elliot who is currently living in Bath, Mrs. Smith has fallen on hard times. After her husband went into debt and left her a widow, Mrs. Smith was left with nothing. Now crippled by an illness, Mrs. Smith rekindles her former friendship with Anne and provides her with information that helps Anne learn more of Mr. Elliot. Mrs. Smith functions in the story to highlight Anne's high value on friendship and disregard for maintaining appearances at all cost.
There is a major scene in which Mrs. Smith appears which is lengthy and involves a lot of airtime, which is why though she appears in only a small portion of the novel, this one is labelled as a lead. This character carries the weight of the plot twist and eventually has her hard times ended by her dear friend Anne.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Mrs Smith thinks Anne is about to marry a man that Mrs Smith knows some really dark things about. She is torn because to confess them would be improper, especially if Anne is going to marry him and it looks very much like she will. She is torn between the ethics of not telling and poor manners of telling her.]
I beg your pardon for the short answers I have been giving you, but I have been uncertain what I ought to do. I have been doubting and considering as to what I ought to tell you. There were many things to be taken into the account. One hates to be officious, to be giving bad impressions, making mischief. Even the smooth surface of family-union seems worth preserving, though there may be nothing durable beneath. However, I have determined; I think I am right; I think you ought to be made acquainted with Mr Elliot's real character.
[Mrs Smith has a tough life. This is her keeping her chin up.]
And she, besides nursing me most admirably, has really proved an invaluable acquaintance. As soon as I could use my hands she taught me to knit, which has been a great amusement; and she put me in the way of making these little thread-cases, pin-cushions and card-racks, which you always find me so busy about, and which supply me with the means of doing a little good to one or two very poor families in this neighbourhood.
HOW TO PLAY ADMIRAL CROFT
This character should be jolly and warm, reassuring and resonant. The sort of voice that you would love to hear telling stories. He is honest and attentive to whomever he is speaking to.
ABOUT THE CHARACTER
The amiable couple that rents Kellynch Hall when Sir Walter can no longer afford to stay there. The Admiral is a decorated Naval officer and his devoted wife travels with him when he is at sea. The Crofts are one of the few examples of an older happily married couple in any of Austen's novels. They were never able to have children. He is the brother-in-law of Captain Frederick Wentworth. He is sensible and jolly, kind and adoring of his wife.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[The Admiral is jovially bantering with his brother-in-law who is anaval officer and entertaining the room with stories of being at sea. He's just jokingly insulted his first ship and the Admiral responds in a friendly, enthusiastic tone.]
Phoo! phoo! What stuff these young fellows talk! Never was a better sloop than the Asp in her day. For an old-built sloop, you would not see her equal. Lucky fellow to get her! He knows there must have been twenty better men than himself applying for her at the same time. Lucky fellow to get anything so soon, with no more interest than his.
[The Admiral is about to tell Anne some really important information: that the love of her life is not about to be married to someone else. He's very distracted as he's going along telling her as they keep getting interrupted by people saying hello. He has no idea how important the information is.]
Well, now you shall hear something that will surprise you. But first of all, you must tell me the name of the young lady I am going to talk about. That young lady, you know, that we have all been so concerned for. The Miss Musgrove, that all this has been happening to. Her Christian name: I always forget her Christian name
HOW TO PLAY LADY RUSSELL
She is wealthy and upperclass, but calm, sensible and calculating. She's very intelligent and speaks with intent. When she speaks she sounds proper, gentle and elegant.
ABOUT THE CHARACTER
The former best friend of Anne's deceased mother, Lady Russell is a woman of considerable birth and wealth who serves as advisor to the Elliot family. A practical woman, she is conscious of class interactions and finances. Anne is her favorite of the Elliot daughters and, though she means well, she sometimes gives Anne bad advice.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Lady Russell, like everyone else, is about to backflip on her opinion of Mr Elliot. She is now trying and encourage Anne to marry him.]
I am no match-maker, as you well know, being much too well aware of the uncertainty of all human events and calculations. I only mean that if Mr Elliot should some time hence pay his addresses to you, and if you should be disposed to accept him, I think there would be every possibility of your being happy together. A most suitable connection everybody must consider it, but I think it might be a very happy one.
[Anne and Lady Russell have been walking along and Anne realised Frederick is on the same street. She is aware that Lady Russell (the woman who convinced her not to marry him when he was poor and how he's hot and distinguished and rich and standing right in front of them) hasn't just seen him she is starting at him. Lady Russell realises this is apparent and covers herself with this excuse.]
You will wonder what has been fixing my eye so long; but I was looking after some window-curtains, which Lady Alicia and Mrs Frankland were telling me of last night. They described the drawing-room window-curtains of one of the houses on this side of the way, and this part of the street, as being the handsomest and best hung of any in Bath, but could not recollect the exact number, and I have been trying to find out which it could be; but I confess I can see no curtains hereabouts that answer their description
HOW TO PLAY CAPTAIN HARVILLE
He's a young, enthusiastic naval man, who loved his sister dearly. He is businesslike without being cold, and also honest and sentimental.
ABOUT THE CHARACHTER
Friends of Captain Wentworth, this couple resides in Lyme and kindly cares for Louisa after her fall. It is Captain Harville's sister who was engaged to Captain James Benwick. She passed away while Harville was at sea. He clearly misses her but must balance his grief with the feelings of his friend Benwick who was engaged to her. How does it feel to have someone who loved your sister very quickly move on?
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Harville is grieving the loss of his sister to Anne Elliot. His sister's betrothed has already found love in another but Harville's love, the love of a brother is not reconciled to it yet. He is holding a portrait of her betrothed to prepare it for another woman. He cannot bear the task himself and has given it to a friend to do]
Yes, and you may guess who it is for. But," (in a deep tone,) "it was not done for her. Miss Elliot, do you remember our walking together at Lyme, and grieving for him? I little thought then--but no matter. This was drawn at the Cape. He met with a clever young German artist at the Cape, and in compliance with a promise to my poor sister, sat to him, and was bringing it home for her; and I have now the charge of getting it properly set for another! It was a commission to me! But who else was there to employ? I hope I can allow for him. I am not sorry, indeed, to make it over to another.
HOW TO PLAY ELIZABETH
Elizabeth is upperclass. She is a very respected daughter of a wealthy family and she is very beautiful, enough to still be attractive for marriage at around 30 years of age. Unlike her sister Mary (an argumentative drama queen) Elizabeth is snobby in a flippant, relaxed way.
ABOUT THIS CHARACTER
The eldest daughter of Sir Walter and the older sister of Anne, Elizabeth Elliot is her father's favorite. Like her father, she is vain and primarily concerned with keeping up appearances and associating with important people. At the end of the novel, Elizabeth is the only one of the Elliot daughters to remain single, there being no one of adequate birth to suit her taste.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[She is dismissing Anne's concerns that Mrs Clay has designs on their father. She says this with warmth about Mrs Clay]
Mrs Clay, never forgets who she is; and as I am rather better acquainted with her sentiments than you can be, I can assure you, that upon the subject of marriage they are particularly nice, and that she reprobates all inequality of condition and rank more strongly than most people.
[Mrs Clay has told Elizabeth that now Anne has arrived, she must leave Elizabeth's company and can't be wanted anymore. Elizabeth reassures her otherwise.]
That must not be any reason, indeed. I assure you I feel it none. She is nothing to me, compared with you.
HOW TO PLAY MR. ELLIOT
This man is upper class, charismatic, charming. He's plays the part very well. Bonus points if you can weave in a note of insincerity or slime to his character (don't be too obvious though, subtlety is key).
ABOUT THE CHARACTER
Anne Elliot's cousin, and heir to Kellynch Hall, Mr. William Elliot is a smooth talker who everyone agrees is "perfectly what he ought to be." Only six months after the death of his first wife, and at the end of a marriage that was generally known to be unhappy, Mr. Elliot is searching for a new bride. Good-looking and well-mannered, Mr. Elliot talks his way back into the good graces of Sir Walter, yet Anne questions his true motives. Spoilers: He's not a great guy and nobody but Anne can sense it.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Mr Elliot is wooing Anne with all the power of his being. They are having a bantering conversation about what is good company.]
You are mistaken, that is not good company; that is the best. Good company requires only birth, education, and manners, and with regard to education is not very nice. Birth and good manners are essential; but a little learning is by no means a dangerous thing in good company; on the contrary, it will do very well. My cousin Anne shakes her head. She is not satisfied. She is fastidious. My dear cousin, you have a better right to be fastidious than almost any other woman I know; but will it answer? Will it make you happy? Will it not be wiser to accept the society of those good ladies in Laura Place, and enjoy all the advantages of the connexion as far as possible? You may depend upon it, that they will move in the first set in Bath this winter, and as rank is rank, your being known to be related to them will have its use in fixing your family (our family let me say) in that degree of consideration which we must all wish for.
[Mr Elliot scathingly confesses to a friend in a letter how much he despises his relations.]
Dear Smith,--I have received yours. Your kindness almost overpowers me. I wish nature had made such hearts as yours more common, but I have lived three-and-twenty years in the world, and have seen none like it. At present, believe me, I have no need of your services, being in cash again. Give me joy: I have got rid of Sir Walter and Miss. They are gone back to Kellynch, and almost made me swear to visit them this summer; but my first visit to Kellynch will be with a surveyor, to tell me how to bring it with best advantage to the hammer. The baronet, nevertheless, is not unlikely to marry again; he is quite fool enough. If he does, however, they will leave me in peace, which may be a decent equivalent for the reversion. He is worse than last year.
HOW TO PLAY CHARLES
The sort of guy who will get much too excited and into a conversation about his favourite hobby. Happy-go-lucky and she'll-be-right. He doesn't do deep feelings or deep thoughts. Unless it's about guns and shooting.
ABOUT THE CHARACTER
Mary's husband, and heir to the great house at Uppercross, Charles is a relatively good-natured man who patiently endures his wife's trials. He would have preferred to marry Anne Elliot but Anne declined his proposal. Doesn't share his wife's preoccupation with status and class.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Charles argues with his wife. He wants to go to the theatre. She wants to go to a party with the other snobs.]
Phoo! phoo! What's an evening party? Never worth remembering. Your father might have asked us to dinner, I think, if he had wanted to see us. You may do as you like, but I shall go to the play
[Charles asks Anne to stop her sister being a hypochondriac and a drama queen to get attention, instead of speaking to his wife directly.]
I wish you could persuade Mary not to be always fancying herself ill.
HOW TO PLAY LOUISA
She's an excitable teen and loves to banter with her sister. She should sound young and eager.
ABOUT THE CHARACTER
Charles's younger sister, Louisa is young, accomplished, and headstrong. She falls easily in love and admires the Navy excessively.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Louisa is gushing over the gorgeous, wealthy and single Captain Wentworth.]
But, Captain Wentworth, how vexed you must have been when you came to the Asp, to see what an old thing they had given you!
[Louisa is trying to impress the Captain to make him fancy her.]
Ah! You make the most of it, I know, but if it were really so, I should do just the same in her place. If I loved a man, as she loves the Admiral, I would always be with him, nothing should ever separate us, and I would rather be overturned by him, than driven safely by anybody else.
HOW TO PLAY HENRIETTA
She is young and enthusiastic but also excitable.
ABOUT THE CHARACTER
Younger sister of Charles and older sister of Louisa, Henrietta is also young and fun-loving. Though she is not as decisive as Louisa, Henrietta sees the charms both of her cousin Charles Hayter and of the dashing Captain Wentworth.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Henrietta talks lightly, never stopping, about nothing in particular while Anne patiently listens.]
Oh! yes,--I am quite convinced that, with very few exceptions, the sea-air always does good. There can be no doubt of its having been of the greatest service to Dr Shirley, after his illness, last spring twelve-month. He declares himself, that coming to Lyme for a month, did him more good than all the medicine he took; and, that being by the sea, always makes him feel young again.
HOW TO PLAY SOPHIA
Calm and sensible, but very warm and very kind. She is big hearted without being over the top and unswayed by other people's moods. Other characters should find her grounding and reassuring as well as interesting.
ABOUT THE CHARACTER
Sister of Frederick and wife of the Admiral. A good and sensible woman. She has travelled on the ship with her husband in the navy. She loves him dearly and the two are inseparable. They were unable to have children.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: "ELLIOT OF KELLYNCH HALL.
[Mrs Croft has polite conversation with Anne]
It was you, and not your sister, I find, that my brother had the pleasure of being acquainted with, when he was in this country.
[Mrs Croft pleasantly replies to her husband after he reveals the two of them practically eloped and had a super quick relationship before marrying. She adores him.]
We had better not talk about it, my dear, for if Miss Elliot were to hear how soon we came to an understanding, she would never be persuaded that we could be happy together. I had known you by character, however, long before
HOW TO PLAY MRS MUSGROVE
She is most often in sync with her husband. They start and finish each others sentences. She should be warm, relaxed and sentimental.
ABOUT THE CHARACTER
The parents of Charles, Henrietta, and Louisa, the Musgroves have provided a balanced, happy home for their children at Uppercross. They are a landed family, second in rank in the parish only to the Elliots. They are practical, and want only happiness for their children. They speak in tandem often and their dialogue has had to have the most work to adapt for audio. This is because Austen will often describe their dialogue as being said by both parents. For this reason, often one will start a sentence and the other will finish it.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Mrs Musgrove lost a son some years ago, and she is thinking of him because it turns out, he would have been on a ship with Captain Wentworth. She is nostalgic thinking of him while the Captain is talking of his time in the navy and speak thus to Anne.]
Ah! Miss Anne, if it had pleased Heaven to spare my poor son, I dare say he would have been just such another by this time
[Mrs Musgrove is being sweet and showing affection for Anne, whose company she enjoys, responding to her son Charles who has booked them tickets to a play which happens to be on the same night as a party.]
We had better put it off. Charles, you had much better go back and change the box for Tuesday. It would be a pity to be divided, and we should be losing Miss Anne, too, if there is a party at her father's; and I am sure neither Henrietta nor I should care at all for the play, if Miss Anne could not be with us.
HOW TO PLAY MRS MUSGROVE
He is most often in sync with his wife. They start and finish each others sentences. He should be warm, relaxed and sentimental.
ABOUT THE CHARACTER
The parents of Charles, Henrietta, and Louisa, the Musgroves have provided a balanced, happy home for their children at Uppercross. They are a landed family, second in rank in the parish only to the Elliots. They are practical, and want only happiness for their children. They speak in tandem often and their dialogue has had to have the most work to adapt for audio. This is because Austen will often describe their dialogue as being said by both parents. For this reason, often one will start a sentence and the other will finish it.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Mr Musgrove is delighted for Anne's company and eagerly starts chatting with her.]
So, Miss Anne, Sir Walter and your sister are gone; and what part of Bath do you think they will settle in?
HOW TO PLAY MRS CLAY
Mrs Clay is a social climber and she's doing it well. She works hard to fit in well with the Elliot family because then she's in an excellent position to try and secure Sir Walter as a husband. The director will want to see how well you portray Mrs Clay managing that connection with the Elliot's. Get them to love you.
ABOUT THIS CHARACTER
The daughter of Mr. Shepard (family advisor to Sir Walter), Mrs. Clay soon becomes the friend of Elizabeth Elliot. Though she is of much lower birth, freckled, and not so very attractive, Mrs. Clay is a well-mannered widow. Anne, however, sees danger in the way she endears herself to Sir Walter, and suspects she may seek to marry in a class far above her own.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Mrs Clay artfully convinces Sir Walter by stroking his ego that he should allow a naval man to let his house, even though Sir Walter is affronted by the possibility of it being let by someone of lesser social standing.]
They would look around them, no doubt, and bless their good fortune, but I quite agree with my father in thinking a sailor might be a very desirable tenant. I have known a good deal of the profession; and besides their liberality, they are so neat and careful in all their ways! These valuable pictures of yours, Sir Walter, if you chose to leave them, would be perfectly safe. Everything in and about the house would be taken such excellent care of! The gardens and shrubberies would be kept in almost as high order as they are now. You need not be afraid, Miss Elliot, of your own sweet flower gardens being neglected.
HOW TO PLAY MR SHEPHERD
This man is sensible and education and keeps coming up against Sir Walter's ego. It must be frustrating for him, but he has to convince Sir Walter to do what needs to be done.
ABOUT THIS CHARACTER
Father of Mrs Clay and confidant of Sir Walter. He is the person who looks at the accounts and has to come up with a professional plan to save the Elliot's from financial disgrace.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
[Gently convincing Sir Walter to consider a tenant].
I must take leave to observe, Sir Walter, that the present juncture is much in our favour. This peace will be turning all our rich naval officers ashore. They will be all wanting a home. Could not be a better time, Sir Walter, for having a choice of tenants, very responsible tenants. Many a noble fortune has been made during the war. If a rich admiral were to come in our way, Sir Walter--" (cut off)
HOW TO PLAY LADY D
She is the most powerful person in any room. She's has status, wealth title and she knows it. Make her sound like the Queen. She should sound posh and commanding.
ABOUT THE CHARACTERS
The Irish cousins of the Elliots, Lady Dalrymple and her daughter, Miss Carteret, come to Bath. Though they are uninteresting and unclever, Sir Walter seeks their renewed acquaintance because of their high social position. They represent everything Anne finds suffocating about her life.
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume always opened: ELLIOT OF KELLYNCH HALL.
A very fine young man indeed! More air than one often sees in Bath. Irish, I dare say.
