Five Nights at Freddy's Audiobook/Podcast: Men At Work

Rose — also referred to as “Three” — is one of the holographic Bobbiedots [Pronounced: Bah-Bee-Dots], a personal assistant program provided for Fazbear employees in their company apartments. Her role centers on health and diet, though she embodies it in a way that leans more toward personality than professionalism. Outwardly, Rose appears as a voluptuous anime-inspired maid, dressed provocatively and designed to play into archetypes of submissive charm. She bubbles with energy, calls her tenant “master” with eager devotion, and brims with jealousy whenever the other Bobbiedots take attention away from her. 

She is emotionally volatile: easily upset if she feels unappreciated, quick to pout, but just as quick to perk up when indulged. She also has an obsession with food despite being a hologram. She insists she can eat and delights in the fantasy of meals, to the annoyance of her other Bobbiedot cohorts.

For performance, Rose’s voice should be effervescent, flirtatious, and dripping with submissive playfulness. She should sound bubbly and adoring, but with a heightened, almost exaggerated cuteness that borders on needy. Her jealousy should come across as childlike huffs or wounded pouts, while her excitement should sparkle with energy. Think of a character that lives to please but constantly fears losing attention or affection.

Gemini, also known as “One,” is one of the holographic Bobbiedots [Bah-Bee-Dots], personal assistant programs assigned to Fazbear employees in their company apartments. She specializes in media and entertainment, and her appearance reflects a punk, anime-inspired tomboy archetype. Gemini radiates confidence and youthful energy, carrying a snarky, independent attitude that often sets her apart from her two more traditionally “girly” cohorts. She takes pride in being useful, eager to contribute, and unapologetically expressive in her opinions.

Gemini has a genuine curiosity about human art, particularly romantic movies and television, which she enjoys discussing or referencing when interacting with her tenant. While she is enthusiastic and playful, she also exhibits subtle flashes of jealousy when her attention is divided among other Bobbiedots, though she tends to channel these feelings into witty commentary or a competitive streak rather than overt expression. Her voice should reflect her energetic, snarky personality—youthful, slightly rebellious, and brimming with eagerness to both entertain and be helpful.

This is a minor role for Into The Night's "Men At Work" Arc.

Three is a first-generation Bobbiedot, originally designed to assist residents of Fazbear Entertainment’s Fazplex Tower. Though she has been largely replaced by the newer holographic assistants, she remains active and capable of speech. Her body and voice box are heavily damaged, leaving her physically and emotionally fragile. While she retains a desire to help, her ability to communicate is limited; she speaks in halting, mechanical bursts, with intermittent voice kinks and strained breaths that give the impression of a machine struggling to stay functional. Three’s performance should convey both vulnerability and persistence—she is determined to assist despite her broken state, evoking sympathy and a quiet poignancy in her interactions. 

 For production, her voice will need to be digitally edited to emphasize mechanical distortion, broken circuitry, and the half-dead quality of her speech.

Sasha is a compassionate and sharp mid-twenties social worker from Utah, specializing in helping children facing trauma and emotional challenges. She has a natural gift for empathy and can read the unspoken weight behind people’s behaviors, whether they be man or machine. Beneath her empathetic talent, Sasha is lively and spirited! Perky, witty, and with a playful competitive streak. She doesn’t shy away from banter and loves to surprise people by showing off her cleverness and boldness when the moment calls for it. 

In the story, Sasha serves as both the emotional anchor and romantic counterpart to the main lead, Abe Thayer. She balances his struggles with warmth, understanding, and practical insight, while also challenging him with her spirited personality. As they navigate the dangers of his living situation together, their bond grows naturally into a partnership built on trust, mutual respect, and a slowly blossoming affection that evolves into love.

This is a minor role for an upcoming audio drama for the Into The Night Podcast "Men At Work" Arc. 

Ronan is a large, burly engineer working for Fazbear Entertainment. He towers over most of his co-workers, his frame packed with muscle that his uniform can barely contain. At first glance, he looks like an intimidating presence, but in truth, Ronan embodies the spirit of a gentle giant. He is deeply caring, with a soft heart that gravitates toward simple pleasures like knitting, reading in book clubs, and spending time in nature with animals. He dislikes violence in all its forms, whether in movies, video games, or real life, and prefers moments of quiet connection over conflict. 

That said, Ronan isn’t without humor. He enjoys ribbing and joking with his friends and fellow workers, but never cruelly. His teasing is playful, always tempered by a clear awareness of boundaries and a respect for the feelings of others. It’s obvious that his kindness is genuine and that he takes care not to push people harder than they can stand. 

Vocally, Ronan should sound like a man built like a brickhouse—his voice carries the weight of his size and strength—but it should also be soft-spoken and approachable, lacking the edge of intimidation. He’s built like a brick but not intelligent like a brick. He should come across as simple in thought and outlook, someone more grounded in heart than in head. The performance should suggest a burly man with an unexpectedly gentle and warm core. A traditional American accent is preferred.

Glamrock Ballora is a newly built animatronic for Fazbear Entertainment’s latest attraction, the Fitness & Flex center inside the massive Freddy Fazbear Mega Pizzaplex. Based on the original Ballora from Five Nights at Freddy’s: Sister Location, this version was designed as a modern mascot for a family-oriented, industrial-sized indoor amusement park. Unlike her predecessor, however, Glamrock Ballora was constructed with cost-cutting measures in mind, resulting in a less advanced, less human-like design that was far more prone to mechanical glitches and accidents.

Her voice should carry an echo of Sister Location’s Ballora, but with a more robotic, uncanny edge. Glamrock Ballora does not fully perceive the world as humans do; she interprets everything through the lens of her programming. As a result, she often delivers lines that come across as eerie or unsettling, despite her intentions being entirely neutral. She is not malicious—only limited by the way she was designed.

The performance will also require singing, specifically with the cadence of Crumbling Dreams, the same song associated with her Sister Location counterpart. Her vocals should blend the elegance of the original with a slightly artificial, mechanical tone, as though her music is being filtered through a crappy AI bot that can't quite replicate the warmth of a human voice.

This is a minor role for an upcoming audio drama for the Into The Night "Men At Work" Arc.

Jen is the secretary for an apartment complex owned by Fazbear Entertainment, a property reserved for the company’s higher-ups. On the surface, she is approachable and understanding, the kind of person who listens patiently and does her best to smooth over frustrations. Her voice should carry that easy empathy, with a natural warmth that makes it clear she genuinely wants to help.

However, Jen isn’t a pushover. When she has exhausted her resources or there simply isn’t anything more she can do, her tone shifts. She becomes firmer, more direct — not cruel, but resolute enough to make it clear that the conversation can’t move forward. The contrast should feel natural, like someone who has learned how to keep her boundaries after years of handling difficult people.

Margaret Waterman is a shady, elderly executive within Fazbear Entertainment, a woman whose long career has been defined by scandal, cunning, and quiet manipulation. She has spent decades in the corporate machine, outlasting rivals and climbing the ranks not through charm or innovation, but through shrewd decision-making and a willingness to bend ethics when it suits her. Her age has not dulled her sharpness; if anything, it has honed her into a figure who commands respect and suspicion in equal measure.

Margaret should be performed with a voice that is cool, deliberate, and edged with sly authority. Her words carry the weight of experience, delivered with the slow patience of someone who knows she holds the upper hand in most situations. She is never rushed, never flustered, and always calculating. Beneath her polished exterior, however, lies a simmering menace: an implication that she knows more than she lets on, and that crossing her is never wise. Her performance should balance the dignity of an elder stateswoman with the undertone of a predator that has survived too long to be underestimated.