Passage of the Wanderer: A Firnuvan Tale

GhostMiner for Anten

Voice Actor
Voice Actor
Anten
open
Unpaid

A rum runner in the town of Kiluke who’s settled into a routine of just doing what needs to be done to keep his apartment paid for and his stomach filled. He is relatively flippant and clearly has baggage in need to clearing out and has closure he refuses to seek out. In the mean time, he’s a smooth talker and is more than good at getting away from authorities and fighting himself out of a situation gone sour. He is a part of the demonic looking Teykim {Tiefling} race that composed a large portion of the higher powers of the Order of Flame which leads many to assume he is still loyal to them. In reality, he doesn’t really care all that much one way or another. Has a deep aggressive voice with little inflection to it.

  • “I’m good at what I do. I get in, get the goods, pass on the payment, and get out, clean up if things get messy. What more does there have to be? What else could I possibly want?”

  • “What makes you say I’m holding anything back? Since when did I ask you to get into my business really? You helped me out of a situation I probably could’ve handled myself. I don’t owe you anything,”

  • “Did you just… Did you just slap me? What are you, a sociopath? What are you even trying here?”

GhostMiner
Passage of the Wanderer: A Firnuvan Tale
audreyivy
audreyivy

Similarly to the advice I gave to someone else, try to get a little bit more bratty with Anten. Channel your inner whiny teenager and put a little of that into Anten. He's petty and thinks he's way cooler than he actually is. As well, put in as much disbelief as anger when it comes to the third line. He's very confused as to why he's been slapped in the face as much as he's pretty pissed off about. Almost even more confused than mad.

    GhostMiner
    GhostMiner

    When people say this it usually means I didn't get the part

      audreyivy
      audreyivy

      It's critique for your performance. We will have individuals read the lines on CCC once or twice, before deciding if we may cast them, and from there we bring them into callbacks and have them read a lot more material before ultimately deciding on who gets the part. This is typically the standard procedure for professional projects. Three lines is hardly enough to determine an entire part over. Essentially, with the critique I gave, you have another shot at the role. If your performance is good in the second go at the attempt, you'll be invited to a callback where you'll be compared against anyone else we called back.

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