Narrators Needed for Children's Show on Radio Fairfax - No Age Restrictions

coltonac for Narrator

Voice Actor
Voice Actor
Narrator
open
Unpaid

The objective is not to sound like you are reading; you're supposed to be retelling a story. I expect you to edit your work. 

  • Please do read the description before you proceed to record. The reward(s) will go to the winning audition(s). 


    Sample audition: https://www.youtube.com/watch?v=RGNHzCoqVPE&feature=youtu.be. Excuse the audio quality; I recorded it on my iPad for expediency. 


    This is by no means easy material, but do your best. Note: you do not need to read everything for the purpose of your audition. Good luck !!


    If you would rather not receive feedback, please let me know.



    The hair of the affrighted pedagogue rose upon his head with terror. What was to be done? To turn and fly was now too late; and besides, what chance was there of escaping ghost or goblin, if such it was, which could ride upon the wings of the wind? Summoning up, therefore, a show of courage, he demanded in stammering accents, “Who are you?” He received no reply. He repeated his demand in a still more agitated voice. Still there was no answer. Once more he cudgelled the sides of the inflexible Gunpowder, and, shutting his eyes, broke forth with involuntary fervor into a psalm tune. Just then the shadowy object of alarm put itself in motion, and with a scramble and a bound stood at once in the middle of the road. Though the night was dark and dismal, yet the form of the unknown might now in some degree be ascertained. He appeared to be a horseman of large dimensions, and mounted on a black horse of powerful frame. He made no offer of molestation or sociability, but kept aloof on one side of the road, jogging along on the blind side of old Gunpowder, who had now got over his fright and waywardness.



    Ichabod, who had no relish for this strange midnight companion, and bethought himself of the adventure of Brom Bones with the Galloping Hessian, now quickened his steed in hopes of leaving him behind. The stranger, however, quickened his horse to an equal pace. Ichabod pulled up, and fell into a walk, thinking to lag behind,—the other did the same. His heart began to sink within him; he endeavored to resume his psalm tune, but his parched tongue clove to the roof of his mouth, and he could not utter a stave. There was something in the moody and dogged silence of this pertinacious companion that was mysterious and appalling. It was soon fearfully accounted for. On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck on perceiving that he was headless!—but his horror was still more increased on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of his saddle! His terror rose to desperation; he rained a shower of kicks and blows upon Gunpowder, hoping by a sudden movement to give his companion the slip; but the spectre started full jump with him. Away, then, they dashed through thick and thin; stones flying and sparks flashing at every bound. Ichabod’s flimsy garments fluttered in the air, as he stretched his long lank body away over his horse’s head, in the eagerness of his flight.






  • They had now reached the road which turns off to Sleepy Hollow; but Gunpowder, who seemed possessed with a demon, instead of keeping up it, made an opposite turn, and plunged headlong downhill to the left. This road leads through a sandy hollow shaded by trees for about a quarter of a mile, where it crosses the bridge famous in goblin story; and just beyond swells the green knoll on which stands the whitewashed church.



    As yet the panic of the steed had given his unskilful rider an apparent advantage in the chase, but just as he had got half way through the hollow, the girths of the saddle gave way, and he felt it slipping from under him. He seized it by the pommel, and endeavored to hold it firm, but in vain; and had just time to save himself by clasping old Gunpowder round the neck, when the saddle fell to the earth, and he heard it trampled under foot by his pursuer. For a moment the terror of Hans Van Ripper’s wrath passed across his mind,—for it was his Sunday saddle; but this was no time for petty fears; the goblin was hard on his haunches; and (unskilful rider that he was!) he had much ado to maintain his seat; sometimes slipping on one side, sometimes on another, and sometimes jolted on the high ridge of his horse’s backbone, with a violence that he verily feared would cleave him asunder.

  • An opening in the trees now cheered him with the hopes that the church bridge was at hand. The wavering reflection of a silver star in the bosom of the brook told him that he was not mistaken. He saw the walls of the church dimly glaring under the trees beyond. He recollected the place where Brom Bones’s ghostly competitor had disappeared. “If I can but reach that bridge,” thought Ichabod, “I am safe.” Just then he heard the black steed panting and blowing close behind him; he even fancied that he felt his hot breath. Another convulsive kick in the ribs, and old Gunpowder sprang upon the bridge; he thundered over the resounding planks; he gained the opposite side; and now Ichabod cast a look behind to see if his pursuer should vanish, according to rule, in a flash of fire and brimstone. Just then he saw the goblin rising in his stirrups, and in the very act of hurling his head at him. Ichabod endeavored to dodge the horrible missile, but too late. It encountered his cranium with a tremendous crash,—he was tumbled headlong into the dust, and Gunpowder, the black steed, and the goblin rider, passed by like a whirlwind.

coltonac
Narrators Needed for Children's Show on Radio Fairfax - No Age Restrictions
bedtime story broadcast

Hiss throughout, pauses between statements are too long. You neglected to edit out your breaths and a swallow before "but just as he had got half way through the hollow". This is nowhere near worth the $30 you are asking for.

    coltonac
    coltonac

    To be fair, it seems you might be placing too high of an expectation on a project like this. Prior to auditioning, I had read your responses to others, and they seem to be reflective of someone with a modicum of position and an endless supply of pretention. I've never used this site before, so I will admit that I don't really know what's the acceptable price breakdown/ bidding suggestion. I do know that if you're offering five dollars, then you should lower your expectations to five dollars worth of work. If you want professionalism, then you need to balance your expectations with your offering. While I don't know much about this, I have, however, been touring with a children's storybook theatre for the last 3 years and I can safely say that if you want to tell a story like this (even keeping in its original format) you need to put the time in to cut it down to fit the attention span of the average viewer or listener. Right now, this is an audiobook nothing more.

      bedtime story broadcast

      Yet you auditioned anyway. If it seems my standards are unreasonable, you are going to have to get used to it, if you intend to pursue this as a profession. They are the same exact ones I have encountered over and over in my experience (try applying for VoiceBunny). Anyway, I try to offer constructive criticism, which takes time and careful consideration, rather than not respond at all. I kind of think of this site as a proving ground, for the inexperienced to gain experience and exposure. The $5 I am offering is just for the best auditions, of which there are several, and I did state that it was not necessary to read the full script. This particular piece is already finished. Part 1: https://www.youtube.com/watch?v=sT6TpXGdfnQ and Part 2: https://www.youtube.com/watch?v=rPD8cT-cwxQ. As I stated in the About section, "A narrator reads them aloud, like an audiobook." I recognize that children have short attention spans and I am lobbying at the station for shorter shows (right now, we are required to produce a 58 minute show, once a week, which is practically impossible, but I digress). Anyway, I am sorry if that last statement offended your sensibilities.

        crystallynne
        crystallynne

        I was really going for an impersonal tone. I want to treat anyone who bothers to audition like they are professionals, so they know what to expect. Feedback is not normally free. Coaches are expensive. If you are accepted by VoiceBunny, one of the nice things is that they pay for auditions that are internally accepted. It is not much, but it is better than nothing. Fyi, the first paragraph is 206 words and had I been hired to read it, my rate would be $.10 per word, which would amount to $20.60. $30 is a lot to ask for someone w/0 voice over experience.

        coltonac
        coltonac

        I wasn't offended, but I was trying to offer you the same "constructive criticism" you gave me, I don't do much with VA (just started a couple weeks ago), but I've done theatre/performance all my life (professionally as an adult) and have cast/ directed many shows (and been rejected plenty). The best thing to do with auditions is to only comment when necessary, otherwise it comes off as pretentious and arrogant (as I mentioned before). But, best of luck.

          crystallynne
          crystallynne

          Meh. Nor am I offended. Your point was well-taken. It did make me reconsider my approach in light of your opinion. Personally, I prefer to know what needs practice from someone impersonal because I can be biased (and often am) when it comes to my own work. I would also argue that all artists are at least a little arrogant. Not really sure why, tho. Maybe because we have to believe in ourselves when it seems like no one else does ? There is a ton of rejection in this business. Anyway, good luck to you as well.:)

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