The Spectacular Spider-Man Continued Geography 101 (SpectacleStars)

To submit an audition for this role, drop a link to your portfolio, and also include a demonstration of the Spectacular Spider-Man art style (preferably of a human character that is not Peter Parker or Spider-Man) for us to review!

Animators on our project have a variety of options when it comes to what art/animation programs they can use. Sequences will mostly be made up of animatic style scenes (image based), similar to a motion comic, with the exception of occasional animated scenes being utilized in more action-heavy sequences. Due to this, as long as you have an art program that you are accustomed to, you can join this project as an animator (provided that you are chosen) with little actual frame-by-frame animation experience, and are not required to own any industry standard software. As for FULL animation, experience with ToonBoom Harmony and ToonBoom Storyboard Pro is highly recommended but is not a requirement. Experience with Blender Grease Pencil is also highly encouraged if ToonBoom is not available to you, but once again, it is not a hard requirement. As long as the assets that are produced by our animators are able to be converted and utilized later on for the project, any program you prefer should work as long as we sort out the conversion details beforehand for consistency, flow, and Quality Assurance purposes! 

Also, if any of our newcomers are unsure of how to use ToonBoom or want to learn how to use it, our lead animators can absolutely help bring them up to speed on the software and teach them the basics of it if needed as well!

We are also currently in progress on storyboarding our movie. As mentioned above, as long as you have an art program or experience with ToonBoom Storyboard Pro, you can join as a storyboarder. Additionally, if your strengths lie in traditional art, feel free to audition as a storyboarder, as a digital art program is not necessarily required to fill in the role. While we are not actively looking for concept artists, submissions once you're in the role are welcome!

If you sign a contract and are able to give an agreed-upon amount of time, for this role specifically, we are (currently) offering:

• Storyboards ($9 total per page)

  • $3 per page of storyboard thumbnails

  • $6 per page of in-style storyboards

• Keyframes

  • $3 per full image including variants similar to the original such as a facial expression change

  • Additional $3 if the keyframe is colorized

• Fully Animated Sequences (VERY premature estimate)

  • Keyframes $10 per minute of animation

  • In-betweens $15 per minute of animation

  • Line are and color $15 per minute of animation

These above amounts are absolutely subject to change and the hope is that they will grow as we gain more donations!

For any other questions, make sure to send us a message on here or on Instagram. Thanks!!

Similar to the Producer role posted here, but if you're an animator by trade with knowledge of animation pipelines, this role could be for you!

We are looking for someone with a background in animation and animation pipelines who could be of great help to manage the progress of our Art/Animation Department, and has the know-how to get the animation from a blank page all the way to a finished deal! Storyboards, animatic, backgrounding, layout, key animation, cleanup/in-between, digital ink and paint, compositing, you'll oversee all of these!

We have a team of 25+ artists and animators of various skillsets, and a core of about 4 Lead Artists/Lead Animators who are our bedrock in terms of expertise and input on the team.

That said, since we've been a passion project for so many years and these 4 magnificent individuals have IRL stuff to deal with, it has usually been a rotation of a few of them being present to oversee things at once.

And while all of them of them can produce breathtaking results with regards to the art and animation, we could really use another individual who is familiar with the nuances of an animation pipeline, and is able to juggle the demands with overseeing the day-to-day management of an entire team or department of artists and animators, including various tasks such as DM check-ins, progress management, holding voice chat meetings, quality assurance, etc.

Even if you are not adept with the animation style of the Spectacular Spider-Man at the moment, deferring to our veteran leads for the quality assurance portion of this role as needed is absolutely possible.

However, a MASSIVE plus here would be submitting an audition with both:
- a finished animation sample (made on a team or individually), and

- a voice message and/or list of your prior work and background experience

While we have distinct rates for the Animator/Storyboarder role, we are still in the early stages of our Patreon campaign and thus are unsure about what we'd be able to pay for a role like this. Definitely contact us if you have questions, and we'll be sure to answer what we can. Thanks!

To submit an audition for this role, drop a link to your portfolio, and also include a demonstration of the Spectacular Spider-Man art style (preferably of a human character that is not Peter Parker or Spider-Man) for us to review!

Animators on our project have a variety of options when it comes to what art/animation programs they can use. Sequences will mostly be made up of animatic style scenes (image based), similar to a motion comic, with the exception of occasional animated scenes being utilized in more action-heavy sequences. Due to this, as long as you have an art program that you are accustomed to, you can join this project as an animator (provided that you are chosen) with little actual frame-by-frame animation experience, and are not required to own any industry standard software. As for FULL animation, experience with ToonBoom Harmony and ToonBoom Storyboard Pro is highly recommended but is not a requirement. Experience with Blender Grease Pencil is also highly encouraged if ToonBoom is not available to you, but once again, it is not a hard requirement. As long as the assets that are produced by our animators are able to be converted and utilized later on for the project, any program you prefer should work as long as we sort out the conversion details beforehand for consistency, flow, and Quality Assurance purposes! 

Also, if any of our newcomers are unsure of how to use ToonBoom or want to learn how to use it, our lead animators can absolutely help bring them up to speed on the software and teach them the basics of it if needed as well!

We are also currently in progress on storyboarding our movie. As mentioned above, as long as you have an art program or experience with ToonBoom Storyboard Pro, you can join as a storyboarder. Additionally, if your strengths lie in traditional art, feel free to audition as a storyboarder, as a digital art program is not necessarily required to fill in the role. While we are not actively looking for concept artists, submissions once you're in the role are welcome!

If you sign a contract and are able to give an agreed-upon amount of time, for this role specifically, we are (currently) offering:

• Storyboards ($9 total per page)

  • $3 per page of storyboard thumbnails

  • $6 per page of in-style storyboards

• Keyframes

  • $3 per full image including variants similar to the original such as a facial expression change

  • Additional $3 if the keyframe is colorized

• Fully Animated Sequences (VERY premature estimate)

  • Keyframes $10 per minute of animation

  • In-betweens $15 per minute of animation

  • Line are and color $15 per minute of animation

These above amounts are absolutely subject to change and the hope is that they will grow as we gain more donations!

For any other questions, make sure to send us a message on here or on Instagram. Thanks!!

We are looking for an additional Voice Director to assist with the directing, recording, and editing of voice acting lines by our many talented VAs in our cast! 

Our current Voice Director is looking for a partner to be able to delegate and offload his tasks to so that he can focus on the general Production side of things. He has less time for it nowadays and needs someone with enough experience to be able to work in his stead.

We are looking for some amount of relevant experience here. If you have only amateur voice acted BUT have some level of acting/theatre experience, that would be a plus for consideration. But actual experience directing VAs is very sought-after.

Good candidates will be able to:

• Oversee virtual recording sessions with or without the head Voice Director, giving direction on delivery, cadence, annunciation, emphasis, tone, etc. (especially with attention to the original portrayals of characters from Season 1 and Season 2 of The Spectacular Spider-Man)
• Cut down and separate voice lines and takes, also the ability to edit voice lines is a plus. 
• Maintain DM conversations with multiple Voice Actors, keeping up with progress on recordings (if the VA records on their own), editing, direction questions, etc. 
• Draft or maintain documents or spreadsheets for tracking progress of Voice Actors
• Take a script and produce Line Read Sheets for each VA and their character(s). (All sheets for Geography 101 are already produced, but having this ability will be crucial down the line as we move onto our Season 3 continuation.)
• Oversee castings and recasting with the head Voice Director when applicable, though final decisions will be made as a collective effort between team leadership.
• Record and compile reels of performances from the original VAs for characters in Season 1 and Season 2 of the original series, in order for our VAs to have a reference. The head Voice Director will show you how to do this. 
• Utilize Discord, as it is our main source of communication among the team. We need communication to be open and frequent on the platform in order to foster a productive working relationship. 

Prior viewing of The Spectacular Spider-Man animated series is not required, but is certainly a big plus. If the candidate has not seen the show, they will be required to view it in order to familiarize themselves with the various returning voice types that they will be working with. 

If you have any questions at all, you can DM the team account here on CCC or on Instagram!

BE SURE TO SUBMIT A MESSAGE DOWN BELOW INTRODUCING YOURSELF AND LISTING OUT YOUR EXPERIENCE AND WHAT YOU'D BE PROFICIENT AT. THANKS EVERYBODY IN ADVANCE :D