Grace Escandón

Typically $100 for finished minute of music (or minute of deliverable stems)... Negotiated contract by contract

I write primarily for small chamber ensembles (think Pierrot plus), solo, duo, or trio of instruments, and for large ensemble. This is what my training was in and this is what I am good at.

For my personal projects (unpaid) I have been stepping into the musical theatre/songwriting world with my now longtime writing partner William Nedved. We have independently developed and produced WANDERLUST, a musical comedy with a 12-person ensemble cast, and BOYSTOWN, a two-man movie-musical set in Chicago's gayborhood in the post-9/11 early 2000s.