A Meeting in the Afterlife (Theme of "Smiles of Insanity")

Shantia for Tenor/Baritone

Voice Actor
Voice Actor
Tenor/Baritone
open
Unpaid

This part's range is from G2 to A♭4 (that's the G an octave below the G below middle C to the first A-flat above middle C).

Stylistically, I would like this to emulate a sort of soft pop style, particularly for the character whose voice tends to be kind of whispery (in a creepy way); so stylistic nuances I would expect are like use of whispery breathiness to convey that, soft onsets, use of vocal fry, et cetera.

In the film, Dimentio's character has an English accent, but feel free to try whichever works best for you. It may be better to sing with an American accent if the other singer also has one to make the words sound the same when singing together.

And hey, if you're a girl who can sing pretty diddly-darn low, that would also be a pretty cool! Nnno good idea of how that would work, though! (Maybe the part could be shifted up a bit...? Regardless, I'd encourage giving it a go over...not giving it a go!)

If you can, please try singing the whole song, but the most important lines are listed here.

  • There is a single flaw
    Of magnitude much higher than all.
    All are blind!
    There's only me to answer the call!
    With successful numbing,
    An end to their suffering!

  • People who
    Have had nothing to do
    With anything we did
    Will soon from life be rid
    Despite involvementInexistent,
    No resistance
    Can be held against this chaos.

  • Oh, hap'ly ever after is not free for anyone who asks,
    But now that I'm alive again, finding my own is a simple task!
    We've spread our shares of ruin
    In the spans of time that we each call our lives
    And now that we've returned again,
    Not a remnant will survive!

Shantia
A Meeting in the Afterlife (Theme of "Smiles of Insanity")
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