Character Voiceover
TPlott for Omega
Omega is a "scary grandfather" figure with a Slavic accent - think of a more grounded, menacing version of Stefan Kapičić’s Colossus.
Note on the Accent: We are leaning into his thick pronunciation for comedic double-entendres. He should remain completely serious, but his delivery could occasionally turn phrases into accidental jokes.
He is a man of absolute authority who projects an image of someone who views his subjects as nothing more than tools (Although it is a persona and he does care for his people as will be evidenced later in the game). He doesn't need to shout to be heard - his power lies in a slow, heavy stillness that makes everyone in the room hold their breath.
His voice is low, gravelly, and rhythmically heavy, with distinctly rolled "R"s. When he speaks, imagine every word is a heavy stone you are placing firmly on a table.
For reference, aim for the toneless, ruthless authority of Senator Roark (Sin City) mixed with the disdainful, quiet elegance of Amahl Farouk (Legion). He should sound intimidating precisely because he doesn't try to sound intimidating.
Avoid typical "raging" anger. When he gets irritated, don't think "I am losing my temper." Instead, think "I am disappointed that this tool is broken and I have to throw it away." This makes his irritation feel cold, sharp, and inevitable.
The pressure should rise steadily until the final escalation. While the rest of his delivery is quiet and rhythmic, his final command - NOW!!! should be a sudden, barking jump-scare that shatters the silence and signals immediate danger.
- english
- armenian
- russian english
- male adult
- georgian
- videogame
We are losing the war and running out of materials to develop weapons. There’s only one way we can get materials without being in the enemy’s territory - we need you to go to space and gather ore for us!
You are ORE last hope! We’ve sent so many of our finest men, and nobody has returned!
Why are you still here? Put on your spacesuit and get to the spaceship NOW!!!
Hi TPlott, Eugene in! :)
I listened to the audition and it's moving closer to my initial vision. I noticed the intimidation in this take felt more intentional. While it is powerful, I want to be careful not to typecast him as just a raging villain. I want to leave him room to grow so the audience sees him as a complex character later on, rather than just a typical Napoleon Complex dictator. I don't know if I'm making sense, but he doesn't have to try to be intimidating because he owns his world.
Would you like me to send another read?