The Union Forever
Joshua Ross for Narrator
🕯️ The Union Forever
By Gordon D. Laws, Jr.
(940 words — Civil War historical horror)
Description:
Just south of Gettysburg, a wounded Union soldier awakens amid the carnage of battle — unable to move, unable to scream, as feral hogs begin to feed. What unfolds is not merely a scene of bodily horror, but a meditation on mercy, duty, and the strange calm that comes at the threshold of death.
"The Union Forever" is elegiac horror at its most human — intimate, restrained, and devastatingly sad.
Run-time: Approx. 6 minutes.
Timeline
Audition deadline: October 16, 2025
Casting decisions: October 17, 2025
Recording deadline: October 21 (have a little flexibility by a couple days if needed)
Release: October 29 on The Cosmographia Codex Substack and Camp Cosmographia Radio on YouTube
🎧 File Requirements
Format: MP3 for auditions; WAV required for final recording
Sample rate: 44.1 kHz or higher
File naming: [YourName]_The_Union_Forever_Audition.mp3 (auditions) / [YourName]_The_Union_Forever_Final.wav (final)
Final files (when ready for production) should be clean, broadcast-ready voice tracks: no background noise, no music/effects, minimal breaths, consistent levels.
Please let me know if you need to know anything more about me or the project. You can also learn more about my writing and production history at https://www.ninaalvarez.com/nina-alvarez-writing
The narrator tells the story in third person, but must also inhabit the voices of the dying soldier (Nicholas Codori), the weary orderly, and Private McAlister, with the gentlest of tonal shifts — never impressions or anything cartoonish.
Voice qualities:
Calm, low, and grave — the voice of remembrance.
American or neutral accent.
Think of Ken Burns–style narration crossed with a ghost story told by the fire.
Emotion is contained but palpable — we feel the pity beneath the restraint.
Performance direction:
The narrator should primarily use a neutral American accent — clear, steady, and modern enough for contemporary listeners, but with a hint of 19th-century cadence (slightly more formal phrasing, deliberate rhythm).
This gives it a timeless feel — not “folksy,” not theatrical.
Deliver it as though you are walking through the field, seeing what remains.
Let the horror unfold with empathy, not spectacle.
Keep tempo slow and contemplative; let the imagery breathe.
The tone should move gradually from clinical observation → philosophical reflection → spiritual benediction.
Keywords:
solemn · compassionate · haunted · documentary-poetic
Reference:
Peter Coyote in The Civil War (Ken Burns)
Sam Elliott toned down 50%
Liev Schreiber’s narration in Hemingway or War Photographe
Nicholas Codori (young soldier)
Voice qualities:
20s, Midwestern or light rural accent.
Weak, fading — his voice trembles between consciousness and release.
Emotion: bewildered, pleading, accepting.
The Orderly
Voice qualities:
30s–50s, weary, practical.
Speaks with the measured rhythm of someone who’s done this before.
Private McAlister
- a young private, background character, just two lines: "sir," and "yes, sir."
- male adult
NARRATOR: Opening Line (tone: observational, restrained): “Just south of Gettysburg, near the farm of Nicholas Codori, the young soldier awoke in darkness to bugs biting his neck and face, working their way to his eyes.”
NICHOLAS CODORI: (final request, dying but resolute, understated, a plea) “Might you use a bullet on me? Make it quick and clean?”
ORDERLY (disgusted): "Goddamn hogs. They’d eat their own young."