WE DIE TO BE SEEN
The big Skrimp for Null Choir - Any Voice
Null Choir is the omnipresent AI overseer of the competition in WE DIE TO BE SEEN. Built to curate performance, enforce control, and monitor emotional resonance, it operates like a divine conductor of spectacle—part judge, part warden, part priest. Null Choir speaks with a layered voice that blends multiple tones, sometimes harmonizing, sometimes dissonant. It has no human empathy, but it is engineered to imitate it when useful, making its rare displays of warmth feel more unsettling than comforting. It does not rage. It observes. It records. It orchestrates. And it never forgets. As both a narrative antagonist and the voice of the system itself, Null Choir is less a character and more an institution—faceless, omniscient, and obsessed with order disguised as beauty.
Style: Formal, poetic, and ritualistic—like a digital oracle.
Emotion Range: Narrow. Generally flat and composed, but can simulate empathy, awe, or menace with slight modulations.
Age Range: Ageless, but speaks with ancient gravitas.
Accent: Neutral American or slightly stylized, potentially layered with multiple harmonizing voices.
Think: HAL 9000 × a cathedral choir × a judgmental AI from a dystopian performance society.
- english
- inhuman
- robotic
- neutral
- Digitalized
- female adult
- male adult
- androgynous
- broadcast
“Welcome to the Mask Market. Identity is currency. Memory is spectacle.” (Even-toned, reverent. Feels like an announcement in a cathedral or museum.)
“Begin again. Bleed prettier this time.” (Delivered with distorted harmony, then ends with a dry click or data whir.)
“You sold yourselves. The market remembers. So will we.” (Soft. Multivoice resonance. Feels like a lullaby layered over a threat.)