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  • 4Total Roles
  • 4Open Roles
  • 5Total Auditions
  • 3Following This Project
  • Apr 11, 2018Listed
  • Apr 22, 2018Deadline
  • PodcastCategory
Alonso Betancor's Previously Completed Works

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    About Stockholm

    Introduction



    Stockholm presents a world where, unfree of consequences, death row inmates are offered a bitterly short second chance at life. They live (mostly) guilt-free inside a sort of interpersonal, digital cloud (appearing real to all those around them). For 5 day's only, they're innocent, a collection of thoughts and memories manifested as a perfectly conscious human being.


    The story follow's Kjell, one of these commonly dubbed "Crystallines". After committing an unforgivable (yet partially accidental) vehicular murder, he returns to his world as a free man. He lives with his wife Lise, still carrying out his job as a tour guide. But under the pressure of Clemmens, a vengeful cop with a knack to remember, and the mere presence of Anton, the cocky womanizer he killed in the first place, his short-lived return into the world of the living may end as coldly as the city he inhabits.


    Stockholm is a story about love and jealousy, forgiveness and escapism. It's about the need for some kind of truth versus the longing to just end it all in flames.


    Format



    A traditional radioplay lasting around 15 to 20 minutes.


    What I'm looking for



    In the writing and hopefully acting of Stockholm, I'm going for a sort of laid-back, conversational tone.  I want it to feel like, even though its concept is a bit out there, you're just tuning in to a (somewhat) normal conversation.


    Content Warning



    Unpaid


    Morally and emotionally unstable characters


    Light flirtatious undertones (brief mentions of the affair)


    Occasionally strong language


    (None of these are too serious, I just tend to list them incase they make people feel uncomfortable.)


    Technical Info 



    The lines should ideally all be in one file with Stereo sound.


    Schedule



    April 11th to April 19th - Audtions and final edits to story


    April 19th to 26th - First batch of lines should be recorded.


    April 27th to May 3rd - Second batch of lines should be recorded


    May 4th to 11th - Lines and music implemented into project


    May 12th - Ideal release date

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