Character Description:
Quina has a childlike curiosity for the world and is always ready to explore new locations to find new tastes; when arriving at a new location, Quina is quick to smell and taste-test the local wildlife and cuisine to discover delicacies. The childlike curiosity is Quina's dominant personality trait, as they are delighted by the small things in life, and takes the journey as a learning experience. Quina can be reckless, such as when they jump head-first into the canal in Treno after thinking they spotted food down there.

Setbacks don't bother them much, and they are soon back on their feet ready for new experiences. Quina has great respect for Qus elder to them, and at first wants to journey with Zidane because their Master tells them to. In an optional event in Quan's Dwelling it is revealed that Quina is on their way to become an excellent gourmand because of their vivid imagination, and it is hinted Quina has already surpassed their Master in the ways of the gourmand.

Although it may seem that Quina is the least involved in the quest the heroes undertake, being more interested in food than world events and going off on their own numerous times to pursue their own interests, they do develop a bond to the party. Quina attempts to cheer Freya up en route to Burmecia, and assures Vivi—who worries not being human—that he is as human as anyone else in the world. Quina helps Eiko cook in Madain Sari, teaching her that cooking for friends is at the core of love for food. When Quina is paired with Zidane to go explore the Earth Shrine, they are happy to go with him even if knowing Zidane only took them because they were the one left over when everyone else already left, saying that leftovers are a good thing. In Pandemonium, Quina eagerly helps Steiner fight off a monster. Quina is once again hired as the head cook in Alexandria at the end of the game, showing that they and Garnet are friends.

Vocal Tone:
Your voice should be higher pitched with a tone that could be mistaken for either male or female. It should be playful and full of wonder and humor. Avoid sounding like Jar Jar Binks from Star Wars.

Directorial Considerations:
- Consider your "Objective" within the scene. You don't have to make it complicated. What does your character want? What strategies is your character using to achieve it? What is getting in their way of achieving it? What does your character have to lose?
- Your audio must be devoid of sound reflection. Consider recording with a blanket, or inside a space where the microphone isn't picking up the bounciness of your recording.

- Lastly -- Consider your environment(s) and read between the lines. If you just record the audio as-is, there won't be much life to it. You don't want to wander off-script, but there is still a lot of flexibility that can be added to the dialog to acknowledge breathe life into your recording.